Plate 1 from "La Tauromaquia": The way in which the ancient Spaniards hunted bulls on horseback in the open country
Providermetmuseum
Depiction IDmetmuseum:397858:primaryImage
Subject IDmetmuseum:397858
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Providermetmuseum
Depiction IDmetmuseum:397858:primaryImage
Subject IDmetmuseum:397858
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 1 from "La Tauromaquia": The way in which the ancient Spaniards hunted bulls on horseback in the open country
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: The Way in Which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.540
subject_titleBullfights: The Way in Which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country
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Providermetmuseum
Depiction IDmetmuseum:359939:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 11 from "La Tauromaquia": The Cid campeador spearing another bull
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Providermetmuseum
Depiction IDmetmuseum:397887:primaryImage
Subject IDmetmuseum:397887
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls
subject_urlhttps://www.metmuseum.org/art/collection/search/397887
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Providermetmuseum
Depiction IDmetmuseum:397893:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body
subject_urlhttps://www.metmuseum.org/art/collection/search/397893
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rules
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: The Spirited Moor Gazul is the First to Fight According to the Rules, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.544
subject_titleBullfights: The Spirited Moor Gazul is the First to Fight According to the Rules
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 24 of "La Tauromaquia": The same Ceballos mounted on another bull breaks short spears in the ring at Madrid
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 27 from "La Tauromaquia": The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike
subject_urlhttps://www.metmuseum.org/art/collection/search/365890
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Walter E. Sachs, 1916
subject_titleCharles V spearing a bull in the ring at Valladolid, plate 10 from "La Tauromaquia"
subject_urlhttps://www.metmuseum.org/art/collection/search/333780
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: El Cid Campeador Spearing Another Bull, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.550
subject_titleBullfights: El Cid Campeador Spearing Another Bull
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 8 from "La Tauromaquia": A Moor caught by the bull in the ring
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Providermetmuseum
Depiction IDmetmuseum:397871:primaryImage
Subject IDmetmuseum:397871
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 22 from "La Tauromaquia": Manly courage of the celebrated Pajuelera in [the ring] at Zaragoza
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 31 of "La Tauromaquia": Banderillas with firecrackers
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Providermetmuseum
Depiction IDmetmuseum:397902:primaryImage
Subject IDmetmuseum:397902
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 29 of "La Tauromaquia": Pepe Illo making the pass of the 'recorte'
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.563
subject_titleBullfights: The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: Charles V spearing a bull, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.549
subject_titleBullfights: Charles V spearing a bull
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Providermetmuseum
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 17 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not agree' (No se convienen)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1930
subject_titlePlate 17: They do not agree (No se convienen), from "The Disasters of War" (Los Desastres de la Guerra)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 9 from "La Tauromaquia": A Spanish knight kills the bull after having lost his horse
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subject_titleThe Cid Campeador Spearing Another Bull
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typeimage