Four Gospels in Armenian
Providermetmuseum
Depiction IDmetmuseum:478665:primaryImage
Subject IDmetmuseum:478665
Modelgoogle/siglip2-so400m-patch16-naflex
Providermetmuseum
Depiction IDmetmuseum:478665:primaryImage
Subject IDmetmuseum:478665
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-05-07
Embeddingslink
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/md/original/DP228809.jpg
previewhttps://images.metmuseum.org/CRDImages/md/web-large/DP228809.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Fletcher Fund, Hagop Kevorkian Fund Gift, in memory of Hagop Kevorkian, Tianaderrah Foundation, B.H. Breslauer Foundation, Aso O. Tavitian, Karen Bedrosian Richardson, Elizabeth Mugar Eveillard and Arax Simsarian Gifts and funds from various donors, 2010
subject_titleFour Gospels in Armenian
subject_urlhttps://www.metmuseum.org/art/collection/search/478665
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.0869742
Providercma
Depiction ID1951.120.37.a_web
Subject ID1951.120.37.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.37.a/1951.120.37.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 37r, Annunciation, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.37.a
subject_titleBook of Hours (Use of Paris): Fol. 37r, Annunciation
subject_urlhttps://clevelandart.org/art/1951.120.37.a
typeimage
Distance0.088092566
Providercma
Depiction ID1933.448.1_web
Subject ID1933.448.1
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1933.448.1/1933.448.1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBifolia with Scenes from the Life of Christ, 1230–1240. Germany, Lower Saxony (Diocese of Hildesheim), Braunschweig(?), 13th century. Tempera, and gold on vellum; sheet: 30.7 x 31 cm (12 1/16 x 12 3/16 in.); framed: 48.3 x 63.5 cm (19 x 25 in.); overall: 30.7 x 45.2 cm (12 1/16 x 17 13/16 in.); matted: 40.6 x 55.9 cm (16 x 22 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1933.448.1
subject_titleBifolia with Scenes from the Life of Christ
subject_urlhttps://clevelandart.org/art/1933.448.1
typeimage
Distance0.09097189
Providercma
Depiction ID1964.40.67.a_alt0_web
Subject ID1964.40.67.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.67.a/1964.40.67.a_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 67r, Nativity (Prime), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.67.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 67r, Nativity (Prime)
subject_urlhttps://clevelandart.org/art/1964.40.67.a
typeimage
Distance0.09451038
Providercma
Depiction ID1933.448_alt0_web
Subject ID1933.448
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1933.448/1933.448_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBifolia with Scenes from the Life of Christ, 1230–1240. Germany, Lower Saxony (Diocese of Hildesheim), Braunschweig(?), 13th century. Tempera, and gold on vellum; framed: 48.3 x 63.5 cm (19 x 25 in.); overall: 30.7 x 45.2 cm (12 1/16 x 17 13/16 in.); matted: 40.6 x 55.9 cm (16 x 22 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1933.448
subject_titleBifolia with Scenes from the Life of Christ
subject_urlhttps://clevelandart.org/art/1933.448
typeimage
Distance0.09756303
Providercma
Depiction ID1951.447_web
Subject ID1951.447
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.447/1951.447_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf from a Psalter(?): Annunciation (recto); Nativity (verso), early 1200s. Germany, Bavaria, possibly Prufening or Augsburg. Ink and tempera on parchment; sheet: 19 x 15 cm (7 1/2 x 5 7/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1951.447
subject_titleLeaf from a Psalter(?): Annunciation (recto); Nativity (verso)
subject_urlhttps://clevelandart.org/art/1951.447
typeimage
Distance0.10005826
Providercma
Depiction ID1933.448.1_alt0_web
Subject ID1933.448.1
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1933.448.1/1933.448.1_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBifolia with Scenes from the Life of Christ, 1230–1240. Germany, Lower Saxony (Diocese of Hildesheim), Braunschweig(?), 13th century. Tempera, and gold on vellum; sheet: 30.7 x 31 cm (12 1/16 x 12 3/16 in.); framed: 48.3 x 63.5 cm (19 x 25 in.); overall: 30.7 x 45.2 cm (12 1/16 x 17 13/16 in.); matted: 40.6 x 55.9 cm (16 x 22 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1933.448.1
subject_titleBifolia with Scenes from the Life of Christ
subject_urlhttps://clevelandart.org/art/1933.448.1
typeimage
Distance0.10180932
Providercma
Depiction ID1964.40.67.a_web
Subject ID1964.40.67.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.67.a/1964.40.67.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 67r, Nativity (Prime), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.67.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 67r, Nativity (Prime)
subject_urlhttps://clevelandart.org/art/1964.40.67.a
typeimage
Distance0.102207184
Providercma
Depiction ID1933.445.a_web
Subject ID1933.445.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1933.445.a/1933.445.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSingle Leaf Excised from a Gospel Book: The Nativity (recto), c. 1190. Germany, Helmarshausen Abbey, 12th century. Ink, tempera, silver, and gold on vellum; sheet: 34.6 x 23.4 cm (13 5/8 x 9 3/16 in.); framed: 52.4 x 39.7 cm (20 5/8 x 15 5/8 in.); matted: 48.9 x 36.2 cm (19 1/4 x 14 1/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1933.445.a
subject_titleSingle Leaf Excised from a Gospel Book: The Nativity (recto)
subject_urlhttps://clevelandart.org/art/1933.445.a
typeimage
Distance0.10317099
Providercma
Depiction ID1951.120.37.a_alt0_web
Subject ID1951.120.37.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.37.a/1951.120.37.a_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 37r, Annunciation, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.37.a
subject_titleBook of Hours (Use of Paris): Fol. 37r, Annunciation
subject_urlhttps://clevelandart.org/art/1951.120.37.a
typeimage
Distance0.1034376
Providercma
Depiction ID1951.120.67.a_alt0_web
Subject ID1951.120.67.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.67.a/1951.120.67.a_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 67r, Adoration of the Magi, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.67.a
subject_titleBook of Hours (Use of Paris): Fol. 67r, Adoration of the Magi
subject_urlhttps://clevelandart.org/art/1951.120.67.a
typeimage
Distance0.10449445
Providercma
Depiction ID1964.40.78.b_alt1_web
Subject ID1964.40.78.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.78.b/1964.40.78.b_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.78.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext)
subject_urlhttps://clevelandart.org/art/1964.40.78.b
typeimage
Distance0.10577083
Providercma
Depiction ID1964.40.184.b_alt0_web
Subject ID1964.40.184.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.184.b/1964.40.184.b_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 184v, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.184.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 184v, Text
subject_urlhttps://clevelandart.org/art/1964.40.184.b
typeimage
Distance0.10577083
Providercma
Depiction ID1964.40.185.a_web
Subject ID1964.40.185.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.185.a/1964.40.185.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 185r, Crucifixion, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.185.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 185r, Crucifixion
subject_urlhttps://clevelandart.org/art/1964.40.185.a
typeimage
Distance0.10857439
Providercma
Depiction ID1942.1514.26.b_web
Subject ID1942.1514.26.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.1514.26.b/1942.1514.26.b_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Metz): Fol. 26v, Virgin and Child, c. 1440. France, Metz. Ink, tempera, and gold on vellum; sheet: 14.2 x 9.4 cm (5 9/16 x 3 11/16 in.). The Cleveland Museum of Art, Bequest of Julia Morgan Marlatt, 1942.1514.26.b
subject_titleBook of Hours (Use of Metz): Fol. 26v, Virgin and Child
subject_urlhttps://clevelandart.org/art/1942.1514.26.b
typeimage
Distance0.11006987
Providercma
Depiction ID1951.120.198.a_web
Subject ID1951.120.198.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.198.a/1951.120.198.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 198r, Madonna and Child with Angel, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.198.a
subject_titleBook of Hours (Use of Paris): Fol. 198r, Madonna and Child with Angel
subject_urlhttps://clevelandart.org/art/1951.120.198.a
typeimage
Distance0.11083096
Providercma
Depiction ID1942.169.89.a_web
Subject ID1942.169.89.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.169.89.a/1942.169.89.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Adoration of the Magi, c. 1420. Follower of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; sheet: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of Julia Morgan Marlatt, 1942.169.89.a
subject_titleBook of Hours (Use of Paris): Adoration of the Magi
subject_urlhttps://clevelandart.org/art/1942.169.89.a
typeimage
Distance0.11213678
Providercma
Depiction ID1964.40.95.b_alt0_web
Subject ID1964.40.95.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.95.b/1964.40.95.b_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 95v, Text, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.95.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 95v, Text
subject_urlhttps://clevelandart.org/art/1964.40.95.b
typeimage
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Providercma
Depiction ID1964.40.96.a_alt0_web
Subject ID1964.40.96.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.96.a/1964.40.96.a_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 96r, Coronation of the Virgin (Compline), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.96.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 96r, Coronation of the Virgin (Compline)
subject_urlhttps://clevelandart.org/art/1964.40.96.a
typeimage
Distance0.112237155
Providercma
Depiction ID1951.120.108.a_alt0_web
Subject ID1951.120.108.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.108.a/1951.120.108.a_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 108r, The Pentecost, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.108.a
subject_titleBook of Hours (Use of Paris): Fol. 108r, The Pentecost
subject_urlhttps://clevelandart.org/art/1951.120.108.a
typeimage
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Providercma
Depiction ID1964.40.78.b_alt2_web
Subject ID1964.40.78.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.78.b/1964.40.78.b_alt2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext), c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 19.4 x 13.7 cm (7 5/8 x 5 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.78.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 78v, Adoration of the Magi (Sext)
subject_urlhttps://clevelandart.org/art/1964.40.78.b
typeimage