Recto: "Libro Primo, Chapo Quarto..." (Vitruvius, Book 1, Chapter 4); Verso: The Fortification of City Walls (Vitruvius, Book 1, Chapter 5).
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Providermetmuseum
Depiction IDmetmuseum:383094:primaryImage
Subject IDmetmuseum:383094
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provider_nameThe Metropolitan Museum of Art
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subject_creditlinePurchase, Bequest of W. Gedney Beatty, by exchange, 2008
subject_titleRecto: "Libro Primo, Chapo Quarto..." (Vitruvius, Book 1, Chapter 4); Verso: The Fortification of City Walls (Vitruvius, Book 1, Chapter 5).
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Providermetmuseum
Depiction IDmetmuseum:417798:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Edwin De T. Bechtel, 1957
subject_titlePlate 2, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land)
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Providermetmuseum
Depiction IDmetmuseum:417763:primaryImage
Subject IDmetmuseum:417763
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Edwin De T. Bechtel, 1957
subject_titlePlate 14, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land)
subject_urlhttps://www.metmuseum.org/art/collection/search/417763
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlinePurchase, Bequest of W. Gedney Beatty, by exchange, 2008
subject_titleRecto: Temple Types: in Antis and Prostyle (Vitruvius, Book 3, Chapter 2, nos. 2, 3); Verso: Temple Types: Peripteral (Vitruvius, Book 3, Chapter 2, no. 5).
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Bequest of W. Gedney Beatty, by exchange, 2008
subject_titleRecto: Temple Types: Amphiprostyle (Vitruvius, Book 3, Chapter 2, no. 4); Verso: Temple Types: Pseudodipteral (Vitruvius, Book 3, Chapter 2, no. 6).
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1941
subject_titleFarnese Palace, from "Speculum Romanae Magnificentiae"
subject_urlhttps://www.metmuseum.org/art/collection/search/403674
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Providermetmuseum
Depiction IDmetmuseum:364540:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, 2002 Benefit Fund and Gift of Dr. Mortimer D. Sackler, Theresa Sackler and Family, 2004
subject_titleView of Jerusalem with the Temple of Solomon
subject_urlhttps://www.metmuseum.org/art/collection/search/364540
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Providermetmuseum
Depiction IDmetmuseum:342284:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Cornelius Vanderbilt, 1880
subject_titleElevation and Section
subject_urlhttps://www.metmuseum.org/art/collection/search/342284
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Providermetmuseum
Depiction IDmetmuseum:390022:primaryImage
Subject IDmetmuseum:390022
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1968
subject_titleHalf design for a palace - fortress with a statue in front
subject_urlhttps://www.metmuseum.org/art/collection/search/390022
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEighteen Views of Rome: The Collegio di Propaganda Fide (recto); Sketches of Windows and Pilasters of the Attic Storey of the Collegio di Propaganda Fide (verso), 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.9 x 48.9 cm (15 5/16 x 19 1/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.262
subject_titleEighteen Views of Rome: The Collegio di Propaganda Fide (recto); Sketches of Windows and Pilasters of the Attic Storey of the Collegio di Propaganda Fide (verso)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1941
subject_titleThe Baths of Diocletian, from "Speculum Romanae Magnificentiae"
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineCrenelated Fortress (verso), 2nd half 1500s. Agostino Carracci (Italian, 1557–1602). Pen and brown ink; sheet: 13.1 x 30.9 cm (5 3/16 x 12 3/16 in.). The Cleveland Museum of Art, Gift of Robert Hays Gries, 1941.605.b
subject_titleCrenelated Fortress (verso)
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: The Trevi Fountain, 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.6 x 48.8 cm (15 3/16 x 19 3/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.272
subject_titleEighteen Views of Rome: The Trevi Fountain
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Janos Scholz and Anne Bigelow Scholz, in memory of Flying Officer Walter Bigelow Rosen, RCAF, 1949
subject_titlePalazzo Farnese, section (recto) blank (verso)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Edwin De T. Bechtel, 1957
subject_titlePlate 5, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land)
subject_urlhttps://www.metmuseum.org/art/collection/search/417809
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Providermetmuseum
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Subject IDmetmuseum:388703
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1952
subject_titleDesign for a Façade (unfinished)
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Providermetmuseum
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subject_creditlinePurchase, Brooke Russell Astor Bequest, 2013
subject_titleStudies for the Nave and Narthex of San Giovanni in Laterano, Rome (recto and verso)
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: The Collegio di Propaganda Fide (recto), 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.9 x 48.9 cm (15 5/16 x 19 1/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.262.a
subject_titleEighteen Views of Rome: The Collegio di Propaganda Fide (recto)
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Providermetmuseum
Depiction IDmetmuseum:336078:primaryImage
Subject IDmetmuseum:336078
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Helen and János Scholz, 1958
subject_titleReconstruction of the Circus Maximus (above) and a View of the Site (below)
subject_urlhttps://www.metmuseum.org/art/collection/search/336078
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Depiction ID1943.262.a_web
Subject ID1943.262.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEighteen Views of Rome: The Collegio di Propaganda Fide (recto), 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.9 x 48.9 cm (15 5/16 x 19 1/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.262.a
subject_titleEighteen Views of Rome: The Collegio di Propaganda Fide (recto)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, the Elisha Whittelsey Fund 1949
subject_titleView of Motrone Castle (before its demolition around 1692)
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