Plate 40: My God! Monseigneur, I am forced to leave for the countryside, allow me to leave my wife behind to keep you company, from 'Caricaturana,' published in Les Robert Macaires
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Providermetmuseum
Depiction IDmetmuseum:759179:primaryImage
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subject_creditlineGift of Edwin De T. Bechtel, 1953
subject_titlePlate 40: My God! Monseigneur, I am forced to leave for the countryside, allow me to leave my wife behind to keep you company, from 'Caricaturana,' published in Les Robert Macaires
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subject_creditlineGift of Edwin De T. Bechtel, 1953
subject_titlePlate 36: Well? Well? What about your dowry?, from 'Caricaturana,' published in Les Robert Macaires
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Providermetmuseum
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subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleI was deprived of the happiness to pick it up... I saw a hundred times an agile rival offer it smiling to our common goddess, from "Little Miseries of Human Life"
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Edwin De T. Bechtel, 1953
subject_titlePlate 43: A man of sensitivity at the right price, from 'Caricaturana,' published in Les Robert Macaires
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Providermetmuseum
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subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleThe grieving widow gives them both the right to do well.... And they both retain an eternal grudge with each other, from "Little Miseries of Human Life"
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Providermetmuseum
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subject_creditlineGift of Edwin De T. Bechtel, 1953
subject_titlePlate 3: Robert Macaire, journalist, from 'Caricaturana,' published in Le Charivari, September 10, 1836
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Providermetmuseum
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subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleThe head of the young fellow insolently mingled with the candlesticks of the chandelier, from "Little Miseries of Human Life"
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Providermetmuseum
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subject_creditlineGift of Edwin De T. Bechtel, 1953
subject_titlePlate 49: A Landlord, from 'Caricaturana,' published in Les Robert Macaires
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Providermetmuseum
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subject_creditlineGift of Edwin De T. Bechtel, 1953
subject_titlePlate 16: Robert Macaire matrimonial agent, from 'Caricaturana,' published in Les Robert Macaires
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Providermetmuseum
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subject_creditlineGift of Edwin De T. Bechtel, 1953
subject_titlePlate 34: Hell! Common manners must be respected, from 'Caricaturana,' published in Les Robert Macaires
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Edwin De T. Bechtel, 1953
subject_titlePlate 45: Exploitation of love, from 'Caricaturana,' published in Les Robert Macaires
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Providermetmuseum
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subject_creditlineGift of Edwin De T. Bechtel, 1953
subject_titlePlate 26: Marriage of convenience, from 'Caricaturana,' published in Les Robert Macaires
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Providernga
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subject_creditlineCorcoran Collection (Gift of Dr. Armand Hammer)
subject_titleMon Dieu! Monseigneur, je suis...
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Providermetmuseum
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subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleOne does not bother an honest man with trifles like this, from "Little Miseries of Human Life"
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Providermetmuseum
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subject_titleThe head of the young fellow insolently mingled with the candlesticks of the chandelier, from "Little Miseries of Human Life"
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subject_creditlinePochades de carnaval: C'est singulier! elle me dit que je suis Philibert Désormeaux, et que je passe pour un imbecile!! ....où diable à-t-elle sù cela?, 1842. Clémente Pruche (French, 1831–1870). Lithograph. The Cleveland Museum of Art, Gift of Milton S. Fox, 1943.521
subject_titlePochades de carnaval: C'est singulier! elle me dit que je suis Philibert Désormeaux, et que je passe pour un imbecile!! ....où diable à-t-elle sù cela?
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Providermetmuseum
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subject_creditlineBequest of Phyllis Massar, 2011
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Providermetmuseum
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Providermetmuseum
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subject_creditlineRogers Fund, 1922
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Providermetmuseum
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1966
subject_titleBonne renommée vaut mieux que ceinture dorée
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