Manuscript Illumination with the Virgin and Child in an Initial S, from an Antiphonary
Providermetmuseum
Depiction IDmetmuseum:463603:primaryImage
Subject IDmetmuseum:463603
Modelgoogle/siglip2-so400m-patch16-naflex
Providermetmuseum
Depiction IDmetmuseum:463603:primaryImage
Subject IDmetmuseum:463603
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-05-07
Embeddingslink
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/md/original/DT201105.jpg
previewhttps://images.metmuseum.org/CRDImages/md/web-large/DT201105.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1912
subject_titleManuscript Illumination with the Virgin and Child in an Initial S, from an Antiphonary
subject_urlhttps://www.metmuseum.org/art/collection/search/463603
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.052832246
Providercma
Depiction ID1924.1012_alt0_web
Subject ID1924.1012
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.1012/1924.1012_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineInitial S[alve sancta parens] from a Gradual: Madonna and Child, c. 1370–74. Don Silvestro dei Gherarducci (Italian, 1339–1399). Ink, tempera, and gold on vellum; sheet: 16 x 13 cm (6 5/16 x 5 1/8 in.). The Cleveland Museum of Art, Gift from J. H. Wade, 1924.1012
subject_titleInitial S[alve sancta parens] from a Gradual: Madonna and Child
subject_urlhttps://clevelandart.org/art/1924.1012
typeimage
Distance0.078074574
Providercma
Depiction ID1924.1012_web
Subject ID1924.1012
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.1012/1924.1012_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineInitial S[alve sancta parens] from a Gradual: Madonna and Child, c. 1370–74. Don Silvestro dei Gherarducci (Italian, 1339–1399). Ink, tempera, and gold on vellum; sheet: 16 x 13 cm (6 5/16 x 5 1/8 in.). The Cleveland Museum of Art, Gift from J. H. Wade, 1924.1012
subject_titleInitial S[alve sancta parens] from a Gradual: Madonna and Child
subject_urlhttps://clevelandart.org/art/1924.1012
typeimage
Distance0.09096801
Providercma
Depiction ID1942.1514.26.b_web
Subject ID1942.1514.26.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.1514.26.b/1942.1514.26.b_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Metz): Fol. 26v, Virgin and Child, c. 1440. France, Metz. Ink, tempera, and gold on vellum; sheet: 14.2 x 9.4 cm (5 9/16 x 3 11/16 in.). The Cleveland Museum of Art, Bequest of Julia Morgan Marlatt, 1942.1514.26.b
subject_titleBook of Hours (Use of Metz): Fol. 26v, Virgin and Child
subject_urlhttps://clevelandart.org/art/1942.1514.26.b
typeimage
Distance0.11224198
Providercma
Depiction ID1963.256.159.b_web
Subject ID1963.256.159.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1963.256.159.b/1963.256.159.b_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Queen Isabella the Catholic, Queen of Spain: Fol. 159v, Woman Clothed in the Sun, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1963.256.159.b
subject_titleHours of Queen Isabella the Catholic, Queen of Spain: Fol. 159v, Woman Clothed in the Sun
subject_urlhttps://clevelandart.org/art/1963.256.159.b
typeimage
Distance0.11229688
Providercma
Depiction ID1964.40.96.a_alt2_web
Subject ID1964.40.96.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.96.a/1964.40.96.a_alt2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 96r, Coronation of the Virgin (Compline), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.96.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 96r, Coronation of the Virgin (Compline)
subject_urlhttps://clevelandart.org/art/1964.40.96.a
typeimage
Distance0.11464602
Providercma
Depiction ID1953.366.1_web
Subject ID1953.366.1
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1953.366.1/1953.366.1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf from a Book of Hours: The Visitation, c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; sheet: 17 x 12.7 cm (6 11/16 x 5 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1953.366.1
subject_titleLeaf from a Book of Hours: The Visitation
subject_urlhttps://clevelandart.org/art/1953.366.1
typeimage
Distance0.11821735
Providermetmuseum
Depiction IDmetmuseum:468977:primaryImage
Subject IDmetmuseum:468977
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/md/original/sf90-61-5s1.jpg
previewhttps://images.metmuseum.org/CRDImages/md/web-large/sf90-61-5s1.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Mrs. A. M. Minturn, 1890
subject_titleManuscript Leaf from a Missal
subject_urlhttps://www.metmuseum.org/art/collection/search/468977
typeimage
Distance0.11997545
Providermetmuseum
Depiction IDmetmuseum:461161:primaryImage
Subject IDmetmuseum:461161
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/rl/original/sf-rlc-1975-1-2466-r.JPG
previewhttps://images.metmuseum.org/CRDImages/rl/web-large/sf-rlc-1975-1-2466-r.JPG
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRobert Lehman Collection, 1975
subject_titleVirgin and Child
subject_urlhttps://www.metmuseum.org/art/collection/search/461161
typeimage
Distance0.12109685
Providermetmuseum
Depiction IDmetmuseum:466330:primaryImage
Subject IDmetmuseum:466330
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/md/original/DT5270.jpg
previewhttps://images.metmuseum.org/CRDImages/md/web-large/DT5270.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titleManuscript Illumination with the Birth of the Virgin in an Initial G, from a Gradual
subject_urlhttps://www.metmuseum.org/art/collection/search/466330
typeimage
Distance0.12158972
Providermetmuseum
Depiction IDmetmuseum:461161:primaryImage
Subject IDmetmuseum:461161
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/rl/original/sf-rlc-1975-1-2466-r.JPG
previewhttps://images.metmuseum.org/CRDImages/rl/web-large/sf-rlc-1975-1-2466-r.JPG
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRobert Lehman Collection, 1975
subject_titleVirgin and Child
subject_urlhttps://www.metmuseum.org/art/collection/search/461161
typeimage
Distance0.12170917
Providercma
Depiction ID1942.169.89.a_web
Subject ID1942.169.89.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.169.89.a/1942.169.89.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Adoration of the Magi, c. 1420. Follower of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; sheet: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of Julia Morgan Marlatt, 1942.169.89.a
subject_titleBook of Hours (Use of Paris): Adoration of the Magi
subject_urlhttps://clevelandart.org/art/1942.169.89.a
typeimage
Distance0.12186217
Providercma
Depiction ID1955.77_web
Subject ID1955.77
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1955.77/1955.77_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineFragment from a Gradual with Historiated Initial (V): The Virgin Mary, c. 1250–1275. Italy, Campania(?), 13th century. Ink, tempera, and gold on parchment; sheet: 16.1 x 11.4 cm (6 5/16 x 4 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.77
subject_titleFragment from a Gradual with Historiated Initial (V): The Virgin Mary
subject_urlhttps://clevelandart.org/art/1955.77
typeimage
Distance0.12500149
Providercma
Depiction ID1952.280_web
Subject ID1952.280
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1952.280/1952.280_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHistoriated Initial (E) Excised from a Gradual: Adoration of the Magi, c. 1200–1240. Italy, Siena. Ink, tempera, and gold on parchment; sheet: 17 x 21 cm (6 11/16 x 8 1/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1952.280
subject_titleHistoriated Initial (E) Excised from a Gradual: Adoration of the Magi
subject_urlhttps://clevelandart.org/art/1952.280
typeimage
Distance0.12726277
Providercma
Depiction ID1942.1514.27.a_alt0_web
Subject ID1942.1514.27.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.1514.27.a/1942.1514.27.a_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Metz): Fol. 27r, Decorated Initials, c. 1440. France, Metz. Ink, tempera, and gold on vellum; sheet: 14.2 x 9.4 cm (5 9/16 x 3 11/16 in.). The Cleveland Museum of Art, Bequest of Julia Morgan Marlatt, 1942.1514.27.a
subject_titleBook of Hours (Use of Metz): Fol. 27r, Decorated Initials
subject_urlhttps://clevelandart.org/art/1942.1514.27.a
typeimage
Distance0.12726277
Providercma
Depiction ID1942.1514.26.b_alt0_web
Subject ID1942.1514.26.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.1514.26.b/1942.1514.26.b_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Metz): Fol. 26v, Virgin and Child, c. 1440. France, Metz. Ink, tempera, and gold on vellum; sheet: 14.2 x 9.4 cm (5 9/16 x 3 11/16 in.). The Cleveland Museum of Art, Bequest of Julia Morgan Marlatt, 1942.1514.26.b
subject_titleBook of Hours (Use of Metz): Fol. 26v, Virgin and Child
subject_urlhttps://clevelandart.org/art/1942.1514.26.b
typeimage
Distance0.12809372
Providercma
Depiction ID1951.120.108.a_alt0_web
Subject ID1951.120.108.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.108.a/1951.120.108.a_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 108r, The Pentecost, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.108.a
subject_titleBook of Hours (Use of Paris): Fol. 108r, The Pentecost
subject_urlhttps://clevelandart.org/art/1951.120.108.a
typeimage
Distance0.12814516
Providercma
Depiction ID1952.5_web
Subject ID1952.5
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1952.5/1952.5_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineCanon Page from a Missal: Christ in Majesty with Evangelists, c. 1410. France, Northeastern(?), 15th century. Ink, tempera, and gold on parchment; sheet: 20.9 x 14.6 cm (8 1/4 x 5 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1952.5
subject_titleCanon Page from a Missal: Christ in Majesty with Evangelists
subject_urlhttps://clevelandart.org/art/1952.5
typeimage
Distance0.12972826
Providercma
Depiction ID1930.105_web
Subject ID1930.105
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1930.105/1930.105_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineInitial G[audeamus omnes] from a Gradual: The Court of Heaven, 1371–77. Don Silvestro dei Gherarducci (Italian, 1339–1399). Ink, tempera, and gold on vellum; sheet: 38.6 x 36.5 cm (15 3/16 x 14 3/8 in.); framed: 68.9 x 53 cm (27 1/8 x 20 7/8 in.); matted: 63.5 x 47.6 cm (25 x 18 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1930.105
subject_titleInitial G[audeamus omnes] from a Gradual: The Court of Heaven
subject_urlhttps://clevelandart.org/art/1930.105
typeimage
Distance0.13100827
Providercma
Depiction ID1955.79_alt0_web
Subject ID1955.79
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1955.79/1955.79_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePair of Bifolio from a Book of Hours: Adoration of the Magi and Coronation of the Virgin, c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; folio: 16.8 x 12.7 cm (6 5/8 x 5 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.79
subject_titlePair of Bifolio from a Book of Hours: Adoration of the Magi and Coronation of the Virgin
subject_urlhttps://clevelandart.org/art/1955.79
typeimage
Distance0.1320033
Providercma
Depiction ID1955.79.1_alt0_web
Subject ID1955.79.1
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1955.79.1/1955.79.1_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBifolio from a Book of Hours: Adoration of the Magi (recto); Text (verso), c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; folio: 16.8 x 12.7 cm (6 5/8 x 5 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.79.1
subject_titleBifolio from a Book of Hours: Adoration of the Magi (recto); Text (verso)
subject_urlhttps://clevelandart.org/art/1955.79.1
typeimage