Mercury Turning Aglauros to Stone (Aglauros a Mercurio in lapidem transformatur), plate 20 from "The Metamorphoses of Ovid" (Metamorphosean Sive Transformationum)
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Providermetmuseum
Depiction IDmetmuseum:402056:primaryImage
Subject IDmetmuseum:402056
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Created2026-05-05
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of S. Paul Jones, 1935
subject_titleMercury Turning Aglauros to Stone (Aglauros a Mercurio in lapidem transformatur), plate 20 from "The Metamorphoses of Ovid" (Metamorphosean Sive Transformationum)
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Providermetmuseum
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951
subject_titlePlate 20: Mercury Turning Aglauros to Stone (Aglauros a Mercurio in lapidem transformatur), from Ovid's 'Metamorphoses'
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951
subject_titlePlate 20: Mercury Turning Aglauros to Stone (Aglauros a Mercurio in lapidem transformatur), from Ovid's 'Metamorphoses'
subject_urlhttps://www.metmuseum.org/art/collection/search/401138
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Providermetmuseum
Depiction IDmetmuseum:401151:primaryImage
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951
subject_titlePlate 18: Mercury Falling in love with Herse (Mercurius Herses amore accenditur), from Ovid's 'Metamorphoses'
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1927
subject_titleMercurius, from Planets, plate 6
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Providermetmuseum
Depiction IDmetmuseum:632381:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1927
subject_titleLuna, from Planets, plate 7
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subject_creditlineHarris Brisbane Dick Fund, 1927
subject_titleVenus, from Planets, plate 5
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1927
subject_titleVirgin and Child (The Immaculate Conception)
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Providermetmuseum
Depiction IDmetmuseum:365095:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1927
subject_titleSt. Peter and St. John Curing the Lame Man
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Providermetmuseum
Depiction IDmetmuseum:365100:primaryImage
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subject_creditlineHarris Brisbane Dick Fund, 1927
subject_titleThe Immaculate Conception
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Providermetmuseum
Depiction IDmetmuseum:401165:primaryImage
Subject IDmetmuseum:401165
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951
subject_titleApollo Granting the Cumaean Sybil's Wish (Apollo Sybillae Cumanae mille annorum atatem indulget), from Ovid's The Metamorphoses, plate 133
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924
subject_titleThe story of Jason and Medea at the left she carries off her son, in the middle she is shown in her madness, Jason stands at the right
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949
subject_titleThe judgment of Paris, set within an elaborate frame, from "Loves, Rages and Jealousies of Juno"
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Harry G. Friedman, 1961
subject_titlePlate 27: Proserpina gives Psyche the box of beauty, from 'The Fable of Cupid and Psyche'
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Providermetmuseum
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951
subject_titleFive numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Ceres lamenting the death of Carracci before Jupiter, painted by Ippolito Ferrantini; 2. Personification of Painting entrusting Carracci's body to Fame, painted by Giovanni Battista Bertusi; 3. The Fates leading the blindfolded Carracci to the foot of Jupiter's throne, painted by Lucio Massari; 4. Three rivers representing the cities of Bologna, Rome and Parma (Reno, Tiber and Parma) with Fame at left, designed by Sebastiano Razzali and painted by Baldessare Aloisi Galanini; 5. Agostino Carracci abducted by Mars who is jealous of the artist's portrait of Adonis made for a Farnese gallery panel, painted by Giovanni Battista Busi.
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Providermetmuseum
Depiction IDmetmuseum:401161:primaryImage
Subject IDmetmuseum:401161
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951
subject_titlePlate 145: Hersilia Taken to the Heavens (Hersilia Romuli coniunx in Oram deam a Iunone constituitur), from Ovid's 'Metamorphoses'
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subject_creditlineRogers Fund, transferred from the Library
subject_titlePlate 3: Psyche's two sisters are married to kings, with Psyche standing at left, accompanied by another king, from "The Story of Cupid and Psyche as told by Apuleius"
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Providermetmuseum
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949
subject_titleJuno asks Aeolus to raise a storm against the Trojan fleet, set within an elaborate frame, from "Loves, Rages and Jealousies of Juno"
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1927
subject_titleThe Phrygian Sibyl
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Providermetmuseum
Depiction IDmetmuseum:623329:primaryImage
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subject_creditlineHarris Brisbane Dick Fund, 1927
subject_titleSt. Matthias (?), from "Christ and the Twelve Apostles"
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Providermetmuseum
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subject_creditlineHarris Brisbane Dick Fund, 1927
subject_titleThe Epirian Sibyl
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