Plate 77 from "The Disasters of War" (Los Desastres de la Guerra): 'May the cord break' (Que se rompe la cuerda)
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 77 from "The Disasters of War" (Los Desastres de la Guerra): 'May the cord break' (Que se rompe la cuerda)
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subject_creditlineThe Horrors of War: May the Cord Break, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.593
subject_titleThe Horrors of War: May the Cord Break
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subject_titleQue se rompe la cuerda
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Providermetmuseum
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 70 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not know the way' (No saben el camino)
subject_urlhttps://www.metmuseum.org/art/collection/search/381414
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Providermetmuseum
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 9 from "The Disasters of War" (Los Desastres de la Guerra): 'They don't like to' (No quieren)
subject_urlhttps://www.metmuseum.org/art/collection/search/380639
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Providermetmuseum
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 19 from "The Disasters of War" (Los Desastres de la Guerra): 'There isn't time now' (Ya no hay tiempo)
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Providermetmuseum
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi)
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subject_titleNo saben el camino
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Providermetmuseum
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 42 from "The Disasters of War" (Los Desastres de la Guerra): 'Everything is topsy-turvey' (Todo va revuelto)
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Providermetmuseum
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 67 from "The Disasters of War" (Los Desastres de la Guerra): 'This is not less so' (Esta no lo es menos)
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provider_nameCleveland Museum of Art
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subject_creditlineThe Horrors of War: This Too, 1810–20, published 1863. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.559
subject_titleThe Horrors of War: This Too
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1924
subject_titleFunereal Folly, from "The Disparates" (Follies / Irrationalities)
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subject_creditlineHarris Brisbane Dick Fund, 1924
subject_titleThe Exhortations, from "The Disparates" (Follies / Irrationalities)
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subject_creditlineThe Miracle before the Blessed Sacrament, 1912–13. Jean Louis Forain (French, 1852–1931). Etching. The Cleveland Museum of Art, Gift of Mrs. Ralph King, 1948.266
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subject_creditlineHarris Brisbane Dick Fund, 1924
subject_titleCarnival Folly, from "The Disparates" (Follies / Irrationalities)
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provider_nameThe Metropolitan Museum of Art
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 52 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not arrive in time' (No llegan á tiempo)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 47 from "The Disasters of War" (Los Desastres de la Guerra): 'This is how it happened' (Así sucedió)
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subject_creditlineGift of Mrs. Grafton H. Pyne, 1951
subject_titlePlate 15 from "The Disasters of War" (Los Desastres de la Guerra): And there is nothing to be done (Y no hai remedio)
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subject_title'Folly of Fear' from the 'Disparates' (Follies / Irrationalities)
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