Plate 16 of "La Tauromaquia": The same man throws a bull in the ring at Madrid
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subject_creditlineRogers Fund, 1921
subject_titlePlate 16 of "La Tauromaquia": The same man throws a bull in the ring at Madrid
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subject_creditlineRogers Fund, 1921
subject_titlePlate 9 from "La Tauromaquia": A Spanish knight kills the bull after having lost his horse
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subject_creditlineRogers Fund, 1921
subject_titlePlate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body
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subject_creditlineRogers Fund, 1921
subject_titlePlate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his body
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subject_creditlineRogers Fund, 1921
subject_titlePlate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls
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subject_creditlineRogers Fund, 1921
subject_titlePlate 6 from "La Tauromaquia": The Moors make a different play in the ring calling the bull with their burnous
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 31 of "La Tauromaquia": Banderillas with firecrackers
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subject_creditlineBullfights: A Spanish Knight Kills the Bull After Having Lost His Horse, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.548
subject_titleBullfights: A Spanish Knight Kills the Bull After Having Lost His Horse
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 18 of "La 'Tauromaquia": The daring of Martincho in the ring at Zaragoza
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subject_titlePlate 8 from "La Tauromaquia": A Moor caught by the bull in the ring
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subject_creditlineBullfights: The Moors Make a Different Play in the Ring Calling the Bull with the Burnous, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.545
subject_titleBullfights: The Moors Make a Different Play in the Ring Calling the Bull with the Burnous
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Providermetmuseum
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subject_titlePlate 19 of "La Tauromaquia": Another madness of his in the same ring
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subject_creditlineBullfights: The Moors Use Donkeys as a Barrier to Defend Themselves Against the Bull Whose Horns Have Been Tipped with Balls, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.556
subject_titleBullfights: The Moors Use Donkeys as a Barrier to Defend Themselves Against the Bull Whose Horns Have Been Tipped with Balls
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subject_titlePlate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid
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subject_titlePlate 26 from "La Tauromaquia": A picador is unhorsed and falls under the bull
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subject_creditlineBequest of Grace M. Pugh, 1985
subject_titlePlate C: The dogs let loose on the bull, from "Tauromaquia"
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subject_titlePlate 4 from "La Tauromaquia": They play another with the cape in an enclosure
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subject_titlePlate 2 from "La Tauromaquia": Another way of hunting on foot
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