Le Débarquement des Troupes (The Landing of the Troops)
Providermetmuseum
Depiction IDmetmuseum:419084:primaryImage
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Providermetmuseum
Depiction IDmetmuseum:419084:primaryImage
Subject IDmetmuseum:419084
Modelgoogle/siglip2-so400m-patch14-384
Created2026-05-05
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924
subject_titleLe Débarquement des Troupes (The Landing of the Troops)
subject_urlhttps://www.metmuseum.org/art/collection/search/419084
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Providermetmuseum
Depiction IDmetmuseum:419085:primaryImage
Subject IDmetmuseum:419085
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subject_creditlineBequest of Edwin De T. Bechtel, 1957
subject_titleLe Débarquement des Troupes (The Landing of the Troops)
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Providermetmuseum
Depiction IDmetmuseum:419144:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Henry Walters, 1917
subject_titleReverse Copy of Le Débarquement des Troupes (The Landing of the Troops)
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Providermetmuseum
Depiction IDmetmuseum:419354:primaryImage
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subject_creditlineBequest of Grace M. Pugh, 1985
subject_titleBorder at Lower Left: L'Assault Genéral des Anglais a la Citadelle (The Assault of the English General on the Citadel), from an etching on six plates of a central battle scene framed by ten additional plates, entitled Siège de la Citadelle de St-Martin dans l'Île de Ré (Siege of the Citadel of St. Martin on the Île de Ré)
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineLe Débarquement des Troupes, c. 1628. Jacques Callot (French, 1592–1635). Etching. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1965.58
subject_titleLe Débarquement des Troupes
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Providermetmuseum
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subject_creditlineBequest of Grace M. Pugh, 1985
subject_titleBorder at Lower Right: Défaite des Anglais (Defeat of the English), from an etching on six plates of a central battle scene framed by ten additional plates, entitled Siège de la Citadelle de St-Martin dans l'Île de Ré (Siege of the Citadel of St. Martin on the Île de Ré)
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Providermetmuseum
Depiction IDmetmuseum:419085:primaryImage
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subject_creditlineBequest of Edwin De T. Bechtel, 1957
subject_titleLe Débarquement des Troupes (The Landing of the Troops)
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Providermetmuseum
Depiction IDmetmuseum:412394:primaryImage
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subject_creditlineBequest of Phyllis Massar, 2011
subject_titleA rowboat full of men in center, a group of men standing on shore at left, a ship full of men, one firing a pistol, at right, from "Set of eight nautical landscapes" (Suite de huit Marines)
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Providermetmuseum
Depiction IDmetmuseum:412396:primaryImage
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subject_creditlineBequest of Phyllis Massar, 2011
subject_titleA galley arriving at port to left, several rowboats in center, ships at port to right, from "Set of eight nautical landscapes" (Suite de huit Marines)
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Providermetmuseum
Depiction IDmetmuseum:377479:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1917
subject_titleDeparture of a galley at the Port of Livorno, from from 'Views of the port of Livorno' (Vues du port de Livourne)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineBequest of Edwin De T. Bechtel, 1957
subject_titleAssault on two Fortresses
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Providermetmuseum
Depiction IDmetmuseum:415756:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, by exchange, 1940
subject_titleAssaut de Deux Fotresses (The Attack of Two Fortresses), from La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis (The Life of Ferdinand I de'Medici also called The Medici Battles)
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Providermetmuseum
Depiction IDmetmuseum:377480:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1967
subject_titleView of the fortifications, two men lifting a plank at right, several ships and boats the background and a galley at left, from 'Views of the port of Livorno' (Vues du port de Livourne)
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Providermetmuseum
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subject_creditlineRogers Fund, 1918
subject_titleStorming of Moran, at the Shore, from "Der Weisskunig"
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Providermetmuseum
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subject_creditlineBequest of Phyllis Massar, 2011
subject_titleA naval battle, a rowboat full of men to left, a sinking ship to right, two galleys battling in center, other ships battle to left in the background, from "Various Landscapes" (Divers Paysages)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineBequest of Phyllis Massar, 2011
subject_titleCombat between several rowboats and ships, two groups of men in rowboats fighting to left, two ships full of combatants to right, other ships and clouds of smoke in the background, from "Set of eight nautical landscapes" (Suite de huit Marines)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951
subject_titleAssaut de Deux Fortresses (Assault of Two Fortresses), from "La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis" (The Life of Ferdinand I de'Medici also called The Medici Battles)
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Providermetmuseum
Depiction IDmetmuseum:380666:primaryImage
Subject IDmetmuseum:380666
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1963
subject_titleThe Tapestry Hangings of the House of Lords Representing the Several Engagements Between the English and Spanish Fleets...
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Providermetmuseum
Depiction IDmetmuseum:427184:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleFrancesco I d'Este Freely Crosses the Po and Takes Up his Sword Against Troops in the Vinyard of the Opposite Bank where the Spanish had Settled to Impede his Crossing, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"
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Providermetmuseum
Depiction IDmetmuseum:427170:primaryImage
Subject IDmetmuseum:427170
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleFrancesco I d'Este Approches the Camp of the Enemy Under the Pretext of Battle, Although he Obtains their Surrender Without Battle, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlinePurchase, Anne and Carl Stern Gift, 1965
subject_titleLandscape with Ornamental Frame
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typeimage