The Belles Heures of Jean de France, duc de Berry
Providermetmuseum
Depiction IDmetmuseum:470306:primaryImage
Subject IDmetmuseum:470306
Modelgoogle/siglip2-so400m-patch16-naflex
Providermetmuseum
Depiction IDmetmuseum:470306:primaryImage
Subject IDmetmuseum:470306
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-05-07
Embeddingslink
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/cl/original/DP253014.jpg
previewhttps://images.metmuseum.org/CRDImages/cl/web-large/DP253014.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Cloisters Collection, 1954
subject_titleThe Belles Heures of Jean de France, duc de Berry
subject_urlhttps://www.metmuseum.org/art/collection/search/470306
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.08538616
Providercma
Depiction ID1964.40.29.a_alt1_web
Subject ID1964.40.29.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.29.a/1964.40.29.a_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 29r,The Annunciation (Matins), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.29.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 29r,The Annunciation (Matins)
subject_urlhttps://clevelandart.org/art/1964.40.29.a
typeimage
Distance0.08911896
Providercma
Depiction ID1964.40.55.a_web
Subject ID1964.40.55.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.55.a/1964.40.55.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 55r, The Visitation (Lauds), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.55.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 55r, The Visitation (Lauds)
subject_urlhttps://clevelandart.org/art/1964.40.55.a
typeimage
Distance0.090593934
Providercma
Depiction ID1964.40.29.a_web
Subject ID1964.40.29.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.29.a/1964.40.29.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 29r,The Annunciation (Matins), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.29.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 29r,The Annunciation (Matins)
subject_urlhttps://clevelandart.org/art/1964.40.29.a
typeimage
Distance0.0991056
Providercma
Depiction ID1951.120.72.a_web
Subject ID1951.120.72.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.72.a/1951.120.72.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 72r, Presentation at the Temple, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.72.a
subject_titleBook of Hours (Use of Paris): Fol. 72r, Presentation at the Temple
subject_urlhttps://clevelandart.org/art/1951.120.72.a
typeimage
Distance0.102460325
Providermetmuseum
Depiction IDmetmuseum:467681:primaryImage
Subject IDmetmuseum:467681
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/md/original/sf39-81-4s1.jpg
previewhttps://images.metmuseum.org/CRDImages/md/web-large/sf39-81-4s1.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Joseph Pulitzer Bequest, 1939
subject_titleManuscript Leaf with the Crucifixion in an Initial D, from a Book of Hours
subject_urlhttps://www.metmuseum.org/art/collection/search/467681
typeimage
Distance0.10587382
Providercma
Depiction ID1955.79.1_web
Subject ID1955.79.1
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1955.79.1/1955.79.1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBifolio from a Book of Hours: Adoration of the Magi (recto); Text (verso), c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; folio: 16.8 x 12.7 cm (6 5/8 x 5 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.79.1
subject_titleBifolio from a Book of Hours: Adoration of the Magi (recto); Text (verso)
subject_urlhttps://clevelandart.org/art/1955.79.1
typeimage
Distance0.107056856
Providercma
Depiction ID1951.120.37.a_web
Subject ID1951.120.37.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.37.a/1951.120.37.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 37r, Annunciation, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.37.a
subject_titleBook of Hours (Use of Paris): Fol. 37r, Annunciation
subject_urlhttps://clevelandart.org/art/1951.120.37.a
typeimage
Distance0.107509196
Providercma
Depiction ID1964.40.83.a_alt1_web
Subject ID1964.40.83.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.83.a/1964.40.83.a_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 82vr, Presentation in the Temple (Nones), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.83.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 82vr, Presentation in the Temple (Nones)
subject_urlhttps://clevelandart.org/art/1964.40.83.a
typeimage
Distance0.10879016
Providercma
Depiction ID1942.169.50.a_web
Subject ID1942.169.50.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.169.50.a/1942.169.50.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Annunciation, c. 1420. Follower of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; sheet: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of Julia Morgan Marlatt, 1942.169.50.a
subject_titleBook of Hours (Use of Paris): Annunciation
subject_urlhttps://clevelandart.org/art/1942.169.50.a
typeimage
Distance0.1118353
Providercma
Depiction ID1964.40.144.a_web
Subject ID1964.40.144.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.144.a/1964.40.144.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 144r, Betrayal of Christ, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.144.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 144r, Betrayal of Christ
subject_urlhttps://clevelandart.org/art/1964.40.144.a
typeimage
Distance0.11229855
Providercma
Depiction ID1951.120.198.a_web
Subject ID1951.120.198.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.198.a/1951.120.198.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 198r, Madonna and Child with Angel, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.198.a
subject_titleBook of Hours (Use of Paris): Fol. 198r, Madonna and Child with Angel
subject_urlhttps://clevelandart.org/art/1951.120.198.a
typeimage
Distance0.11262858
Providercma
Depiction ID1952.227.67.a_alt0_web
Subject ID1952.227.67.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1952.227.67.a/1952.227.67.a_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Rouen): fol. 67r, Opening of None, Presentation of the Christ Child in the Temple, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.67.a
subject_titleBook of Hours (Use of Rouen): fol. 67r, Opening of None, Presentation of the Christ Child in the Temple
subject_urlhttps://clevelandart.org/art/1952.227.67.a
typeimage
Distance0.11262858
Providercma
Depiction ID1952.227.66.b_alt0_web
Subject ID1952.227.66.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1952.227.66.b/1952.227.66.b_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Rouen): fol. 66v, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.66.b
subject_titleBook of Hours (Use of Rouen): fol. 66v
subject_urlhttps://clevelandart.org/art/1952.227.66.b
typeimage
Distance0.11306316
Providercma
Depiction ID1982.141_web
Subject ID1982.141
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1982.141/1982.141_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf from a Missal with Two Historiated Initials: Initial P[er omnia saecula saeculorum] (A Priest Celebrates Mass) and Initial V[ere dignum et iustum est] (Ecclesia and Synagogue), c. 1300. France, Beauvais, late 13th-early 14th Century. Ink, tempera, and gold on vellum; sheet: 28.5 x 20 cm (11 1/4 x 7 7/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Milton Freudenheim in memory of Otto Ege, 1982.141
subject_titleLeaf from a Missal with Two Historiated Initials: Initial P[er omnia saecula saeculorum] (A Priest Celebrates Mass) and Initial V[ere dignum et iustum est] (Ecclesia and Synagogue)
subject_urlhttps://clevelandart.org/art/1982.141
typeimage
Distance0.113991976
Providercma
Depiction ID1951.120.77.a_web
Subject ID1951.120.77.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.77.a/1951.120.77.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 77r, David, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.77.a
subject_titleBook of Hours (Use of Paris): Fol. 77r, David
subject_urlhttps://clevelandart.org/art/1951.120.77.a
typeimage
Distance0.11549729
Providermetmuseum
Depiction IDmetmuseum:467522:primaryImage
Subject IDmetmuseum:467522
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/md/original/sf32-100-475Hs1.jpg
previewhttps://images.metmuseum.org/CRDImages/md/web-large/sf32-100-475Hs1.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Friedsam Collection, Bequest of Michael Friedsam, 1931
subject_titleManuscript Leaf with the Resurrection, from a Book of Hours
subject_urlhttps://www.metmuseum.org/art/collection/search/467522
typeimage
Distance0.1162228
Providercma
Depiction ID1976.100_web
Subject ID1976.100
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1976.100/1976.100_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBifolio from an Antiphonary: Historiated Initial O with the Nativity, early 1400s. Bohemia, Prague, 15th century. Ink, tempera, and gold on parchment; sheet: 56.8 x 38.9 cm (22 3/8 x 15 5/16 in.); framed: 61.6 x 76.8 cm (24 1/4 x 30 1/4 in.); matted: 71.1 x 55.9 cm (28 x 22 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1976.100
subject_titleBifolio from an Antiphonary: Historiated Initial O with the Nativity
subject_urlhttps://clevelandart.org/art/1976.100
typeimage
Distance0.11641282
Providercma
Depiction ID1951.120.37.a_alt0_web
Subject ID1951.120.37.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.37.a/1951.120.37.a_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 37r, Annunciation, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.37.a
subject_titleBook of Hours (Use of Paris): Fol. 37r, Annunciation
subject_urlhttps://clevelandart.org/art/1951.120.37.a
typeimage
Distance0.118099034
Providercma
Depiction ID1951.120.67.a_web
Subject ID1951.120.67.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.67.a/1951.120.67.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 67r, Adoration of the Magi, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.67.a
subject_titleBook of Hours (Use of Paris): Fol. 67r, Adoration of the Magi
subject_urlhttps://clevelandart.org/art/1951.120.67.a
typeimage
Distance0.11833823
Providercma
Depiction ID1952.227.56.a_web
Subject ID1952.227.56.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1952.227.56.a/1952.227.56.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Rouen): fol. 56r, Adoration with Shepherds/Nativity, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.56.a
subject_titleBook of Hours (Use of Rouen): fol. 56r, Adoration with Shepherds/Nativity
subject_urlhttps://clevelandart.org/art/1952.227.56.a
typeimage