Samyutagama Sutra, chapter 25, from the Jinsushan Tripitaka
Providermetmuseum
Depiction IDmetmuseum:39914:primaryImage
Subject IDmetmuseum:39914
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Providermetmuseum
Depiction IDmetmuseum:39914:primaryImage
Subject IDmetmuseum:39914
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-05-07
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of John M. Crawford Jr., 1988
subject_titleSamyutagama Sutra, chapter 25, from the Jinsushan Tripitaka
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subject_creditlineMingling of Clear and Muddy Water at the Junction of the Jing and Wei Rivers, 1736–95. China, Qing dynasty (1644–1911), Qianlong reign (1736–95). Handscroll, silk: tapestry weave; ink and colors; silk: embroidery. The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.618.a
subject_titleMingling of Clear and Muddy Water at the Junction of the Jing and Wei Rivers
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provider_nameCleveland Museum of Art
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subject_creditlineMingling of Clear and Muddy Water at the Junction of the Jing and Wei Rivers, 1736–95. China, Qing dynasty (1644–1911), Qianlong reign (1736–95). Handscroll, silk: tapestry weave; ink and colors; silk: embroidery. The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.618.a
subject_titleMingling of Clear and Muddy Water at the Junction of the Jing and Wei Rivers
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Ninth Day Literary Gathering at Xing’an [Temporary Retreat] (九日行庵文讌圖), 1743. Fang Shishu (Chinese, 1693–1751), and Ye Fanglin (Chinese, active late 1600s–mid-1700s). Handscroll; ink and color on silk; image: 32.4 x 201.2 cm (12 3/4 x 79 3/16 in.); overall: 33.5 x 893 cm (13 3/16 x 351 9/16 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 1979.72
subject_titleThe Ninth Day Literary Gathering at Xing’an [Temporary Retreat]
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSpring Mist over Jiangnan (江南春靄圖), 1697. Shitao (Chinese, 1642–1707). Hanging scroll; ink and light color on paper; painting: 39 x 52 cm (15 3/8 x 20 1/2 in.); overall with knobs: 167 x 76 cm (65 3/4 x 29 15/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1954.126
subject_titleSpring Mist over Jiangnan
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subject_creditlineIn the Palace (宮中圖), before 1140. After a work attributed to Zhou Wenju (Chinese, active 942–961). Handscroll; ink and light color on silk; painting: 28.5 x 168.6 cm (11 1/4 x 66 3/8 in.); overall: 29.7 x 306.1 cm (11 11/16 x 120 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 1976.1
subject_titleIn the Palace
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineIn the Palace (宮中圖), before 1140. After a work attributed to Zhou Wenju (Chinese, active 942–961). Handscroll; ink and light color on silk; painting: 28.5 x 168.6 cm (11 1/4 x 66 3/8 in.); overall: 29.7 x 306.1 cm (11 11/16 x 120 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 1976.1
subject_titleIn the Palace
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provider_nameCleveland Museum of Art
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subject_creditlineMingling of Clear and Muddy Water at the Junction of the Jing and Wei Rivers, 1736–95. China, Qing dynasty (1644–1911), Qianlong reign (1736–95). Handscroll, silk: tapestry weave; ink and colors; silk: embroidery. The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.618.a
subject_titleMingling of Clear and Muddy Water at the Junction of the Jing and Wei Rivers
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provider_nameCleveland Museum of Art
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subject_creditline"Seventh Month" from the Odes of Bin (豳風，七月), 1200s. China, Southern Song dynasty (1127-1279). Handscroll; ink and color on silk; image: 22.5 x 687.2 cm (8 7/8 x 270 9/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1980.187
subject_title"Seventh Month" from the Odes of Bin
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provider_nameCleveland Museum of Art
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subject_creditlineMingling of Clear and Muddy Water at the Junction of the Jing and Wei Rivers, 1736–95. China, Qing dynasty (1644–1911), Qianlong reign (1736–95). Handscroll, silk: tapestry weave; ink and colors; silk: embroidery. The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.618.a
subject_titleMingling of Clear and Muddy Water at the Junction of the Jing and Wei Rivers
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provider_nameCleveland Museum of Art
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subject_creditlineScholar-Hermits in the Autumn Mountains (秋山高士圖), 1500–1510. Tang Yin (Chinese, 1470–1523). Handscroll, ink and light color on silk; overall: 28.6 x 232.4 cm (11 1/4 x 91 1/2 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1976.94
subject_titleScholar-Hermits in the Autumn Mountains
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBarbarian Royalty Worshiping the Buddha (蠻王禮佛圖), 900s. Attributed to Zhao Guangfu (Chinese, c. 923–976). Handscroll; ink and color on silk; painting section: 28.6 x 103.5 cm (11 1/4 x 40 3/4 in.); overall with colophon: 28.6 x 667.7 cm (11 1/4 x 262 7/8 in.). The Cleveland Museum of Art, Gift of Severance and Greta Millikin, 1957.358
subject_titleBarbarian Royalty Worshiping the Buddha
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Providermetmuseum
Depiction IDmetmuseum:40285:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineBequest of John M. Crawford Jr., 1988
subject_titlePoems on painting plum blossoms and bamboo
subject_urlhttps://www.metmuseum.org/art/collection/search/40285
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subject_creditlineSaying Farewell at Xunyang (Song of the Pipa) (潯陽送客圖 (琵琶行)), 1500s. Wen Boren (Chinese, 1502–1575). Handscroll; ink and color on paper; overall: 27 x 271.3 cm (10 5/8 x 106 13/16 in.); painting only: 21 x 60 cm (8 1/4 x 23 5/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1954.581
subject_titleSaying Farewell at Xunyang (Song of the Pipa)
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provider_urlhttps://clevelandart.org/
subject_creditlineBarbarian Royalty Worshiping the Buddha (蠻王禮佛圖), 900s. Attributed to Zhao Guangfu (Chinese, c. 923–976). Handscroll; ink and color on silk; painting section: 28.6 x 103.5 cm (11 1/4 x 40 3/4 in.); overall with colophon: 28.6 x 667.7 cm (11 1/4 x 262 7/8 in.). The Cleveland Museum of Art, Gift of Severance and Greta Millikin, 1957.358
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subject_creditlineMingling of Clear and Muddy Water at the Junction of the Jing and Wei Rivers, 1736–95. China, Qing dynasty (1644–1911), Qianlong reign (1736–95). Handscroll, silk: tapestry weave; ink and colors; silk: embroidery. The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.618.a
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSaying Farewell at Xunyang (Song of the Pipa) (潯陽送客圖 (琵琶行)), 1500s. Wen Boren (Chinese, 1502–1575). Handscroll; ink and color on paper; overall: 27 x 271.3 cm (10 5/8 x 106 13/16 in.); painting only: 21 x 60 cm (8 1/4 x 23 5/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1954.581
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subject_creditlineLotus Sutra with a Frontispiece (妙法蓮華經序品), late 1100s. China, Song dynasty (960–1279). Handscroll; gold ink on indigo sutra paper; image: 27.8 x 81 cm (10 15/16 x 31 7/8 in.); inscription overall: 27.9 x 1044.9 cm (11 x 411 3/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1970.64
subject_titleLotus Sutra with a Frontispiece
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subject_creditlineLotus Sutra with a Frontispiece (妙法蓮華經序品), late 1100s. China, Song dynasty (960–1279). Handscroll; gold ink on indigo sutra paper; image: 27.8 x 81 cm (10 15/16 x 31 7/8 in.); inscription overall: 27.9 x 1044.9 cm (11 x 411 3/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1970.64
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provider_nameCleveland Museum of Art
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subject_creditlineLotus Sutra with a Frontispiece (妙法蓮華經序品), late 1100s. China, Song dynasty (960–1279). Handscroll; gold ink on indigo sutra paper; image: 27.8 x 81 cm (10 15/16 x 31 7/8 in.); inscription overall: 27.9 x 1044.9 cm (11 x 411 3/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1970.64
subject_titleLotus Sutra with a Frontispiece
subject_urlhttps://clevelandart.org/art/1970.64
typeimage