Manuscript Illumination with the Birth of the Virgin in an Initial G, from a Gradual
Providermetmuseum
Depiction IDmetmuseum:466330:primaryImage
Subject IDmetmuseum:466330
Modelgoogle/siglip2-so400m-patch16-naflex
Providermetmuseum
Depiction IDmetmuseum:466330:primaryImage
Subject IDmetmuseum:466330
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-05-07
Embeddingslink
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/md/original/DT5270.jpg
previewhttps://images.metmuseum.org/CRDImages/md/web-large/DT5270.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titleManuscript Illumination with the Birth of the Virgin in an Initial G, from a Gradual
subject_urlhttps://www.metmuseum.org/art/collection/search/466330
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.09628636
Providercma
Depiction ID1955.79_alt0_web
Subject ID1955.79
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1955.79/1955.79_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePair of Bifolio from a Book of Hours: Adoration of the Magi and Coronation of the Virgin, c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; folio: 16.8 x 12.7 cm (6 5/8 x 5 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.79
subject_titlePair of Bifolio from a Book of Hours: Adoration of the Magi and Coronation of the Virgin
subject_urlhttps://clevelandart.org/art/1955.79
typeimage
Distance0.09862751
Providercma
Depiction ID1955.79.1_alt0_web
Subject ID1955.79.1
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1955.79.1/1955.79.1_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBifolio from a Book of Hours: Adoration of the Magi (recto); Text (verso), c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; folio: 16.8 x 12.7 cm (6 5/8 x 5 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.79.1
subject_titleBifolio from a Book of Hours: Adoration of the Magi (recto); Text (verso)
subject_urlhttps://clevelandart.org/art/1955.79.1
typeimage
Distance0.10296148
Providercma
Depiction ID1942.169.89.a_web
Subject ID1942.169.89.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.169.89.a/1942.169.89.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Adoration of the Magi, c. 1420. Follower of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; sheet: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of Julia Morgan Marlatt, 1942.169.89.a
subject_titleBook of Hours (Use of Paris): Adoration of the Magi
subject_urlhttps://clevelandart.org/art/1942.169.89.a
typeimage
Distance0.106968224
Providermetmuseum
Depiction IDmetmuseum:468254:primaryImage
Subject IDmetmuseum:468254
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/md/original/DT11895.jpg
previewhttps://images.metmuseum.org/CRDImages/md/web-large/DT11895.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of George D. Pratt, 1935
subject_titleManuscript Illumination with Adoration of the Magi
subject_urlhttps://www.metmuseum.org/art/collection/search/468254
typeimage
Distance0.1078701
Providercma
Depiction ID1951.120.67.a_alt0_web
Subject ID1951.120.67.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.67.a/1951.120.67.a_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 67r, Adoration of the Magi, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.67.a
subject_titleBook of Hours (Use of Paris): Fol. 67r, Adoration of the Magi
subject_urlhttps://clevelandart.org/art/1951.120.67.a
typeimage
Distance0.11192411
Providermetmuseum
Depiction IDmetmuseum:436504:primaryImage
Subject IDmetmuseum:436504
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/ep/original/DP-31416-001.jpg
previewhttps://images.metmuseum.org/CRDImages/ep/web-large/DP-31416-001.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineJohn Stewart Kennedy Fund, 1911
subject_titleThe Adoration of the Magi
subject_urlhttps://www.metmuseum.org/art/collection/search/436504
typeimage
Distance0.11341447
Providercma
Depiction ID1924.1011_web
Subject ID1924.1011
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.1011/1924.1011_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHistoriated Initial (P) Excised from a Gradual: The Nativity, c. 1350–75. Attributed to Lippo Vanni (Italian). Ink, tempera, and gold on parchment; sheet: 10 x 11 cm (3 15/16 x 4 5/16 in.). The Cleveland Museum of Art, Gift from J. H. Wade, 1924.1011
subject_titleHistoriated Initial (P) Excised from a Gradual: The Nativity
subject_urlhttps://clevelandart.org/art/1924.1011
typeimage
Distance0.11431724
Providercma
Depiction ID1964.40.67.a_alt0_web
Subject ID1964.40.67.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.67.a/1964.40.67.a_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 67r, Nativity (Prime), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.67.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 67r, Nativity (Prime)
subject_urlhttps://clevelandart.org/art/1964.40.67.a
typeimage
Distance0.11516029
Providercma
Depiction ID1954.140.4_alt0_web
Subject ID1954.140.4
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1954.140.4/1954.140.4_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf from a Book of Hours: Presentation in the Temple, c. 1470–1480. Guillaume Vrelant (Flemish, c. 1454–1481). Tempera, liquid gold, and grisaille on vellum; sheet: 10.2 x 7.3 cm (4 x 2 7/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1954.140.4
subject_titleLeaf from a Book of Hours: Presentation in the Temple
subject_urlhttps://clevelandart.org/art/1954.140.4
typeimage
Distance0.11681306
Providercma
Depiction ID1952.280_web
Subject ID1952.280
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1952.280/1952.280_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHistoriated Initial (E) Excised from a Gradual: Adoration of the Magi, c. 1200–1240. Italy, Siena. Ink, tempera, and gold on parchment; sheet: 17 x 21 cm (6 11/16 x 8 1/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1952.280
subject_titleHistoriated Initial (E) Excised from a Gradual: Adoration of the Magi
subject_urlhttps://clevelandart.org/art/1952.280
typeimage
Distance0.11916405
Providercma
Depiction ID1951.120.37.a_web
Subject ID1951.120.37.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.37.a/1951.120.37.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 37r, Annunciation, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.37.a
subject_titleBook of Hours (Use of Paris): Fol. 37r, Annunciation
subject_urlhttps://clevelandart.org/art/1951.120.37.a
typeimage
Distance0.11991978
Providercma
Depiction ID1942.169.93.b_web
Subject ID1942.169.93.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.169.93.b/1942.169.93.b_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Presentation at the Temple, c. 1420. Follower of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; sheet: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of Julia Morgan Marlatt, 1942.169.93.b
subject_titleBook of Hours (Use of Paris): Presentation at the Temple
subject_urlhttps://clevelandart.org/art/1942.169.93.b
typeimage
Distance0.121025264
Providermetmuseum
Depiction IDmetmuseum:463603:primaryImage
Subject IDmetmuseum:463603
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/md/original/DT201105.jpg
previewhttps://images.metmuseum.org/CRDImages/md/web-large/DT201105.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1912
subject_titleManuscript Illumination with the Virgin and Child in an Initial S, from an Antiphonary
subject_urlhttps://www.metmuseum.org/art/collection/search/463603
typeimage
Distance0.12209827
Providermetmuseum
Depiction IDmetmuseum:436509:primaryImage
Subject IDmetmuseum:436509
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/ep/original/DT2580.jpg
previewhttps://images.metmuseum.org/CRDImages/ep/web-large/DT2580.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Jack and Belle Linsky Collection, 1982
subject_titleThe Adoration of the Magi
subject_urlhttps://www.metmuseum.org/art/collection/search/436509
typeimage
Distance0.122311234
Providermetmuseum
Depiction IDmetmuseum:192738:primaryImage
Subject IDmetmuseum:192738
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/es/original/ES340.jpg
previewhttps://images.metmuseum.org/CRDImages/es/web-large/ES340.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Benjamin Altman, 1913
subject_titleThe Adoration of the Shepherds
subject_urlhttps://www.metmuseum.org/art/collection/search/192738
typeimage
Distance0.12423593
Providercma
Depiction ID1924.1012_alt0_web
Subject ID1924.1012
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.1012/1924.1012_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineInitial S[alve sancta parens] from a Gradual: Madonna and Child, c. 1370–74. Don Silvestro dei Gherarducci (Italian, 1339–1399). Ink, tempera, and gold on vellum; sheet: 16 x 13 cm (6 5/16 x 5 1/8 in.). The Cleveland Museum of Art, Gift from J. H. Wade, 1924.1012
subject_titleInitial S[alve sancta parens] from a Gradual: Madonna and Child
subject_urlhttps://clevelandart.org/art/1924.1012
typeimage
Distance0.12467748
Providercma
Depiction ID1951.120.72.a_web
Subject ID1951.120.72.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.72.a/1951.120.72.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 72r, Presentation at the Temple, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.72.a
subject_titleBook of Hours (Use of Paris): Fol. 72r, Presentation at the Temple
subject_urlhttps://clevelandart.org/art/1951.120.72.a
typeimage
Distance0.12506509
Providermetmuseum
Depiction IDmetmuseum:459007:primaryImage
Subject IDmetmuseum:459007
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/rl/original/DT709.jpg
previewhttps://images.metmuseum.org/CRDImages/rl/web-large/DT709.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRobert Lehman Collection, 1975
subject_titleThe Nativity
subject_urlhttps://www.metmuseum.org/art/collection/search/459007
typeimage
Distance0.1255197
Providercma
Depiction ID1941.68.a_alt2_web
Subject ID1941.68.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1941.68.a/1941.68.a_alt2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Adoration of the Magi, c. 1424. Austria, Salzburg. Tempera and gold on wood (oak); overall: 49.7 x 77.2 cm (19 9/16 x 30 3/8 in.); unframed: 39 x 31.7 cm (15 3/8 x 12 1/2 in.). The Cleveland Museum of Art, Delia E. Holden and L. E. Holden Funds, 1941.68.a
subject_titleThe Adoration of the Magi
subject_urlhttps://clevelandart.org/art/1941.68.a
typeimage
Distance0.1255197
Providercma
Depiction ID1941.68.a_alt0_web
Subject ID1941.68.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1941.68.a/1941.68.a_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Adoration of the Magi, c. 1424. Austria, Salzburg. Tempera and gold on wood (oak); overall: 49.7 x 77.2 cm (19 9/16 x 30 3/8 in.); unframed: 39 x 31.7 cm (15 3/8 x 12 1/2 in.). The Cleveland Museum of Art, Delia E. Holden and L. E. Holden Funds, 1941.68.a
subject_titleThe Adoration of the Magi
subject_urlhttps://clevelandart.org/art/1941.68.a
typeimage