The Concave Petitioner: The Taste of the Day, no. 33 (Le Solliciteur Concave: Le Goût du Jour, No. 33)
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1975
subject_titleThe Concave Petitioner: The Taste of the Day, no. 33 (Le Solliciteur Concave: Le Goût du Jour, No. 33)
subject_urlhttps://www.metmuseum.org/art/collection/search/392295
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1975
subject_titleThe Convex Petitioner: The Taste of the Day, no. 34 (Le Solliciteur Convèxe: Le Goût du Jour, No. 34)
subject_urlhttps://www.metmuseum.org/art/collection/search/392296
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1933
subject_titleLe Cocu battu et content, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
subject_urlhttps://www.metmuseum.org/art/collection/search/369345
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Providermetmuseum
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subject_creditlineRogers Fund, 1918
subject_titleLe Cocu battu et content, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795
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provider_urlhttps://www.metmuseum.org/
subject_creditlineMuseum Accession, transferred from the Library
subject_titleA fencing master (recto); sketch of a man's head (verso)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960
subject_titleWell, Hello (Eh bonjour– donc–.)
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Providermetmuseum
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1971
subject_titleLe Goût du Jour, No. 21: Les Modernes Incroyables, from "Caricatures Parisiennes"
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Providermetmuseum
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subject_creditlineHarris Brisbane Dick Fund, 1947
subject_titleLe Magnifique, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795
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Providermetmuseum
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1965
subject_titleDécrotteur (Shoe Shiner), from "Mes gens, ou Les commissionnaires ultramontains au service de qui veut le payer" (Servants for Public Hire)
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Providermetmuseum
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subject_creditlineGift of Dr. Stephen K. and Janie Woo Scher, 2012
subject_titleLe Nouvelliste Sans Argent
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Providermetmuseum
Depiction IDmetmuseum:369342:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1933
subject_titleLe Magnifique, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
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Providermetmuseum
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subject_titleA coachman (recto); ships and rowboats (verso)
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subject_creditlineGift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924
subject_titleMonsieur Daumier, your Robert-Macaire series is delightful (...), from "Caricaturana"
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subject_titlePlate 36: Well? Well? What about your dowry?, from 'Caricaturana,' published in Les Robert Macaires
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subject_creditlineGift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924
subject_title"The Inexpressible Air of Dignity,–the Incomprehensible je-ne-sais Quoi of Elegance, which Appertains Solely to Men of High Fashion."–Vide, Lord Chesterfield's Letters
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Providermetmuseum
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subject_creditlineHarris Brisbane Dick Fund, 1933
subject_titleLe Cocu battu et content, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
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Providermetmuseum
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