Walk-through of an influential critic, from 'Sketches from the Salon,' published in 'Le Charivari,' June 24, 1865
Providermetmuseum
Depiction IDmetmuseum:393322:primaryImage
Subject IDmetmuseum:393322
Modelgoogle/siglip2-so400m-patch16-naflex
Providermetmuseum
Depiction IDmetmuseum:393322:primaryImage
Subject IDmetmuseum:393322
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-05-07
Embeddingslink
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP818589.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP818589.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1922
subject_titleWalk-through of an influential critic, from 'Sketches from the Salon,' published in 'Le Charivari,' June 24, 1865
subject_urlhttps://www.metmuseum.org/art/collection/search/393322
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.17575687
Providermetmuseum
Depiction IDmetmuseum:754637:primaryImage
Subject IDmetmuseum:754637
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP877464.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP877464.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962
subject_titleYou're not having anything?, from 'Parisian sketches,' published in Le Charivari, November 2-3, 1865
subject_urlhttps://www.metmuseum.org/art/collection/search/754637
typeimage
Distance0.17894292
Providermetmuseum
Depiction IDmetmuseum:757699:primaryImage
Subject IDmetmuseum:757699
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP877305.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP877305.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962
subject_titleMr. Prudhomme: I shall never get into a compartment alone with a single traveler... principles of personal safety are contrary to that, from 'On the train,' published in Le Charivari, August 18, 1864
subject_urlhttps://www.metmuseum.org/art/collection/search/757699
typeimage
Distance0.1813519
Providernga
Depiction IDadf2d73d-7796-46ce-a6ac-ea31310e31aa
Subject ID74801
Attributes
previewhttps://api.nga.gov/iiif/adf2d73d-7796-46ce-a6ac-ea31310e31aa/full/!200,200/0/default.jpg
provider_nameNational Gallery of Art
provider_urlhttps://www.nga.gov/
subject_creditlineAilsa Mellon Bruce Fund
subject_titleLa promenade du Critique influent
subject_urlhttps://purl.org/nga/collection/artobject/74801
typeimage
Distance0.18544382
Providermetmuseum
Depiction IDmetmuseum:754255:primaryImage
Subject IDmetmuseum:754255
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP877308.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP877308.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditline
subject_titleThe visitor and the artist, from 'Sketches from the Salon,' published in Le Charivari, May 30, 1864
subject_urlhttps://www.metmuseum.org/art/collection/search/754255
typeimage
Distance0.1916101
Providermetmuseum
Depiction IDmetmuseum:754098:primaryImage
Subject IDmetmuseum:754098
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP877195.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP877195.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962
subject_titleNew security measures, from 'On the train,' published in Le Charivari, September 1, 1864
subject_urlhttps://www.metmuseum.org/art/collection/search/754098
typeimage
Distance0.19392425
Providermetmuseum
Depiction IDmetmuseum:754602:primaryImage
Subject IDmetmuseum:754602
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP877373.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP877373.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1922
subject_titleAh, my dear sir, allow me to tell you that this year you have quite simply exhibited a masterpiece, from 'Sketches from the Salon,' published in Le Charivari, May 31, 1865
subject_urlhttps://www.metmuseum.org/art/collection/search/754602
typeimage
Distance0.1943962
Providermetmuseum
Depiction IDmetmuseum:755175:primaryImage
Subject IDmetmuseum:755175
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP877530.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP877530.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1922
subject_titleThe decline of the drama in 1866, from 'Parisian habits,' published in Le Charivari, May 2, 1866
subject_urlhttps://www.metmuseum.org/art/collection/search/755175
typeimage
Distance0.19663423
Providermetmuseum
Depiction IDmetmuseum:755081:primaryImage
Subject IDmetmuseum:755081
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP877428.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP877428.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962
subject_titleThe defendant (whispering to his lawyer): All this seems to bore the president. Why don't you just suggest to simply let me go home, from 'Parisian sketches,' published in Le Charivari, February 17, 1866
subject_urlhttps://www.metmuseum.org/art/collection/search/755081
typeimage
Distance0.20524728
Providermetmuseum
Depiction IDmetmuseum:754581:primaryImage
Subject IDmetmuseum:754581
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP877365.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP877365.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1922
subject_titleWell, if you look very closely, you might end up finding some quality! The color seems to be good., from 'Sketches from the Salon,' published in Le Charivari, June 16, 1865
subject_urlhttps://www.metmuseum.org/art/collection/search/754581
typeimage
Distance0.20590937
Providermetmuseum
Depiction IDmetmuseum:831181:primaryImage
Subject IDmetmuseum:831181
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887446.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887446.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleI tried to escape from this philological discussion, from "Little Miseries of Human Life"
subject_urlhttps://www.metmuseum.org/art/collection/search/831181
typeimage
Distance0.2083149
Providermetmuseum
Depiction IDmetmuseum:756777:primaryImage
Subject IDmetmuseum:756777
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP877882.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP877882.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Edwin De T. Bechtel, 1957
subject_titleMonsieur, I am bound to advise you that they are in the process of verifying Monsieur and that this seems to be taking a curious turn, from "News of the day"
subject_urlhttps://www.metmuseum.org/art/collection/search/756777
typeimage
Distance0.20898569
Providermetmuseum
Depiction IDmetmuseum:754601:primaryImage
Subject IDmetmuseum:754601
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP877368.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP877368.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1922
subject_titleBailiff at the commercial court, from 'Parisian Sketches,' published in Le Charivari, May 13, 1865
subject_urlhttps://www.metmuseum.org/art/collection/search/754601
typeimage
Distance0.20913917
Providermetmuseum
Depiction IDmetmuseum:754251:primaryImage
Subject IDmetmuseum:754251
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP877307.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP877307.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditline
subject_titleMr. PRUDHOMME: Long live the third class compartments..., from 'On the train,' published in Le Charivari, August 30, 1864
subject_urlhttps://www.metmuseum.org/art/collection/search/754251
typeimage
Distance0.21193415
Providermetmuseum
Depiction IDmetmuseum:356537:primaryImage
Subject IDmetmuseum:356537
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP818606.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP818606.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Harry G. Friedman, 1962
subject_titleProdigieux Effet Produit dans la Masse au Salon de 1840
subject_urlhttps://www.metmuseum.org/art/collection/search/356537
typeimage
Distance0.21234173
Providermetmuseum
Depiction IDmetmuseum:639541:primaryImage
Subject IDmetmuseum:639541
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP858610.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP858610.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962
subject_titleHere you see the great celebrities of literary, musical, and artistic France; they are thirty-six feet tall measured below sea level (Vous voyez ici les grandez célébrités), from Les Saltimbanques, published in La Caricature, April 28, 1839
subject_urlhttps://www.metmuseum.org/art/collection/search/639541
typeimage
Distance0.21257389
Providermetmuseum
Depiction IDmetmuseum:755521:primaryImage
Subject IDmetmuseum:755521
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP877617.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP877617.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1922
subject_titleEntering and leaving the exhibition: Studies from life, from 'News of the day,' published in "Le Charivari"
subject_urlhttps://www.metmuseum.org/art/collection/search/755521
typeimage
Distance0.21320099
Providermetmuseum
Depiction IDmetmuseum:754586:primaryImage
Subject IDmetmuseum:754586
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP877363.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP877363.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1922
subject_titleJust look what a degenerated and corrupt world we are living in...., from 'Sketches from the Salon,' published in Le Charivari, June 8, 1865
subject_urlhttps://www.metmuseum.org/art/collection/search/754586
typeimage
Distance0.21340978
Providermetmuseum
Depiction IDmetmuseum:754646:primaryImage
Subject IDmetmuseum:754646
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP877466.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP877466.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962
subject_titleJust imagine my good fellow.... if they knew how we make their cheese, they surely wouldn't hurry so much, from 'News of the day,' published in Le Charivari, December 30, 1865
subject_urlhttps://www.metmuseum.org/art/collection/search/754646
typeimage
Distance0.2135163
Providermetmuseum
Depiction IDmetmuseum:755172:primaryImage
Subject IDmetmuseum:755172
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP877531.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP877531.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1922
subject_titleLet's leave Madame... these nudes are revolting... (aside) I'll come back later., from 'At the Salon,' published in Le Charivari, May 5, 1866
subject_urlhttps://www.metmuseum.org/art/collection/search/755172
typeimage
Distance0.21369088
Providermetmuseum
Depiction IDmetmuseum:754115:primaryImage
Subject IDmetmuseum:754115
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP877317.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP877317.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962
subject_titleDon't worry, I'll take good care of your case, I am from Normandy, just like you, from 'Types and features,' published in Le Charivari, June 21, 1864
subject_urlhttps://www.metmuseum.org/art/collection/search/754115
typeimage