Plate 12: The Death of Phaeton (Phaetonis casus.), from Ovid's Metamorphoses
Providermetmuseum
Depiction IDmetmuseum:400898:primaryImage
Subject IDmetmuseum:400898
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Providermetmuseum
Depiction IDmetmuseum:400898:primaryImage
Subject IDmetmuseum:400898
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951
subject_titlePlate 12: The Death of Phaeton (Phaetonis casus.), from Ovid's Metamorphoses
subject_urlhttps://www.metmuseum.org/art/collection/search/400898
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Providermetmuseum
Depiction IDmetmuseum:400897:primaryImage
Subject IDmetmuseum:400897
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951
subject_titlePlate 11: Phaeton before Apollo (Funestas ad Phoebum fundit preces.), from Ovid's 'Metamorphoses'
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949
subject_titleApollo in his horse-drawn chariot at the left, above him above Jupiter hurls a thunderbolt, Venus at right in her chariot drawn by animals, from "Story of Apollo and Daphne"
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949
subject_titlePhaeton
subject_urlhttps://www.metmuseum.org/art/collection/search/342860
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Cornelius Vanderbilt, 1880
subject_titleAurora and Cephalus: Engraver's study after decoration in the Galleria Farnese, Rome
subject_urlhttps://www.metmuseum.org/art/collection/search/340005
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951
subject_titlePlate 85: The Immortalization of Hercules (A parente Hercules deitate honestatur), from Ovid's 'Metamorphoses'
subject_urlhttps://www.metmuseum.org/art/collection/search/401032
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1917
subject_titleDiana in Her Chariot (La Lune sur son char)
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Providermetmuseum
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949
subject_titleReclining Female Figure on a Chariot drawn by Two Centaurs, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
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Providercma
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subject_creditlineThe "Quos Ego", 1632–48. Simone Cantarini (Italian, 1612–1648). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1972.135
subject_titleThe "Quos Ego"
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949
subject_titleThe Triumph of Pride, from The Cycle of the Vicissitudes of Human Affairs, plate 3
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Providercma
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subject_creditlineAchilles Dragging the Body of Hector, 1648. Pietro Testa (Italian, 1612–1650). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1981.95
subject_titleAchilles Dragging the Body of Hector
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949
subject_titleThe Triumph of Envy, from The Cycle of the Vicissitudes of Human Affairs, plate 4
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineBequest of Phyllis Massar, 2011
subject_titleNeptune rising from the sea and bearing a staff, accompanied by two horse-headed sea creatures, reverse copy after a series of engravings by Cherubino Alberti of mythological scenes after Polidoro da Caravaggio
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Providermetmuseum
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleBattle with a Cutlass
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subject_creditlineBequest of Phyllis Massar, 2011
subject_titleSix Cavalrymen in Combat, from "Battle Scenes I"
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Providermetmuseum
Depiction IDmetmuseum:357050:primaryImage
Subject IDmetmuseum:357050
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949
subject_titleWarrior Pulling a Rider from His Horse, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
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Providermetmuseum
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Subject IDmetmuseum:401054
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951
subject_titlePlate 67: Medea Destroying Jason's Family and Home (Trucidatis liberis Medea fugam capeßit), from Ovid's 'Metamorphoses'
subject_urlhttps://www.metmuseum.org/art/collection/search/401054
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Providermetmuseum
Depiction IDmetmuseum:400994:primaryImage
Subject IDmetmuseum:400994
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951
subject_titlePlate 113: The Greeks Battling the Trojans (Graecorum Troianorumque concursus), from Ovid's 'Metamorphoses'
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Providercma
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subject_creditlineThe Fall of Phaeton, c. 1545. Nicolas Beatrizet (French, active Italy, 1507 or 1515-about 1565), after Michelangelo Buonarroti (Italian, 1475–1564). Engraving; sheet: 41.9 x 29 cm (16 1/2 x 11 7/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Richard H. Zinser, 1965.458
subject_titleThe Fall of Phaeton
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Providermetmuseum
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949
subject_titleFemale Nude with Two Seahorses, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
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Providermetmuseum
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Subject IDmetmuseum:371497
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subject_creditlineBequest of Grace M. Pugh, 1985
subject_titleJupiter, Neptune, and Pluto offering their crowns to the arms of Cardinal Borghese
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