The Town of Beccles from the Bridge, Suffolk
Providermetmuseum
Depiction IDmetmuseum:755161:primaryImage
Subject IDmetmuseum:755161
Modelgoogle/siglip2-so400m-patch16-naflex
Providermetmuseum
Depiction IDmetmuseum:755161:primaryImage
Subject IDmetmuseum:755161
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-05-07
Embeddingslink
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previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP876551.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarry G. Sperling Fund, 2017
subject_titleThe Town of Beccles from the Bridge, Suffolk
subject_urlhttps://www.metmuseum.org/art/collection/search/755161
typeimage
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Distance0.14183533
Providercma
Depiction ID1950.219.18_web
Subject ID1950.219.18
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1950.219.18/1950.219.18_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineTwenty Views of Paris and Environs: View of St. Cloud and Mount Calvary taken from Pont de Sêve, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.18
subject_titleTwenty Views of Paris and Environs: View of St. Cloud and Mount Calvary taken from Pont de Sêve
subject_urlhttps://clevelandart.org/art/1950.219.18
typeimage
Distance0.14913881
Providermetmuseum
Depiction IDmetmuseum:788183:primaryImage
Subject IDmetmuseum:788183
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP881086.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleView of Norwich From St. James Hill
subject_urlhttps://www.metmuseum.org/art/collection/search/788183
typeimage
Distance0.15471423
Providercma
Depiction ID2016.181_web
Subject ID2016.181
Attributes
previewhttps://openaccess-cdn.clevelandart.org/2016.181/2016.181_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineKidwelly Town, 1859. Francis Seymour Haden (British, 1818–1910). Etching; image: 14.9 x 22.5 cm (5 7/8 x 8 7/8 in.); sheet: 18.1 x 24.6 cm (7 1/8 x 9 11/16 in.); matted: 37.5 x 43.8 cm (14 3/4 x 17 1/4 in.). The Cleveland Museum of Art, Bequest of Elizabeth Carroll Shearer, 2016.181
subject_titleKidwelly Town
subject_urlhttps://clevelandart.org/art/2016.181
typeimage
Distance0.15607285
Providercma
Depiction ID1942.994_web
Subject ID1942.994
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.994/1942.994_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEarly Morning: The Thames at Battersea, London, 1878. James McNeill Whistler (American, 1834–1903). Lithograph. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1942.994
subject_titleEarly Morning: The Thames at Battersea, London
subject_urlhttps://clevelandart.org/art/1942.994
typeimage
Distance0.15732223
Providercma
Depiction ID1940.816_web
Subject ID1940.816
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEarly Morning, 1898. James McNeill Whistler (American, 1834–1903). Lithograph. The Cleveland Museum of Art, Bequest of James Parmelee, 1940.816
subject_titleEarly Morning
subject_urlhttps://clevelandart.org/art/1940.816
typeimage
Distance0.15781242
Providercma
Depiction ID1950.219.17_web
Subject ID1950.219.17
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1950.219.17/1950.219.17_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of the Village of Chaillot, taken from Pont de la Concorde, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.17
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of the Village of Chaillot, taken from Pont de la Concorde
subject_urlhttps://clevelandart.org/art/1950.219.17
typeimage
Distance0.16035718
Providermetmuseum
Depiction IDmetmuseum:405745:primaryImage
Subject IDmetmuseum:405745
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP269433.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP269433.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1957
subject_titleLandscape with distant buildings (Smaller Italian sketchbook, leaf 23 recto)
subject_urlhttps://www.metmuseum.org/art/collection/search/405745
typeimage
Distance0.16047263
Providercma
Depiction ID2016.192_web
Subject ID2016.192
Attributes
previewhttps://openaccess-cdn.clevelandart.org/2016.192/2016.192_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineTwickenham Church, 1865. Francis Seymour Haden (British, 1818–1910). Etching and drypoint; sheet: 18.4 x 25.4 cm (7 1/4 x 10 in.); matted: 24.1 x 31.1 cm (9 1/2 x 12 1/4 in.). The Cleveland Museum of Art, Bequest of Elizabeth Carroll Shearer, 2016.192
subject_titleTwickenham Church
subject_urlhttps://clevelandart.org/art/2016.192
typeimage
Distance0.16115415
Providermetmuseum
Depiction IDmetmuseum:684411:primaryImage
Subject IDmetmuseum:684411
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1940
subject_titleRiver Stour
subject_urlhttps://www.metmuseum.org/art/collection/search/684411
typeimage
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Providercma
Depiction ID1923.23_web
Subject ID1923.23
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Little Putney, No. 1, 1879. James McNeill Whistler (American, 1834–1903). Etching. The Cleveland Museum of Art, Gift of Mr. and Mrs. Ralph King, 1923.23
subject_titleThe Little Putney, No. 1
subject_urlhttps://clevelandart.org/art/1923.23
typeimage
Distance0.16328472
Providermetmuseum
Depiction IDmetmuseum:684416:primaryImage
Subject IDmetmuseum:684416
Attributes
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1925
subject_titleRiver Stour
subject_urlhttps://www.metmuseum.org/art/collection/search/684416
typeimage
Distance0.16332966
Providercma
Depiction ID1977.184.b_web
Subject ID1977.184.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1977.184.b/1977.184.b_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineTwo Views of Paris (verso), 1800–1843. Georges Michel (French, 1763–1843). Pen and black ink and brush and gray and yellow wash over graphite; sheet: 18.5 x 30 cm (7 5/16 x 11 13/16 in.); secondary support: 28.7 x 39.6 cm (11 5/16 x 15 9/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1977.184.b
subject_titleTwo Views of Paris (verso)
subject_urlhttps://clevelandart.org/art/1977.184.b
typeimage
Distance0.16602546
Providercma
Depiction ID1950.219.13_web
Subject ID1950.219.13
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1950.219.13/1950.219.13_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: View of Bell Vue and Pont de Sêve taken from the Terrace near Pont de St. Cloud, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.13
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: View of Bell Vue and Pont de Sêve taken from the Terrace near Pont de St. Cloud
subject_urlhttps://clevelandart.org/art/1950.219.13
typeimage
Distance0.16777736
Providermetmuseum
Depiction IDmetmuseum:372791:primaryImage
Subject IDmetmuseum:372791
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1917
subject_titleEarly Morning
subject_urlhttps://www.metmuseum.org/art/collection/search/372791
typeimage
Distance0.16858256
Providermetmuseum
Depiction IDmetmuseum:335689:primaryImage
Subject IDmetmuseum:335689
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Harry G. Sperling, 1971
subject_titleRiver Landscape with a Man Standing by a Boathouse
subject_urlhttps://www.metmuseum.org/art/collection/search/335689
typeimage
Distance0.16871232
Providermetmuseum
Depiction IDmetmuseum:459311:primaryImage
Subject IDmetmuseum:459311
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRobert Lehman Collection, 1975
subject_titleRiver Landscape with Sailboats
subject_urlhttps://www.metmuseum.org/art/collection/search/459311
typeimage
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Providerflickr-commons-bpldigital
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provider_nameFlickr
provider_urlhttps://flickr.com
subject_creditlineFlickr member "Boston Public Library Digital"
subject_titleWindsor
subject_urlhttps://flickr.com/photos/201585368@N05/54790314630
typeimage
Distance0.17079598
Providermetmuseum
Depiction IDmetmuseum:361806:primaryImage
Subject IDmetmuseum:361806
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Mrs. Max J. H. Rossbach, 1967
subject_titleLandscape
subject_urlhttps://www.metmuseum.org/art/collection/search/361806
typeimage
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Providermetmuseum
Depiction IDmetmuseum:460043:primaryImage
Subject IDmetmuseum:460043
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRobert Lehman Collection, 1975
subject_titleLandscape along a River
subject_urlhttps://www.metmuseum.org/art/collection/search/460043
typeimage
Distance0.17152148
Providercma
Depiction ID1950.219.20_web
Subject ID1950.219.20
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1950.219.20/1950.219.20_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineA Selection of Twenty of the Most Picturesque Views in Paris: The Watermill above the Bridge at Charenton, 1802. Thomas Girtin (British, 1775–1802). Soft-ground etching with bistre wash. The Cleveland Museum of Art, Dudley P. Allen Fund, 1950.219.20
subject_titleA Selection of Twenty of the Most Picturesque Views in Paris: The Watermill above the Bridge at Charenton
subject_urlhttps://clevelandart.org/art/1950.219.20
typeimage