Plate 3: The Statue Before the Ruins: a statue to left next to three figures on a pedestal, a beggar standing in an archway to right, four columns and the remains of an entablature to top left, from "Les soirées de Rome"
Providermetmuseum
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Providermetmuseum
Depiction IDmetmuseum:399277:primaryImage
Subject IDmetmuseum:399277
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Phyllis Massar, 2011
subject_titlePlate 3: The Statue Before the Ruins: a statue to left next to three figures on a pedestal, a beggar standing in an archway to right, four columns and the remains of an entablature to top left, from "Les soirées de Rome"
subject_urlhttps://www.metmuseum.org/art/collection/search/399277
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1929
subject_titleLa Statue en Avant les Ruines
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subject_creditlineEvenings in Rome: The Statue in Front of Ruins, 1763–64. Hubert Robert (French, 1733–1808). Etching; platemark: 13.5 x 9.4 cm (5 5/16 x 3 11/16 in.); border: 12.7 x 9 cm (5 x 3 9/16 in.). The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.548
subject_titleThe Statue in Front of Ruins
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provider_nameCleveland Museum of Art
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subject_creditlineEvenings in Rome: The Statue in Front of Ruins, 1763–64. Hubert Robert (French, 1733–1808). Etching; platemark: 13.5 x 9.4 cm (5 5/16 x 3 11/16 in.); border: 12.7 x 9 cm (5 x 3 9/16 in.). The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.548
subject_titleThe Statue in Front of Ruins
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Providermetmuseum
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subject_creditlineBequest of Phyllis Massar, 2011
subject_titlePlate 4: remains of a classical monument to right surmounted by a mask and tablet, a figure sitting on the porch, four figures on a staircase to left, four milestones below, from "Les soirées de Rome"
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subject_creditlineHarris Brisbane Dick Fund, 1929
subject_titleL'Escalier aux Quatre Bornes
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subject_creditlineBequest of Phyllis Massar, 2011
subject_titlePlate 13: a townscape with a fountain, fallen column and statue at right and a Gothic church beside an aqueduct in the background
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
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subject_creditlineLes Soirées de Rome: L'Escalier aux quatre bornes, 1763. Hubert Robert (French, 1733–1808). Etching. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.547
subject_titleLes Soirées de Rome: L'Escalier aux quatre bornes
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subject_titleCamera sepolcrale inventata e disegnata conforme al costume, e all'antica magnificenza degl'Imperatori Romani... (Imaginary sepulcral chamber designed according to the fashion and ancient magnficence of the Roman Emperors...), from "Prima Parte di Architettura, e Prospettive"
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subject_creditlineLes Soirées de Rome: L'Escalier aux quatre bornes, 1763. Hubert Robert (French, 1733–1808). Etching. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.547
subject_titleLes Soirées de Rome: L'Escalier aux quatre bornes
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subject_creditlineBequest of Phyllis Massar, 2011
subject_titlePlate 8: The Triumphal Arch: a man standing atop an architectural fragment in center with two men below, seen from behind, remains of a triumphal arch in the background and the ruins of an arcade to right, from "Les soirées de Rome"
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