Plate 46: Habit de Folie: a woman in a ballet pose, wearing a bonnet and holding a marotte in her right hand, from "New designs for costumes" (Nouveaux desseins d'habillements à l'usage des balets operas et comedies)
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Providermetmuseum
Depiction IDmetmuseum:397442:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineBequest of Phyllis Massar, 2011
subject_titlePlate 46: Habit de Folie: a woman in a ballet pose, wearing a bonnet and holding a marotte in her right hand, from "New designs for costumes" (Nouveaux desseins d'habillements à l'usage des balets operas et comedies)
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subject_creditlineBequest of Phyllis Massar, 2011
subject_titleHabit de Faune: a faun wearing a tonnelet with a flute attached, a cane in his right hand and vines around his horns, from "New designs for costumes" (Nouveaux desseins d'habillements à l'usage des balets operas et comedies)
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subject_creditlineBequest of Phyllis Massar, 2011
subject_titleHabit de Roy: a man wearing a tonnelet decorated with rosettes, a crown and a turban with feathers on his head, from "New designs for costumes" (Nouveaux desseins d'habillements à l'usage des balets operas et comedies)
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Providermetmuseum
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subject_creditlineBequest of Edwin De T. Bechtel, 1957
subject_titleLa Dame a la Grande Collerette et a la Coiffe Retombant en Arrière (The Lady with the Large Collar and a Headdress that Falls to the Back), from "La Noblesse" (The Nobility)
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Providermetmuseum
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subject_creditlineBequest of Phyllis Massar, 2011
subject_titleWoman walking and holding her skirt with her right hand, shown in three-quarters view with head turned toward the viewer, from "Figures of Fashion" (Figures de modes)
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subject_creditlineGift of Harry G. Friedman, 196262.635.602
subject_titleCopy of La Dame a la Grande Collerette et a la Coiffe Retombant en Arrière (The Lady with the Large Collar and a Headdress that Falls to the Back), from "La Noblesse" (The Nobility)
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Providermetmuseum
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960
subject_titleCostume of an Indian Woman from the Ballet "Triumph of Love" (Habit d'Indienne du balet du Triomphe de l'amour)
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Providermetmuseum
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subject_creditlineHarris Brisbane Dick Fund, 1953
subject_titleFemme du Levant, plate 8 from "Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet" (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved [etched] by F. Ravenet)
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Providermetmuseum
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subject_titleAncienne Mode Françoise, plate 4 from "Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet" (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved [etched] by F. Ravenet)
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Providermetmuseum
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subject_creditlineBequest of Edwin De T. Bechtel, 1957
subject_titleLa Dame au Masque (The Lady with a Mask), from "La Noblesse" (The Nobility)
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subject_creditlineBequest of Phyllis Massar, 2011
subject_titleHabit d'Ixion: a man wearing a tonnelet with a sword in the belt, a turban with one large feather on his head, from "New designs for costumes" (Nouveaux desseins d'habillements à l'usage des balets operas et comedies)
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subject_titleHabit of Mary Queen of Scots, in 1570
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Providermetmuseum
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Providermetmuseum
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subject_creditlineBequest of Phyllis Massar, 2011
subject_titleRhetoric: a young woman standing in a decorated interior with a caduceus in her right hand and a closed fan in her left hand, from "The liberal arts" (Les arts liberaux)
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Providermetmuseum
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Providermetmuseum
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Providermetmuseum
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