Plate 64 from "The Disasters of War" (Los Desastres de la Guerra): 'Cartloads to the cemetery' (Carretadas al cementerio)
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Providermetmuseum
Depiction IDmetmuseum:381379:primaryImage
Subject IDmetmuseum:381379
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 64 from "The Disasters of War" (Los Desastres de la Guerra): 'Cartloads to the cemetery' (Carretadas al cementerio)
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subject_creditlineThe Horrors of War: Cartloads to the Cemetery, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.580
subject_titleThe Horrors of War: Cartloads to the Cemetery
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subject_titleCarretadas al cementerio
subject_urlhttps://flickr.com/photos/201585368@N05/54325963465
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Providermetmuseum
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 56 from "The Disasters of War" (Los Desastres de la Guerra): 'To the cemetery' (Al cementerio)
subject_urlhttps://www.metmuseum.org/art/collection/search/381381
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á otra)
subject_urlhttps://www.metmuseum.org/art/collection/search/381299
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Providermetmuseum
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 25 from "The Disasters of War" (Los Desastres de la Guerra): 'These too' (Tambien estos)
subject_urlhttps://www.metmuseum.org/art/collection/search/381368
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Providermetmuseum
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subject_creditlineGift of Mrs. Grafton H. Pyne, 1951
subject_titlePlate 54 from "The Disasters of War" (Los Desastres de la Guerra): Appeals are in vain (Clamores en vano)
subject_urlhttps://www.metmuseum.org/art/collection/search/381373
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Providermetmuseum
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 38 from "The Disasters of War" (Los Desastres de La Guerra): 'Barbarians!' (Bárbaros!)
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Providermetmuseum
Depiction IDmetmuseum:380647:primaryImage
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia)
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Providercma
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subject_creditlineThe Barrow - Quartier des Marolles, Brussels, 1887. James McNeill Whistler (American, 1834–1903). Etching. The Cleveland Museum of Art, Gift of Mr. and Mrs. Ralph King, 1922.448
subject_titleThe Barrow - Quartier des Marolles, Brussels
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Providermetmuseum
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 51 from "The Disasters of War" (Los Desastres de la Guerra): 'Thanks to the millet' (Gracias á la almorta)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 53 from "The Disasters of War" (Los Desastres de la Guerra): 'There was nothing to be done and he died' (Espiró sin remedio)
subject_urlhttps://www.metmuseum.org/art/collection/search/381382
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1953
subject_titlePlate 56, To the cemetery (Al cementerio), from "The Disasters of War" (Los Desastres de la Guerra)
subject_urlhttps://www.metmuseum.org/art/collection/search/334161
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1932
subject_titlePlate 11 from "The Disasters of War" (Los Desastres de la Guerra): 'Neither do these' (Ni por esas)
subject_urlhttps://www.metmuseum.org/art/collection/search/333979
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 75 from "The Disasters of War" (Los Desastres de la Guerra): 'Charlatan's show' (Farándula de charlatanes)
subject_urlhttps://www.metmuseum.org/art/collection/search/381411
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 66 from "The Disasters of War" (Los Desastres de la Guerra): 'Strange devotion!' (Extraña devocion!)
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subject_creditlineGift of Mrs. Grafton H. Pyne, 1951
subject_titlePlate 38 from "The Disasters of War" (Los Desastres de La Guerra): Barbarians! (Bárbaros!)
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subject_creditlinePeasants with a Farm-cart, c. 1790. Giovanni Domenico Tiepolo (Italian, 1727–1804). Pen and brown ink and brush and brown wash over black chalk; framing lines in brown ink over black chalk; sheet: 28.6 x 41.3 cm (11 1/4 x 16 1/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1937.568
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subject_creditlinePeasants with a Farm-cart, c. 1790. Giovanni Domenico Tiepolo (Italian, 1727–1804). Pen and brown ink and brush and brown wash over black chalk; framing lines in brown ink over black chalk; sheet: 28.6 x 41.3 cm (11 1/4 x 16 1/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1937.568
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subject_creditlineMuseum Accession, by exchange, 1967
subject_titleFire, represented by Venus seated before Vulcan's forge, with armor, a cannon, and cannon balls surrounding her, she turns her head toward Cupid, who stretches his body away from her, from "The Elements"
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subject_creditlineThe Horrors of War: To The Cemetery, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.572
subject_titleThe Horrors of War: To The Cemetery
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