Plate 85: View of the Contarini Palace in Campo San Trovaso, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
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Depiction IDmetmuseum:397537:primaryImage
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Providermetmuseum
Depiction IDmetmuseum:397537:primaryImage
Subject IDmetmuseum:397537
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Phyllis Massar, 2011
subject_titlePlate 85: View of the Contarini Palace in Campo San Trovaso, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
subject_urlhttps://www.metmuseum.org/art/collection/search/397537
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1957
subject_titleLe Fabriche, e vedute di Venetia
subject_urlhttps://www.metmuseum.org/art/collection/search/335293
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews of Venice: The Molo and S. M. Della Salute, 1741. Michele Marieschi (Italian, 1710–1743). Etching. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1978.136.19
subject_titleViews of Venice: The Molo and S. M. Della Salute
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Phyllis Massar, 2011
subject_titlePlate 91: View of the Mocenigo Palace in Campo San Stae, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
subject_urlhttps://www.metmuseum.org/art/collection/search/397539
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960
subject_titleThe Rialto Bridge, Venice, with boats and gondolas in the water
subject_urlhttps://www.metmuseum.org/art/collection/search/814987
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Providercma
Depiction ID1978.136.8_web
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews of Venice: Palazzo Pesaro, 1741. Michele Marieschi (Italian, 1710–1743). Etching. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1978.136.8
subject_titleViews of Venice: Palazzo Pesaro
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Phyllis Massar, 2011
subject_titlePlate 9: The bridge and market of the Rialto, Venice, from "Views of Venice" (Magnificentiores Selectioresque Urbis Venetiarum Prospectus)
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Providermetmuseum
Depiction IDmetmuseum:397544:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Phyllis Massar, 2011
subject_titlePlate 96: View of the facade of the Pisani Palace in Campo Santo Stefano, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
subject_urlhttps://www.metmuseum.org/art/collection/search/397544
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Providercma
Depiction ID1978.136.22_web
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews of Venice: The Regatta, 1741. Michele Marieschi (Italian, 1710–1743). Etching. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1978.136.22
subject_titleViews of Venice: The Regatta
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineViews: The Library, Venice, 1735–1746. Antonio Canaletto (Italian, 1697–1768). Etching; platemark: 14.5 x 21 cm (5 11/16 x 8 1/4 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1239.15
subject_titleViews: The Library, Venice
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Depiction ID1978.136.13_web
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews of Venice: Campo S. S. Giovanni e Paolo, 1741. Michele Marieschi (Italian, 1710–1743). Etching. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1978.136.13
subject_titleViews of Venice: Campo S. S. Giovanni e Paolo
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews of Venice: Santa Chiara, 1741. Michele Marieschi (Italian, 1710–1743). Etching. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1978.136.7
subject_titleViews of Venice: Santa Chiara
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews: The Stone of Proclamation at Venice, 1735–1746. Antonio Canaletto (Italian, 1697–1768). Etching; platemark: 14.5 x 21.2 cm (5 11/16 x 8 3/8 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1239.16
subject_titleViews: The Stone of Proclamation at Venice
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provider_nameMuseum of Modern Art
provider_urlhttps://www.moma.org/
subject_creditlinePurchase
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews of Venice: The Piazzetta, 1741. Michele Marieschi (Italian, 1710–1743). Etching. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1978.136.11
subject_titleViews of Venice: The Piazzetta
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleFrancesco I d'Este Builds the Palazzo di Sassuolo, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"
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Depiction ID1978.136.18_web
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews of Venice: Rialto, 1741. Michele Marieschi (Italian, 1710–1743). Etching. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1978.136.18
subject_titleViews of Venice: Rialto
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provider_nameCleveland Museum of Art
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subject_creditlineViews: The Prison, Venice, 1735–1746. Antonio Canaletto (Italian, 1697–1768). Etching; platemark: 14.4 x 21.1 cm (5 11/16 x 8 5/16 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1239.18
subject_titleViews: The Prison, Venice
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: The Piazza Farnese (recto), 1664. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray and blue wash over graphite; squared in graphite (two figures in the foreground); framing lines in brown ink; sheet: 38.7 x 49 cm (15 1/4 x 19 5/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.257.a
subject_titleEighteen Views of Rome: The Piazza Farnese (recto)
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subject_creditlineBequest of Phyllis Massar, 2011
subject_titlePlate 61: View of the customs house (Dogana da Mar) at the confluence of the Grand Canal and Giudecca Canal, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: The Piazza Farnese (recto); Cartouche (verso), 1664. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray and blue wash over graphite; squared in graphite (two figures in the foreground); framing lines in brown ink; sheet: 38.7 x 49 cm (15 1/4 x 19 5/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.257
subject_titleEighteen Views of Rome: The Piazza Farnese (recto); Cartouche (verso)
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typeimage