L'Attaque de la Diligence (The Attack of the Stagecoach), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 8
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Providermetmuseum
Depiction IDmetmuseum:420820:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1922
subject_titleL'Attaque de la Diligence (The Attack of the Stagecoach), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 8
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subject_creditlineBequest of Edwin De T. Bechtel, 1957
subject_titleL'Attaque de la Diligence (The Attack of the Stagecoach), plate 8 from "Les Misères et les Mal-Heures de la Guerre" (The Miseries and Misfortunes of War)
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Providermetmuseum
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subject_creditlineBequest of Edwin De T. Bechtel, 1957
subject_titleL'Attaque de la Diligence (The Attack of the Stagecoach), plate 8 from "Les Misères et les Mal-Heures de la Guerre" (The Miseries and Misfortunes of War)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineBequest of Edwin De T. Bechtel, 1957
subject_titleDécouverte des Malfaiteurs (The Discovery of the Criminals), plate 9 from "Les Misères et les Mal-Heures de la Guerre" (The Miseries and Misfortunes of War)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1922
subject_titleDécouverte des Malfaiteurs (The Discovery of the Criminals), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 9
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Providermetmuseum
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subject_creditlineBequest of Edwin De T. Bechtel, 1957
subject_titleDévastation d'un Monastère (Devastation of a Monastery), plate 6 from "Les Misères et les Mal-Heures de la Guerre" (The Miseries and Misfortunes of War)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1917
subject_titleL'Attaque sur la Route estampe appelée aussi Vol Sur Les Grands Chemins (Attack on Route, also called Theft on the Great Road), plate 2 from "Les Petites Misères de la Guerre" (The Little Miseries of War)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1922
subject_titleLes Bohémiens en Marche: L'Arrière-Garde, pièce aussi appelée Le Départ (The Gypsies Travelling: The Rear Guard, also called The Departure), from Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes (The Gypsies, series also called The Egyptiens, The Gypsy Troops, The Wandering Lives of Gypsies, The Egyptian Troops)
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Providermetmuseum
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subject_creditlineRogers Fund, 1922
subject_titleDévastation d'un Monastère (Devastation of a Monastery), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 6
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Providermetmuseum
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subject_creditlineBequest of Edwin De T. Bechtel, 1957
subject_titleLes Bohémiens en Marche: L'Arrière-Garde, pièce aussi appelée Le Départ (The Gypsies Travelling: The Rear Guard, also called The Departure), from "Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes" (The Gypsies, series also called The Egyptiens, The Gypsy Troops, The Wandering Lives of Gypsies, The Egyptian Troops)
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Providermetmuseum
Depiction IDmetmuseum:420790:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1922
subject_titleLa Maraude (Pilfering), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 4
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Providermetmuseum
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subject_creditlineBequest of Phyllis Massar, 2011
subject_titleA procession of horse-drawn cannon carriages to left, horsemen in combat and a dead horse to right, battle on a bridge in center background, from "Peace and War" (Divers desseins tant pour la paix que pour la guerre)
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Providermetmuseum
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subject_creditlineBequest of Phyllis Massar, 2011
subject_titlePlate 5: a procession of horsemen crossing a river, a tree at center, from "Troops, cannons, and attacks on towns" (Dessins de quelques conduites de troupes, canons, et ataques de villes)
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Providermetmuseum
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subject_creditlineBequest of Edwin De T. Bechtel, 1957
subject_titleLes Bohémiens en Marche: L'Arrière-Garde, pièce aussi appelée Le Départ (The Gypsies Travelling: The Rear Guard, also called The Departure), from "Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes" (The Gypsies, series also called The Egyptiens, The Gypsy Troops, The Wandering Lives of Gypsies, The Egyptian Troops)
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subject_creditlineThe Large Miseries of War: Highway Robbery, 1633. Jacques Callot (French, 1592–1635). Etching. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.277.7
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subject_titleCopy of Les Bohémiens en Marche: L'Arrière-Garde, pièce aussi appelée Le Départ (The Gypsies Travelling: The Rear Guard, also called The Departure), from "Le Bohémiens..."
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineBequest of Edwin De T. Bechtel, 1957
subject_titlePillage et Incendie d'un Village (Looting and Burning of a Village), plate 7 from "Les Misères et les Mal-Heures de la Guerre" (The Miseries and Misfortunes of War)
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Providermetmuseum
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subject_titlePillage et Incendie d'un Village (Looting and Burning of a Village), fromLes Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 7
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Providermetmuseum
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subject_creditlineBequest of Julie Parsons Redmond, 1960
subject_titleLes Bohémiens en Marche: L'Arrière-Garde, pièce aussi appelée Le Départ (The Gypsies Travelling: The Rear Guard, also called The Departure), from "Le Bohémiens..."
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subject_creditlineBequest of Phyllis Massar, 2011
subject_titlePlate 4: a procession of cannons and horses riding uphill towards the left, a dog at lower left, from "Troops, cannons, and attacks on towns" (Dessins de quelques conduites de troupes, canons, et ataques de villes)
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