Medea Kills Her Two Children by Jason (Pour qui d'Absyrte a le sang repandu, fait que du sien le tort lui soit rendu...)
Providermetmuseum
Depiction IDmetmuseum:396017:primaryImage
Subject IDmetmuseum:396017
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Providermetmuseum
Depiction IDmetmuseum:396017:primaryImage
Subject IDmetmuseum:396017
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Created2026-05-05
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1926
subject_titleMedea Kills Her Two Children by Jason (Pour qui d'Absyrte a le sang repandu, fait que du sien le tort lui soit rendu...)
subject_urlhttps://www.metmuseum.org/art/collection/search/396017
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Providermetmuseum
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subject_creditlineBequest of Phyllis Massar, 2011
subject_titleMedea Kills her Two Children by Jason (Pour qui d'Absyrte a le sang repandu, fait que du sien le tort lui soit rendu...), from "Jason and the Golden Fleece"
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Providermetmuseum
Depiction IDmetmuseum:348930:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962
subject_titleDesigns for frames after the Galerie de François 1er at Fontainebleau
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Providermetmuseum
Depiction IDmetmuseum:397255:primaryImage
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subject_creditlineBequest of Phyllis Massar, 2011
subject_titleMedea Pours a Magic Potion over Jason (Le roi Aeson tant caduque et chénu en une cuve elle couche tout nu...), from "Jason and the Golden Fleece"
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineBequest of Phyllis Massar, 2011
subject_titleOrnament plate, from "Architettura"
subject_urlhttps://www.metmuseum.org/art/collection/search/399692
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Providermetmuseum
Depiction IDmetmuseum:406637:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1926
subject_titleYoung woman drinking from a bowl, an old woman standing in front of her, set within an elaborate frame
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Providermetmuseum
Depiction IDmetmuseum:365896:primaryImage
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949
subject_titleLandscape in a Frame
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Providermetmuseum
Depiction IDmetmuseum:336739:primaryImage
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subject_creditlineGift of George Coe Graves, by exchange, 1966
subject_titleFrame of Ignorance Defeated
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Providermetmuseum
Depiction IDmetmuseum:342957:primaryImage
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subject_creditlineHarris Brisbane Dick Fund, 1924
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Providermetmuseum
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Providermetmuseum
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1980
subject_titleDesign for a Sculptured Frame with Garlands and Statues and a Painting of Two Human Figures with Puttis inside the Frame.
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineBequest of Herbert Mitchell, 2008
subject_titleMedea Kills Her Two Children by Jason (Pour qui d'Absyrte a le sang repandu, fait que du sien le tort lui soit rendu...), from "Jason and the Golden Fleece"
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Providermetmuseum
Depiction IDmetmuseum:625454:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1926
subject_titleThe Judgment of Paris; man seated at left reaches out to a woman who is flanked by two others, set within an elaborate frame
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Providermetmuseum
Depiction IDmetmuseum:668121:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_titleEcce Homo / Man of Sorrows
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Providermetmuseum
Depiction IDmetmuseum:396950:primaryImage
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951
subject_titleFive numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Ceres lamenting the death of Carracci before Jupiter, painted by Ippolito Ferrantini; 2. Personification of Painting entrusting Carracci's body to Fame, painted by Giovanni Battista Bertusi; 3. The Fates leading the blindfolded Carracci to the foot of Jupiter's throne, painted by Lucio Massari; 4. Three rivers representing the cities of Bologna, Rome and Parma (Reno, Tiber and Parma) with Fame at left, designed by Sebastiano Razzali and painted by Baldessare Aloisi Galanini; 5. Agostino Carracci abducted by Mars who is jealous of the artist's portrait of Adonis made for a Farnese gallery panel, painted by Giovanni Battista Busi.
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Providermetmuseum
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subject_creditlinePurchase, Anne and Carl Stern Gift, 1965
subject_titleLandscape with Ornamental Frame
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_titleOrnamental Panel
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Providermetmuseum
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subject_creditlineBequest of Phyllis Massar, 2011
subject_titlePlate 6: Allegory with Hercules chasing off the Harpies as Justice and Plenty aid the poor, from "Barberinae aulae fornix"
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Providermetmuseum
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Providermetmuseum
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Providermetmuseum
Depiction IDmetmuseum:336724:primaryImage
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