Plate 14: View of the facade of St. Moses church, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
Providermetmuseum
Depiction IDmetmuseum:397543:primaryImage
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Providermetmuseum
Depiction IDmetmuseum:397543:primaryImage
Subject IDmetmuseum:397543
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Phyllis Massar, 2011
subject_titlePlate 14: View of the facade of St. Moses church, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
subject_urlhttps://www.metmuseum.org/art/collection/search/397543
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleView of the Basilica of San Sebastiano fuori delle mura [St. Sebastian ouside the Walls] on the Appian Way, from Vedute di Roma (Roman Views)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. David Keppel, 1960
subject_titleView of the Basilica of San Sebastiano fuori delle mura [St. Sebastian outside the Walls] on the Appian Way, from Vedute di Roma (Roman Views)
subject_urlhttps://www.metmuseum.org/art/collection/search/363070
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews of Venice: Campo dei Frari, 1741. Michele Marieschi (Italian, 1710–1743). Etching. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1978.136.21
subject_titleViews of Venice: Campo dei Frari
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. David Keppel, 1960
subject_titleView of the rear entrance of the Basilica of S. Maria Maggiore, from Veduta di Roma (Roman Views)
subject_urlhttps://www.metmuseum.org/art/collection/search/363074
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Providermetmuseum
Depiction IDmetmuseum:363080:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. David Keppel, 1960
subject_titleView of the Façade of the Basilica of S. Croce in Gerusalemme [the Holy Cross in Jerusalem], from Vedute di Roma (Roman Views)
subject_urlhttps://www.metmuseum.org/art/collection/search/363080
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Providermetmuseum
Depiction IDmetmuseum:363087:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1955
subject_titleView of the exterior of St. Peter's Basilica in the Vatican, from Vedute di Roma (Roman Views)
subject_urlhttps://www.metmuseum.org/art/collection/search/363087
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Providercma
Depiction ID1978.136.17_web
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews of Venice: Campo S. Rocco, 1741. Michele Marieschi (Italian, 1710–1743). Etching. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1978.136.17
subject_titleViews of Venice: Campo S. Rocco
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Providercma
Depiction ID1943.263_alt0_web
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: Santa Maria in Via Lata, 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.8 x 49 cm (15 1/4 x 19 5/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.263
subject_titleEighteen Views of Rome: Santa Maria in Via Lata
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Phyllis Massar, 2011
subject_titlePlate 91: View of the Mocenigo Palace in Campo San Stae, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
subject_urlhttps://www.metmuseum.org/art/collection/search/397539
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1955
subject_titleVeduta degli avanzi del Foro di Nerva, l'arcade et la muraille (The Forum of Augustus [erroneously called the Forum of Nerva])
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Providercma
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subject_creditlineEighteen Views of Rome: Santa Maria in Via Lata, 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.8 x 49 cm (15 1/4 x 19 5/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.263
subject_titleEighteen Views of Rome: Santa Maria in Via Lata
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: Santa Maria in Via Lata, 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.8 x 49 cm (15 1/4 x 19 5/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.263
subject_titleEighteen Views of Rome: Santa Maria in Via Lata
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineBequest of Phyllis Massar, 2011
subject_titlePlate 38: View of the facade of the church of St. Roch and at left the facade of the School of St. Roch, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
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subject_creditlineEighteen Views of Rome: The Church of Santa Maria in Vallicella, 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.8 x 49.1 cm (15 1/4 x 19 5/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.267
subject_titleEighteen Views of Rome: The Church of Santa Maria in Vallicella
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineBequest of Phyllis Massar, 2011
subject_titlePlate 37: Side view of the school of St. Roch at left and view of facade of the church of St. Roch, Venice, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
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provider_nameCleveland Museum of Art
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subject_creditlineEighteen Views of Rome: The Church of Santa Maria in Vallicella, 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash over graphite; framing lines in brown ink; sheet: 38.8 x 49.1 cm (15 1/4 x 19 5/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1943.267
subject_titleEighteen Views of Rome: The Church of Santa Maria in Vallicella
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews of Venice: Campo S. S. Giovanni e Paolo, 1741. Michele Marieschi (Italian, 1710–1743). Etching. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1978.136.13
subject_titleViews of Venice: Campo S. S. Giovanni e Paolo
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Mrs. David Keppel, 1960
subject_titleView of the Fountainhead of the Acqua Felice...., from Vedute di Roma (Roman Views)
subject_urlhttps://www.metmuseum.org/art/collection/search/363072
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Providermetmuseum
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subject_creditlineGift of Edward W. Root, Elihu Root Jr. and Mrs. Ulysses S. Grant III, 1937
subject_titleThe Capitol and the steps of S. Maria in Aracoeli (Veduta del Romano Camipidoglio con scalinata che va alla chiesa d'Araceli)
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Providermetmuseum
Depiction IDmetmuseum:364360:primaryImage
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subject_creditlineThe Elisha Whittlelsey Collection, The Elisha Whittelsey Fund, 1956
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