Plate 28 of "La Tauromaquia": The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid
Providermetmuseum
Depiction IDmetmuseum:397903:primaryImage
Subject IDmetmuseum:397903
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Providermetmuseum
Depiction IDmetmuseum:397903:primaryImage
Subject IDmetmuseum:397903
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 28 of "La Tauromaquia": The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid
subject_urlhttps://www.metmuseum.org/art/collection/search/397903
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 29 of "La Tauromaquia": Pepe Illo making the pass of the 'recorte'
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 23 from "La Tauromaquia": Mariano Ceballos, alias the Indian, kills the bull from his horse
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 31 of "La Tauromaquia": Banderillas with firecrackers
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 32 from "La Tauromaquia": Two teams of picadors thrown one after the other by a single bull
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: Pepe Illo Making the Pass of the "Recorte", 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.568
subject_titleBullfights: Pepe Illo Making the Pass of the "Recorte"
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 22 from "La Tauromaquia": Manly courage of the celebrated Pajuelera in [the ring] at Zaragoza
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subject_creditlineBullfights: The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with his Pique, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.566
subject_titleBullfights: The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with his Pique
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subject_creditlineRogers Fund, 1921
subject_titlePlate 27 from "La Tauromaquia": The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike
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subject_creditlineBullfights: The Forceful Rendon Stabs a Bull with the Pique, From Which Pass he died in the Ring at Madrid, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.567
subject_titleBullfights: The Forceful Rendon Stabs a Bull with the Pique, From Which Pass he died in the Ring at Madrid
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 8 from "La Tauromaquia": A Moor caught by the bull in the ring
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subject_creditlineThe Bulls of Bordeaux: Bullfight in a Divided Ring, 1825. Francisco de Goya (Spanish, 1746–1828). Lithograph. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1951.81
subject_titleThe Bulls of Bordeaux: Bullfight in a Divided Ring
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subject_creditlineRogers Fund, 1921
subject_titlePlate 26 from "La Tauromaquia": A picador is unhorsed and falls under the bull
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subject_creditlineBullfights: A Bullfighter Mounted on the Shoulders of an Assistant, Spearing a Bull, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.576
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subject_creditlineBullfights: A Picador is Unhorsed and Falls Under the Bull, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.565
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subject_titlePlate 19 of "La Tauromaquia": Another madness of his in the same ring
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subject_creditlineBullfights: Manly Courage of the Celebrated Pajuelera in (the Ring) at Saragosa, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.561
subject_titleBullfights: Manly Courage of the Celebrated Pajuelera in (the Ring) at Saragosa
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subject_creditlineBullfights: The Death of Pepe Illo (2nd Composition), 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.577
subject_titleBullfights: The Death of Pepe Illo (2nd Composition)
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subject_creditlineBullfights: Banderillas with Firecrackers, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.570
subject_titleBullfights: Banderillas with Firecrackers
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: Mariano Ceballos, Alias the Indian, Kills the Bull From his Horse, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.562
subject_titleBullfights: Mariano Ceballos, Alias the Indian, Kills the Bull From his Horse
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subject_creditlineBequest of Grace M. Pugh, 1985
subject_titlePlate C: The dogs let loose on the bull, from "Tauromaquia"
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