Plate 70: Devout Profession (Devota Profesion), from "Los Caprichos"
Providermetmuseum
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineBequest of Phyllis Massar, 2011
subject_titlePlate 70: Devout Profession (Devota Profesion), from "Los Caprichos"
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 70 from "Los Caprichos": Devout Profession (Devota profesion)
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subject_creditlineLos Caprichos: Devout Profession, Plate 70, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.665
subject_titleDevout Profession, Plate 70
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 70 from "Los Caprichos": Devout Profession (Devota profesion)
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Providermetmuseum
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subject_creditlineBequest of Phyllis Massar, 2011
subject_titleThe Vision of Saint Jerome
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 65 from "Los Caprichos": Where is mom going? (Donde vá mamá?)
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1948
subject_titleHercules and Antaeus
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subject_creditlineBook of Fountains: No. 4, c. 1736. Gabriel Huquier (French, 1695–1772), after François Boucher (French, 1703–1770). Etching; sheet: 35.5 x 25.9 cm (14 x 10 3/16 in.); platemark: 27.1 x 17.3 cm (10 11/16 x 6 13/16 in.). The Cleveland Museum of Art, Gift of Erich Lederer, 1953.674
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subject_creditlineBequest of Phyllis Massar, 2011
subject_titleFive battling tritons, from "The Triton Group"
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960
subject_titleRape of Persephone
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of David A. Jacobs, 1958
subject_titlePlate 56 from "Los Caprichos": To rise and to fall (Subir y bajar)
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Providermetmuseum
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 51 from "Los Caprichos": They spruce themselves up (Se repulen)
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subject_creditlinePurchase, Arthur Ross Foundation Gift and The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2001
subject_titleThe Frightened Naïad (Une naïade échevelée recule d'efroi à la vue d'un lion)
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subject_creditlineBequest of Phyllis Massar, 2011
subject_titleSaint Mark
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subject_creditlineHarris Brisbane Dick Fund, 1926
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subject_titleSatyr Family with the Obelisk, from the Scherzi
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subject_creditlineAnonymous gift, 1917
subject_titleThe Triumph of Truth over Envy
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 63 from "Los Caprichos": Look how solemn they are! (Miren que grabes!)
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subject_creditlineDrawings by the Best Painters of Italy, Germany, and the Netherlands, from Various Cabinets (known as the Kleine Kabinett): The Triumph of Truth over Envy, Plate 24, 1781. Maria Catharina Prestel (German, 1747–1794), after Jacopo Ligozzi (Italian, 1547-1627). Etching and aquatint printed in brown ink with gold leaf; image and sheet: 30.5 x 22.9 cm (12 x 9 in.). The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., for the Coralie Walker Hanna Memorial Collection, 1939.169
subject_titleThe Triumph of Truth over Envy, Plate 24
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Providermetmuseum
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 68 from "Los Caprichos": Pretty teacher! (Linda maestra!)
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