Plate 59 from "The Disasters of War" (Los Desastres de la Guerra): 'What is the use of a cup?' ( De qué sirve una taza?)
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 59 from "The Disasters of War" (Los Desastres de la Guerra): 'What is the use of a cup?' ( De qué sirve una taza?)
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subject_creditlineThe Horrors of War: What is the Use of a Cup?, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.575
subject_titleThe Horrors of War: What is the Use of a Cup?
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subject_titleDe qué sirve una taza?
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 58 from "The Disasters of War" (Los Desastres de la Guerra): 'It's no use crying out' (No hay que dar voces)
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Providermetmuseum
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 61 from "The Disasters of War" (Los Desastres de la Guerra): 'Perhaps they are of another breed' (Si son de otro linage)
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Providermetmuseum
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 55 from "The Disasters of War" (Los Desastres de la Guerra): 'The worst is to beg' (Lo peor es pedir)
subject_urlhttps://www.metmuseum.org/art/collection/search/381384
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Providermetmuseum
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 4 from "The Disasters of War" (Los Desastres de la Guerra): 'The women give courage' (Las mugeres dan valor)
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Providermetmuseum
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 46 from "The Disasters of War" (Los Desastres de la Guerra): 'This is bad' (Esto es malo)
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Providermetmuseum
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 33 from "The Disasters of War" (Los Desastres de La Guerra): 'What more can be done?' (Qué hai que hacer mas?)
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Providermetmuseum
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 23 from "The Disasters of War" (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes)
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Providermetmuseum
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 26 from "The Disasters of War" (Los Desastres de la Guerra): 'One can't look' (No se puede mirar)
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Providermetmuseum
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subject_creditlineGift of Mrs. Grafton H. Pyne, 1951
subject_titlePlate10 from "The Disasters of War" (Los Desastres de la Guerra): Nor [do these] either (Tampoco)
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Providermetmuseum
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subject_creditlineHarris Brisbane Dick Fund, 1932
subject_titlePlate 25 from "The Disasters of War" (Los Desastres de la Guerra): 'These too' (Tambien estos)
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subject_creditlineGift of Mrs. Grafton H. Pyne, 1951
subject_titlePlate 15 from "The Disasters of War" (Los Desastres de la Guerra): And there is nothing to be done (Y no hai remedio)
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Providermetmuseum
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subject_creditlineGift of Mrs. Grafton H. Pyne, 1951
subject_titlePlate 48 from "The Disasters of War" (Los Desastres de la Guerra): Cruel tale of woe! (Cruel Lástima!)
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor [do these] either' (Tampoco)
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subject_creditlineHarris Brisbane Dick Fund, 1932
subject_titlePlate 23 from "The Disasters of War" (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes)
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subject_creditlineThe Horrors of War: Thanks To The Millet, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.567
subject_titleThe Horrors of War: Thanks To The Millet
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 42 from "The Disasters of War" (Los Desastres de la Guerra): 'Everything is topsy-turvey' (Todo va revuelto)
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