Loyalty, from "The Disparates" (Follies / Irrationalities)
Providermetmuseum
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Providermetmuseum
Depiction IDmetmuseum:384328:primaryImage
Subject IDmetmuseum:384328
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1924
subject_titleLoyalty, from "The Disparates" (Follies / Irrationalities)
subject_urlhttps://www.metmuseum.org/art/collection/search/384328
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Providermetmuseum
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subject_creditlineGift of Mrs. Henry J. Bernheim, 1936
subject_title'Loyalty' from the 'Disparates' (Follies / Irrationalities)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Miss Anna Pellew, 1922
subject_title'Loyalty' from the 'Disparates' (Follies / Irrationalities)
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineThe Proverbs: Loyalty, 1864. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Gift of Grover Higgins, 1928.102.17
subject_titleThe Proverbs: Loyalty
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1924
subject_titleThe Exhortations, from "The Disparates" (Follies / Irrationalities)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1924
subject_titleFunereal Folly, from "The Disparates" (Follies / Irrationalities)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1924
subject_titleCarnival Folly, from "The Disparates" (Follies / Irrationalities)
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Providermetmuseum
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subject_creditlineHarris Brisbane Dick Fund, 1924
subject_titleGeneral Folly, from "The Disparates" (Follies / Irrationalities)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1924
subject_titleMerry Folly, from "The Disparates" (Follies / Irrationalities)
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subject_creditlineThe Horrors of War: Thanks To The Millet, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.567
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Providermetmuseum
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Providermetmuseum
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subject_creditlineHarris Brisbane Dick Fund, 1924
subject_titleDisorderly Folly, from "The Disparates" (Follies / Irrationalities)
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Providermetmuseum
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subject_creditlineHarris Brisbane Dick Fund, 1931
subject_title'Funereal Folly' from the 'Disparates' (Follies / Irrationalities)
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Providermetmuseum
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subject_creditlineHarris Brisbane Dick Fund, 1924
subject_titleClear Folly, from "The Disparates" (Follies / Irrationalities)
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provider_nameCleveland Museum of Art
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subject_creditlineThe Horrors of War: This Is Bad, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.562
subject_titleThe Horrors of War: This Is Bad
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Providermetmuseum
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subject_creditlineGift of Mrs. Henry J. Bernheim, 1936
subject_title'Merry Folly' from the 'Disparates' (Follies / Irrationalities)
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Providermetmuseum
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 42 from "The Disasters of War" (Los Desastres de la Guerra): 'Everything is topsy-turvey' (Todo va revuelto)
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subject_creditlineThe Proverbs: General Folly, 1864. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Gift of Grover Higgins, 1928.102.9
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Providermetmuseum
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 33 from "The Disasters of War" (Los Desastres de La Guerra): 'What more can be done?' (Qué hai que hacer mas?)
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subject_titleThe Horrors of War: One Can't Look
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