Plate 26 from "Los Caprichos": They've already got a seat (Ya tienen asiento)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 26 from "Los Caprichos": They've already got a seat (Ya tienen asiento)
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subject_creditlineLos Caprichos: They've Already Got a Seat, Plate 26, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.621
subject_titleThey've Already Got a Seat, Plate 26
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 80 from "Los Caprichos": It is time (Ya es hora)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 35 from "Los Caprichos": She fleeces him (Le descañona)
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subject_titleYa tienen asiento
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 33 from "Los Caprichos": To the Count Palatine (Al Conde Palatino)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 47 from "The Disasters of War" (Los Desastres de la Guerra): 'This is how it happened' (Así sucedió)
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subject_creditlineHarris Brisbane Dick Fund, 1932
subject_titlePlate 14 from "The Disasters of War" (Los Desastres de la Guerra): 'It's a Hard Step!' (Duro es el paso!)
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subject_creditlineLos Caprichos: She Fleeces Him, Plate 35, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.630
subject_titleShe Fleeces Him, Plate 35
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Providermetmuseum
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subject_creditlineGift of Mrs. Grafton H. Pyne, 1951
subject_titlePlate 14 from "The Disasters of War" (Los Desastres de la Guerra): It's a hard step! (Duro es el paso!)
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Providermetmuseum
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subject_creditlineHarris Brisbane Dick Fund, 1930
subject_titlePlate 9: Tantalus (Tantalo), from "Los Caprichos"
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Providermetmuseum
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 34 from "Los Caprichos": Sleep overcomes them (Las rinde el Sueño)
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Providermetmuseum
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 9 from "The Disasters of War" (Los Desastres de la Guerra): 'They don't like to' (No quieren)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 6 from "Los Caprichos": Nobody knows himself (Nadie se conoce)
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subject_titleThe Savior, from 'The French during The Revolution'
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provider_nameThe Metropolitan Museum of Art
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 5 from "The Disasters of War" (Los Desastres de la Guerra): 'And they are like wild beasts' (Y son fieras)
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Providermetmuseum
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subject_creditlineRogers Fund, 1922
subject_title'Well-Known Folly' from the 'Disparates' (Follies / Irrationalities, Plate A)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está)
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Providermetmuseum
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subject_titleThe Last Supper
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 74 from "Los Caprichos": Don't scream, stupid (No grites, tonta)
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Providermetmuseum
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