Plate 7 from "La Tauromaquia": Origin of the harpoon or banderillas
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Providermetmuseum
Depiction IDmetmuseum:397864:primaryImage
Subject IDmetmuseum:397864
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 7 from "La Tauromaquia": Origin of the harpoon or banderillas
subject_urlhttps://www.metmuseum.org/art/collection/search/397864
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: Origin of the Harpoons or Banderillas, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.546
subject_titleBullfights: Origin of the Harpoons or Banderillas
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 30 from "La Tauromaquia": Pedro Romero killing the halted bull
subject_urlhttps://www.metmuseum.org/art/collection/search/397901
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 8 from "La Tauromaquia": A Moor caught by the bull in the ring
subject_urlhttps://www.metmuseum.org/art/collection/search/397866
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Providermetmuseum
Depiction IDmetmuseum:397862:primaryImage
Subject IDmetmuseum:397862
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 4 from "La Tauromaquia": They play another with the cape in an enclosure
subject_urlhttps://www.metmuseum.org/art/collection/search/397862
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Providermetmuseum
Depiction IDmetmuseum:397873:primaryImage
Subject IDmetmuseum:397873
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 19 of "La Tauromaquia": Another madness of his in the same ring
subject_urlhttps://www.metmuseum.org/art/collection/search/397873
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Providermetmuseum
Depiction IDmetmuseum:360410:primaryImage
Subject IDmetmuseum:360410
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid
subject_urlhttps://www.metmuseum.org/art/collection/search/360410
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Providermetmuseum
Depiction IDmetmuseum:365884:primaryImage
Subject IDmetmuseum:365884
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 6 from "La Tauromaquia": The Moors make a different play in the ring calling the bull with their burnous
subject_urlhttps://www.metmuseum.org/art/collection/search/365884
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Providermetmuseum
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Subject IDmetmuseum:397900
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 31 of "La Tauromaquia": Banderillas with firecrackers
subject_urlhttps://www.metmuseum.org/art/collection/search/397900
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 29 of "La Tauromaquia": Pepe Illo making the pass of the 'recorte'
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subject_creditlineFlickr member "Boston Public Library Digital"
subject_titleClabar dardos, origen de las banderillas
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: Pedro Romeo Killing the Halted Bull, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.569
subject_titleBullfights: Pedro Romeo Killing the Halted Bull
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Providermetmuseum
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Subject IDmetmuseum:397898
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 13 of "La Tauromaquia": A Spanish mounted knight in the ring breaking short spears without the help of assistants
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Providermetmuseum
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subject_creditlineRogers Fund, 1921
subject_titlePlate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 26 from "La Tauromaquia": A picador is unhorsed and falls under the bull
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: A Bullfighter Mounted on the Shoulders of an Assistant, Spearing a Bull, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.576
subject_titleBullfights: A Bullfighter Mounted on the Shoulders of an Assistant, Spearing a Bull
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subject_creditlineBullfights: The Unlucky Death of Pepe Illo, in the Ring at Madrid, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.572
subject_titleBullfights: The Unlucky Death of Pepe Illo, in the Ring at Madrid
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 23 from "La Tauromaquia": Mariano Ceballos, alias the Indian, kills the bull from his horse
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subject_creditlineGift of Walter E. Sachs, 1916
subject_titleA Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia"
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: The Agility and Audacity of Juanito Apinani in (the Ring) at Madrid, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.559
subject_titleBullfights: The Agility and Audacity of Juanito Apinani in (the Ring) at Madrid
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Providermetmuseum
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Subject IDmetmuseum:397871
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subject_creditlineRogers Fund, 1921
subject_titlePlate 22 from "La Tauromaquia": Manly courage of the celebrated Pajuelera in [the ring] at Zaragoza
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