Plate 61: View of the customs house (Dogana da Mar) at the confluence of the Grand Canal and Giudecca Canal, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
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Depiction IDmetmuseum:397541:primaryImage
Subject IDmetmuseum:397541
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Providermetmuseum
Depiction IDmetmuseum:397541:primaryImage
Subject IDmetmuseum:397541
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Phyllis Massar, 2011
subject_titlePlate 61: View of the customs house (Dogana da Mar) at the confluence of the Grand Canal and Giudecca Canal, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
subject_urlhttps://www.metmuseum.org/art/collection/search/397541
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provider_nameCleveland Museum of Art
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subject_creditlineViews of Venice: The Molo and S. M. Della Salute, 1741. Michele Marieschi (Italian, 1710–1743). Etching. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1978.136.19
subject_titleViews of Venice: The Molo and S. M. Della Salute
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews of Venice: The Basin of St. Mark's, 1741. Michele Marieschi (Italian, 1710–1743). Etching. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1978.136.5
subject_titleViews of Venice: The Basin of St. Mark's
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThe church of Santa Maria della Salute seen across the water with gondolas in the foreground
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provider_urlhttps://clevelandart.org/
subject_creditlineViews of Venice: Santa Chiara, 1741. Michele Marieschi (Italian, 1710–1743). Etching. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1978.136.7
subject_titleViews of Venice: Santa Chiara
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews of Venice: Cannaregio, 1741. Michele Marieschi (Italian, 1710–1743). Etching. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1978.136.15
subject_titleViews of Venice: Cannaregio
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960
subject_titleNocturnal view of the gondolas' procession in front of the Basilica of San Pietro di Castello
subject_urlhttps://www.metmuseum.org/art/collection/search/814989
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlinePurchase, Friends of Drawings and Prints Gifts, 2017
subject_titleView of the church of Santa Maria della Salute in Venice, a regatta taking place on the canal
subject_urlhttps://www.metmuseum.org/art/collection/search/730796
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineViews of Venice: S. M. Della Salute, 1741. Michele Marieschi (Italian, 1710–1743). Etching. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1978.136.10
subject_titleViews of Venice: S. M. Della Salute
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provider_nameCleveland Museum of Art
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subject_creditlineViews of Venice: The Regatta, 1741. Michele Marieschi (Italian, 1710–1743). Etching. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1978.136.22
subject_titleViews of Venice: The Regatta
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provider_nameCleveland Museum of Art
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subject_creditlineViews of Venice: Rialto, 1741. Michele Marieschi (Italian, 1710–1743). Etching. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1978.136.18
subject_titleViews of Venice: Rialto
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. David Keppel, 1960
subject_titleThe smaller harbor, called the Porto di Ripetta (Veduta del Porto di Ripetta)
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Providercma
Depiction ID1978.136.13_web
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews of Venice: Campo S. S. Giovanni e Paolo, 1741. Michele Marieschi (Italian, 1710–1743). Etching. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1978.136.13
subject_titleViews of Venice: Campo S. S. Giovanni e Paolo
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRobert Lehman Collection, 1975
subject_titleView of Mazzorbo
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Providercma
Depiction ID1978.136.8_web
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews of Venice: Palazzo Pesaro, 1741. Michele Marieschi (Italian, 1710–1743). Etching. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1978.136.8
subject_titleViews of Venice: Palazzo Pesaro
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews of Venice: Campo dei Frari, 1741. Michele Marieschi (Italian, 1710–1743). Etching. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1978.136.21
subject_titleViews of Venice: Campo dei Frari
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews: The Market on the Molo, 1735–1746. Antonio Canaletto (Italian, 1697–1768). Etching; platemark: 14.4 x 21.1 cm (5 11/16 x 8 5/16 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1239.17
subject_titleViews: The Market on the Molo
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineBequest of Phyllis Massar, 2011
subject_titlePlate 9: The bridge and market of the Rialto, Venice, from "Views of Venice" (Magnificentiores Selectioresque Urbis Venetiarum Prospectus)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1961
subject_titleNocturnal view of the procession on Christmas Eve of the Doge and Venetian Senate to San Giorgio Maggiore
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSanta Maria Maggiore from "Prospectus Locurum Urbis Romae Insign[ium]", 1666. Lievin Cruyl (Flemish, c. 1640-c. 1720). Etching. The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1991.64.7
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews of Venice: The Bridge and Market of Rialto, 1741. Michele Marieschi (Italian, 1710–1743). Etching. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1978.136.6
subject_titleViews of Venice: The Bridge and Market of Rialto
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