Plate 63 from "Los Caprichos": Look how solemn they are! (Miren que grabes!)
Providermetmuseum
Depiction IDmetmuseum:380703:primaryImage
Subject IDmetmuseum:380703
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Providermetmuseum
Depiction IDmetmuseum:380703:primaryImage
Subject IDmetmuseum:380703
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 63 from "Los Caprichos": Look how solemn they are! (Miren que grabes!)
subject_urlhttps://www.metmuseum.org/art/collection/search/380703
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Subject ID1922.658
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: Look How Solemn They Are!, Plate 63, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.658
subject_titleLook How Solemn They Are!, Plate 63
subject_urlhttps://clevelandart.org/art/1922.658
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 65 from "Los Caprichos": Where is mom going? (Donde vá mamá?)
subject_urlhttps://www.metmuseum.org/art/collection/search/380491
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subject_creditlineFlickr member "Boston Public Library Digital"
subject_titleMiren que grabes!
subject_urlhttps://flickr.com/photos/201585368@N05/54368646167
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Providermetmuseum
Depiction IDmetmuseum:380715:primaryImage
Subject IDmetmuseum:380715
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 67 from "Los Caprichos": Wait till you've been anointed (Aguarda que te unten)
subject_urlhttps://www.metmuseum.org/art/collection/search/380715
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Providermetmuseum
Depiction IDmetmuseum:397868:primaryImage
Subject IDmetmuseum:397868
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 9 from "La Tauromaquia": A Spanish knight kills the bull after having lost his horse
subject_urlhttps://www.metmuseum.org/art/collection/search/397868
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Providermetmuseum
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Subject IDmetmuseum:359839
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 75 from "Los Caprichos": Is there no one to untie us? (¿No hay quien nos desate?)
subject_urlhttps://www.metmuseum.org/art/collection/search/359839
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Providermetmuseum
Depiction IDmetmuseum:365887:primaryImage
Subject IDmetmuseum:365887
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his body
subject_urlhttps://www.metmuseum.org/art/collection/search/365887
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePllate 60 from "Los Caprichos": Trials (Ensayos)
subject_urlhttps://www.metmuseum.org/art/collection/search/380707
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Phyllis Massar, 2011
subject_titlePlate 70: Devout Profession (Devota Profesion), from "Los Caprichos"
subject_urlhttps://www.metmuseum.org/art/collection/search/399807
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Grafton H. Pyne, 1951
subject_titlePlate 37 from "The Disasters of War" (Los Desastres de La Guerra): This is worse (Esto es peor)
subject_urlhttps://www.metmuseum.org/art/collection/search/381328
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Providermetmuseum
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Subject IDmetmuseum:339738
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provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Karen B. Cohen Gift, 1986
subject_titleSatyrs Abducting Nymphs
subject_urlhttps://www.metmuseum.org/art/collection/search/339738
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Providermetmuseum
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Subject IDmetmuseum:378024
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 40 from "Los Caprichos": Of what ill will he die? (De que mal morira?)
subject_urlhttps://www.metmuseum.org/art/collection/search/378024
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Providermetmuseum
Depiction IDmetmuseum:341473:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1926
subject_titleTwo satyrs placing Silenus on a braying mule and a third satyr at left
subject_urlhttps://www.metmuseum.org/art/collection/search/341473
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Providermetmuseum
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subject_creditlineRogers Fund, 1921
subject_titlePlate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid
subject_urlhttps://www.metmuseum.org/art/collection/search/360410
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subject_creditlineLos Caprichos: Where is Mother Going?, Plate 65, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.660
subject_titleWhere is Mother Going?, Plate 65
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Providermetmuseum
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subject_creditlineBequest of Phyllis Massar, 2011
subject_titleSatyr family, on the move
subject_urlhttps://www.metmuseum.org/art/collection/search/399666
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 2 from "La Tauromaquia": Another way of hunting on foot
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Providermetmuseum
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subject_creditlineGift of Richard A. Berman, 2018
subject_titleVignette, from "The Battle of Milvian"
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subject_creditlineTwo Beggars Fighting, 1610–20. Jacques Bellange (French, c. 1575–1616). Etching. The Cleveland Museum of Art, Fortieth Anniversary Gift of The Print Club of Cleveland in honor of William Mathewson Milliken, 1960.20
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