Solway Moss, part XI, plate 52 from "Liber Studiorum"
Providermetmuseum
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Providermetmuseum
Depiction IDmetmuseum:382954:primaryImage
Subject IDmetmuseum:382954
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1928
subject_titleSolway Moss, part XI, plate 52 from "Liber Studiorum"
subject_urlhttps://www.metmuseum.org/art/collection/search/382954
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1962
subject_titleSolway Moss (Liber Studiorum, part XI, plate 52)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Edwin De T. Bechtel, 1951
subject_titleSolway Moss (Liber Studiorum, part XI, plate 52)
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Providermetmuseum
Depiction IDmetmuseum:373639:primaryImage
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1969
subject_titleMacbeth
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Providermetmuseum
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subject_creditlineBequest of Harry G. Sperling, 1971
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Providermetmuseum
Depiction IDmetmuseum:680496:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1940
subject_titleDeparting Storm
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1969
subject_titleMacbeth
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provider_nameNational Gallery of Art
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subject_creditlineRosenwald Collection
subject_titleSolway Moss
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Providermetmuseum
Depiction IDmetmuseum:383020:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Edwin De T. Bechtel, 1951
subject_titlePeat Bog, Scotland (Liber Studiorum, part IX, plate 45)
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Providermetmuseum
Depiction IDmetmuseum:682889:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1927
subject_titleWeymouth Bay
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Providermetmuseum
Depiction IDmetmuseum:680872:primaryImage
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Providercma
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subject_creditlineEpidauros, c. 1843. Carl Rottmann (German, 1797–1850). Pen and black ink and watercolor over graphite; sheet: 43.9 x 35.2 cm (17 5/16 x 13 7/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1984.60
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Providermetmuseum
Depiction IDmetmuseum:382931:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1928
subject_titleJunction of Severn and Wye, part VI, plate 28 from "Liber Studiorum"
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Providermetmuseum
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subject_creditlineHarris Brisbane Dick Fund, 1940
subject_titleWeymouth Bay
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Providermetmuseum
Depiction IDmetmuseum:337325:primaryImage
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subject_creditlinePurchase, Christie's and Wildenstein Gifts, 1996
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Providermetmuseum
Depiction IDmetmuseum:682902:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1943
subject_titleWeymouth Bay
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Providermetmuseum
Depiction IDmetmuseum:350534:primaryImage
Subject IDmetmuseum:350534
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1936
subject_titleThree Essays: On Picturesque Beauty; On Picturesque Travel; and On Sketching Landscape
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typeimage
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Providermetmuseum
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Providercma
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subject_creditlineLiber Studiorum: Lake of Thun, Swiss. Joseph Mallord William Turner (British, 1775–1851). Etching and mezzotint. The Cleveland Museum of Art, Gift of Miss Katherine Bullard in memory of Francis Bullard, 1919.134
subject_titleLiber Studiorum: Lake of Thun, Swiss
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Providermetmuseum
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Providermetmuseum
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subject_creditlineHarris Brisbane Dick Fund, 1928
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typeimage