Leaf from a Manuscript of Valerius Maximus
Providermetmuseum
Depiction IDmetmuseum:467421:primaryImage
Subject IDmetmuseum:467421
Modelgoogle/siglip2-so400m-patch16-naflex
Providermetmuseum
Depiction IDmetmuseum:467421:primaryImage
Subject IDmetmuseum:467421
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-05-07
Embeddingslink
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/md/original/DT5143.jpg
previewhttps://images.metmuseum.org/CRDImages/md/web-large/DT5143.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Gwynne M. Andrews, 1930
subject_titleLeaf from a Manuscript of Valerius Maximus
subject_urlhttps://www.metmuseum.org/art/collection/search/467421
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.08468145
Providercma
Depiction ID1952.274.2_web
Subject ID1952.274.2
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1952.274.2/1952.274.2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineValerius Maximus's Facta et dicta memorabilia: Opening Page of Book IX of Valerius Maximus's Facta et dicta memorabilia, c. 1476. Flanders. Pen and brown ink, watercolor, and gouache; framing lines in brown ink [around image]; with letterpress text; sheet: 38.4 x 28.2 cm (15 1/8 x 11 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1952.274.2
subject_titleOpening Page of Book IX of Valerius Maximus's Facta et dicta memorabilia
subject_urlhttps://clevelandart.org/art/1952.274.2
typeimage
Distance0.09199011
Providercma
Depiction ID1955.79.1_web
Subject ID1955.79.1
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1955.79.1/1955.79.1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBifolio from a Book of Hours: Adoration of the Magi (recto); Text (verso), c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; folio: 16.8 x 12.7 cm (6 5/8 x 5 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.79.1
subject_titleBifolio from a Book of Hours: Adoration of the Magi (recto); Text (verso)
subject_urlhttps://clevelandart.org/art/1955.79.1
typeimage
Distance0.099624455
Providercma
Depiction ID1953.152_web
Subject ID1953.152
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1953.152/1953.152_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf from a Cocharelli Treatise on the Vices: Acedia and Her Court, c. 1330. Italy, Genoa. Ink, tempera, and gold on vellum; sheet: 16.3 x 10.3 cm (6 7/16 x 4 1/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1953.152
subject_titleLeaf from a Cocharelli Treatise on the Vices: Acedia and Her Court
subject_urlhttps://clevelandart.org/art/1953.152
typeimage
Distance0.10348159
Providercma
Depiction ID1964.40.79.a_alt1_web
Subject ID1964.40.79.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.79.a/1964.40.79.a_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 79r, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.79.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 79r, Text
subject_urlhttps://clevelandart.org/art/1964.40.79.a
typeimage
Distance0.10348159
Providercma
Depiction ID1964.40.78.b_alt3_web
Subject ID1964.40.78.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.78.b/1964.40.78.b_alt3_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.78.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext)
subject_urlhttps://clevelandart.org/art/1964.40.78.b
typeimage
Distance0.10451788
Providercma
Depiction ID1952.274_web
Subject ID1952.274
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1952.274/1952.274_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineOpening Pages from Valerius Maximus's Facta et dicta memorabilia, c. 1476. Flanders. Pen and brown ink, watercolor, and gouache; framing lines in brown ink (around image), with letterpress text; sheet: 38.4 x 28.2 cm (15 1/8 x 11 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1952.274
subject_titleOpening Pages from Valerius Maximus's Facta et dicta memorabilia
subject_urlhttps://clevelandart.org/art/1952.274
typeimage
Distance0.10495728
Providercma
Depiction ID1964.40.144.a_web
Subject ID1964.40.144.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.144.a/1964.40.144.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 144r, Betrayal of Christ, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.144.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 144r, Betrayal of Christ
subject_urlhttps://clevelandart.org/art/1964.40.144.a
typeimage
Distance0.10580635
Providercma
Depiction ID1964.40.78.b_web
Subject ID1964.40.78.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.78.b/1964.40.78.b_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.78.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext)
subject_urlhttps://clevelandart.org/art/1964.40.78.b
typeimage
Distance0.107112944
Providercma
Depiction ID1964.40.55.a_web
Subject ID1964.40.55.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.55.a/1964.40.55.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 55r, The Visitation (Lauds), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.55.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 55r, The Visitation (Lauds)
subject_urlhttps://clevelandart.org/art/1964.40.55.a
typeimage
Distance0.10728854
Providercma
Depiction ID1982.141_alt1_web
Subject ID1982.141
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1982.141/1982.141_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf from a Missal with Two Historiated Initials: Initial P[er omnia saecula saeculorum] (A Priest Celebrates Mass) and Initial V[ere dignum et iustum est] (Ecclesia and Synagogue), c. 1300. France, Beauvais, late 13th-early 14th Century. Ink, tempera, and gold on vellum; sheet: 28.5 x 20 cm (11 1/4 x 7 7/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Milton Freudenheim in memory of Otto Ege, 1982.141
subject_titleLeaf from a Missal with Two Historiated Initials: Initial P[er omnia saecula saeculorum] (A Priest Celebrates Mass) and Initial V[ere dignum et iustum est] (Ecclesia and Synagogue)
subject_urlhttps://clevelandart.org/art/1982.141
typeimage
Distance0.10760498
Providercma
Depiction ID1964.40.161.b_alt0_web
Subject ID1964.40.161.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.161.b/1964.40.161.b_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 161v, Mocking of Christ, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.161.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 161v, Mocking of Christ
subject_urlhttps://clevelandart.org/art/1964.40.161.b
typeimage
Distance0.10775727
Providercma
Depiction ID1945.16_web
Subject ID1945.16
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1945.16/1945.16_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf from Jehan de Courcy's "Chronique Universelle": King Priam Meets Helen and Paris outside the Gates of Troy, c. 1470. Northeastern France, 15th century. Ink, tempera, and gold on vellum; sheet: 36.3 x 27.2 cm (14 5/16 x 10 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1945.16
subject_titleLeaf from Jehan de Courcy's "Chronique Universelle": King Priam Meets Helen and Paris outside the Gates of Troy
subject_urlhttps://clevelandart.org/art/1945.16
typeimage
Distance0.107812405
Providercma
Depiction ID1985.82_web
Subject ID1985.82
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1985.82/1985.82_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSingle Leaf Excised from a Psalter: Initial D[ominus illuminatio mea] with Samuel Anointing David, c. 1270–1290. Northeastern France. Ink, tempera, and gold on vellum; sheet: 26.1 x 19.3 cm (10 1/4 x 7 5/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1985.82
subject_titleSingle Leaf Excised from a Psalter: Initial D[ominus illuminatio mea] with Samuel Anointing David
subject_urlhttps://clevelandart.org/art/1985.82
typeimage
Distance0.108576655
Providercma
Depiction ID1951.120.72.a_web
Subject ID1951.120.72.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.72.a/1951.120.72.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 72r, Presentation at the Temple, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.72.a
subject_titleBook of Hours (Use of Paris): Fol. 72r, Presentation at the Temple
subject_urlhttps://clevelandart.org/art/1951.120.72.a
typeimage
Distance0.10989785
Providercma
Depiction ID1964.40.161.b_web
Subject ID1964.40.161.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.161.b/1964.40.161.b_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 161v, Mocking of Christ, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.161.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 161v, Mocking of Christ
subject_urlhttps://clevelandart.org/art/1964.40.161.b
typeimage
Distance0.11155778
Providercma
Depiction ID1964.40.79.a_alt2_web
Subject ID1964.40.79.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.79.a/1964.40.79.a_alt2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 79r, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.79.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 79r, Text
subject_urlhttps://clevelandart.org/art/1964.40.79.a
typeimage
Distance0.11155778
Providercma
Depiction ID1964.40.78.b_alt4_web
Subject ID1964.40.78.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.78.b/1964.40.78.b_alt4_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.78.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext)
subject_urlhttps://clevelandart.org/art/1964.40.78.b
typeimage
Distance0.1130538
Providercma
Depiction ID1962.287.61.a_web
Subject ID1962.287.61.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1962.287.61.a/1962.287.61.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Gotha Missal: Fol. 61r, A Priest Singing the Office, c. 1375. Master of the Boqueteaux (French), and Workshop. Ink, tempera, and gold on vellum; blind-tooled leather binding; codex: 27.1 x 19.5 cm (10 11/16 x 7 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1962.287.61.a
subject_titleThe Gotha Missal: Fol. 61r, A Priest Singing the Office
subject_urlhttps://clevelandart.org/art/1962.287.61.a
typeimage
Distance0.114120245
Providercma
Depiction ID1964.40.29.a_web
Subject ID1964.40.29.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.29.a/1964.40.29.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 29r,The Annunciation (Matins), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.29.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 29r,The Annunciation (Matins)
subject_urlhttps://clevelandart.org/art/1964.40.29.a
typeimage
Distance0.11552167
Providercma
Depiction ID1985.82_alt1_web
Subject ID1985.82
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1985.82/1985.82_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSingle Leaf Excised from a Psalter: Initial D[ominus illuminatio mea] with Samuel Anointing David, c. 1270–1290. Northeastern France. Ink, tempera, and gold on vellum; sheet: 26.1 x 19.3 cm (10 1/4 x 7 5/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1985.82
subject_titleSingle Leaf Excised from a Psalter: Initial D[ominus illuminatio mea] with Samuel Anointing David
subject_urlhttps://clevelandart.org/art/1985.82
typeimage