Plate 78 from "Los Caprichos": Be quick, they are waking up (Despacha, que dispiertan)
Providermetmuseum
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Providermetmuseum
Depiction IDmetmuseum:380716:primaryImage
Subject IDmetmuseum:380716
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Mrs. Grafton H. Pyne, 1951
subject_titlePlate 78 from "Los Caprichos": Be quick, they are waking up (Despacha, que dispiertan)
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Providermetmuseum
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 78 from "Los Caprichos": Be quick, they are waking up (Despacha, que dispiértan)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1917
subject_titlePlate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.)
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subject_creditlineLos Caprichos: Be Quick, They are Waking Up, Plate 78, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.673
subject_titleBe Quick, They are Waking Up, Plate 78
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subject_titleDespacha, que dispiértan
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subject_creditlineHarris Brisbane Dick Fund, 1917
subject_titlePlate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.)
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Providermetmuseum
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 45 from "Los Caprichos": There is Plenty to Suck (Mucho hay que chupar)
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subject_creditlineLos Caprichos: There is Plenty to Suck, Plate 45, 1799 (printed c.1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.640
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Providermetmuseum
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 30 from "Los Caprichos": Why hide them? (Porque esconderlos?)
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subject_creditlineLos Caprichos: Why Hide Them?, Plate 30, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.625
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subject_creditlinePurchase, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund; Dodge and Pfeiffer Funds; Joseph Pulitzer Bequest; Gift of Bertina Suida Manning and Robert L. Manning, 1976
subject_titleSix people watching a snake, from the Scherzi
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Providermetmuseum
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subject_creditlineHarris Brisbane Dick Fund, 1953
subject_titlePlate 58 from 'The Disasters of War' (Los Desastres de la Guerra): 'It's no use crying out.' (No hay que dar voces.)
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subject_creditlineBequest of Grace M. Pugh, 1985
subject_titleA standing sailor talking to a seated Levantine
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 54 from "Los Caprichos": The shamefaced one (El Vergonzoso)
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subject_creditlineLos Caprichos: A Gift for the Master, Plate 47, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.642
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 47 from "Los Caprichos": A gift for the master (Obsequio á el maestro)
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Providermetmuseum
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 52 from "Los Caprichos": What a tailor can do! (Lo que puede un Sastre!)
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subject_titleSeated magician, boy and four figures from the Scherzi di Fantasia
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 58 from "Los Caprichos": Swallow it, dog (Tragala perro)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 18 from "Los Caprichos": And his house is on fire (Ysele quema la Casa)
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subject_creditlineBequest of Phyllis Massar, 2011
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