Ignorance and Mercury (an allegory of Virtue and Vice), Mercury kneeling at right holding a staff and taking the hand of a man who emerges from a pile of naked bodies, at left a tree with the torso and head of a woman (Daphne)
Providermetmuseum
Depiction IDmetmuseum:387739:primaryImage
Subject IDmetmuseum:387739
Modelgoogle/siglip2-so400m-patch16-naflex
Providermetmuseum
Depiction IDmetmuseum:387739:primaryImage
Subject IDmetmuseum:387739
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-05-07
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Mr. and Mrs. Janos Scholz Gift, 1954
subject_titleIgnorance and Mercury (an allegory of Virtue and Vice), Mercury kneeling at right holding a staff and taking the hand of a man who emerges from a pile of naked bodies, at left a tree with the torso and head of a woman (Daphne)
subject_urlhttps://www.metmuseum.org/art/collection/search/387739
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineAllegory of the Rescue of Humanity: Virtus Deserta, c. 1500–1505. Giovanni Antonio da Brescia (Italian), after Andrea Mantegna (Italian, about 1431–1506). Engraving printed on two sheets. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.155.b
subject_titleAllegory of the Rescue of Humanity: Virtus Deserta
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineAllegory of the Fall of Ignorant Humanity, c. 1500–1505. Giovanni Antonio da Brescia (Italian), after Andrea Mantegna (Italian, about 1431–1506). Engraving printed on two sheets. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.155
subject_titleAllegory of the Fall of Ignorant Humanity
subject_urlhttps://clevelandart.org/art/1925.155
typeimage
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Providermetmuseum
Depiction IDmetmuseum:393195:primaryImage
Subject IDmetmuseum:393195
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949
subject_titleVulcan's Forge
subject_urlhttps://www.metmuseum.org/art/collection/search/393195
typeimage
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Providercma
Depiction ID1925.443_web
Subject ID1925.443
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHercules Driving Envy from the Temple of the Muses, 1522–24. Ugo da Carpi (Italian, c. 1479–c. 1532), after Balthasar Peruzzi (Italian, 1481–1536). Chiaroscuro woodcut (in black and gray); sheet: 29.5 x 22.5 cm (11 5/8 x 8 7/8 in.). The Cleveland Museum of Art, Gift of Ralph King, 1925.443
subject_titleHercules Driving Envy from the Temple of the Muses
subject_urlhttps://clevelandart.org/art/1925.443
typeimage
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Providermetmuseum
Depiction IDmetmuseum:336730:primaryImage
Subject IDmetmuseum:336730
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949
subject_titleBurning of a corpse
subject_urlhttps://www.metmuseum.org/art/collection/search/336730
typeimage
Distance0.1163823
Providermetmuseum
Depiction IDmetmuseum:369656:primaryImage
Subject IDmetmuseum:369656
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949
subject_titleMassacre of the Innocents
subject_urlhttps://www.metmuseum.org/art/collection/search/369656
typeimage
Distance0.11713046
Providermetmuseum
Depiction IDmetmuseum:396170:primaryImage
Subject IDmetmuseum:396170
Attributes
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1917
subject_titleEnvy or Avarice at the right being driven from the temple of the Muses by Hercules who raises a club, the muses watching from the left
subject_urlhttps://www.metmuseum.org/art/collection/search/396170
typeimage
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Providermetmuseum
Depiction IDmetmuseum:361943:primaryImage
Subject IDmetmuseum:361943
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThe Fall of Troy and Escape of Aeneas
subject_urlhttps://www.metmuseum.org/art/collection/search/361943
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Providermetmuseum
Depiction IDmetmuseum:336904:primaryImage
Subject IDmetmuseum:336904
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924
subject_titleBattle in the Palace of Priam
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Providermetmuseum
Depiction IDmetmuseum:397255:primaryImage
Subject IDmetmuseum:397255
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Phyllis Massar, 2011
subject_titleMedea Pours a Magic Potion over Jason (Le roi Aeson tant caduque et chénu en une cuve elle couche tout nu...), from "Jason and the Golden Fleece"
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Providercma
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Subject ID1926.261
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineDescent into Limbo, c. 1490–1500. Giovanni Antonio da Brescia (Italian), after Andrea Mantegna (Italian, about 1431–1506). Engraving; sheet: 41.2 x 28.2 cm (16 1/4 x 11 1/8 in.); mat size: 56 x 40.7 cm (22 1/16 x 16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1926.261
subject_titleDescent into Limbo
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Providermetmuseum
Depiction IDmetmuseum:345726:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1917
subject_titleThe Martyrdom of Saint Lawrence, after Bandinelli
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Providermetmuseum
Depiction IDmetmuseum:336731:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924
subject_titleThe Sacrifice
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typeimage
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Miss Helen J. Baker, 1937
subject_titleAlexander the Great commanding that the work of Homer be placed in the tomb of Achilles
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Providermetmuseum
Depiction IDmetmuseum:336737:primaryImage
Subject IDmetmuseum:336737
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949
subject_titleContest between Athena and Poseidon
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Providermetmuseum
Depiction IDmetmuseum:361937:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1917
subject_titleThe Wounded Paris Carried from the Field of Battle
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Providermetmuseum
Depiction IDmetmuseum:337458:primaryImage
Subject IDmetmuseum:337458
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1932
subject_titleVenus in Vulcan's Forge
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typeimage
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Phyllis Massar, 2011
subject_titleBurning of a Corpse
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typeimage
Distance0.12312251
Providermetmuseum
Depiction IDmetmuseum:336762:primaryImage
Subject IDmetmuseum:336762
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949
subject_titleMeleager Bringing the Boar's Head to Atalanta
subject_urlhttps://www.metmuseum.org/art/collection/search/336762
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Providermetmuseum
Depiction IDmetmuseum:400197:primaryImage
Subject IDmetmuseum:400197
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2011
subject_titleVulcan's Forge
subject_urlhttps://www.metmuseum.org/art/collection/search/400197
typeimage