Plate 36: Well? Well? What about your dowry?, from 'Caricaturana,' published in Les Robert Macaires
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Providermetmuseum
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Subject IDmetmuseum:759518
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Edwin De T. Bechtel, 1953
subject_titlePlate 36: Well? Well? What about your dowry?, from 'Caricaturana,' published in Les Robert Macaires
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subject_titleMon album de cette année...
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Edwin De T. Bechtel, 1953
subject_titlePlate 26: Marriage of convenience, from 'Caricaturana,' published in Les Robert Macaires
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Providermetmuseum
Depiction IDmetmuseum:757955:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Edwin De T. Bechtel, 1953
subject_titlePlate 45: Exploitation of love, from 'Caricaturana,' published in Les Robert Macaires
subject_urlhttps://www.metmuseum.org/art/collection/search/757955
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Providermetmuseum
Depiction IDmetmuseum:757960:primaryImage
Subject IDmetmuseum:757960
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Edwin De T. Bechtel, 1953
subject_titlePlate 43: A man of sensitivity at the right price, from 'Caricaturana,' published in Les Robert Macaires
subject_urlhttps://www.metmuseum.org/art/collection/search/757960
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Providermetmuseum
Depiction IDmetmuseum:369345:primaryImage
Subject IDmetmuseum:369345
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1933
subject_titleLe Cocu battu et content, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
subject_urlhttps://www.metmuseum.org/art/collection/search/369345
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1933
subject_titleLe Cocu battu et content, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineFourberies de Femmes: En matière de sentiment, 1842. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Gift of George W. Bierce, 1942.940
subject_titleFourberies de Femmes: En matière de sentiment
subject_urlhttps://clevelandart.org/art/1942.940
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Providermetmuseum
Depiction IDmetmuseum:759179:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Edwin De T. Bechtel, 1953
subject_titlePlate 40: My God! Monseigneur, I am forced to leave for the countryside, allow me to leave my wife behind to keep you company, from 'Caricaturana,' published in Les Robert Macaires
subject_urlhttps://www.metmuseum.org/art/collection/search/759179
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Providermetmuseum
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subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleThe grieving widow gives them both the right to do well.... And they both retain an eternal grudge with each other, from "Little Miseries of Human Life"
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Edwin De T. Bechtel, 1953
subject_titlePlate 3: Robert Macaire, journalist, from 'Caricaturana,' published in Le Charivari, September 10, 1836
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1918
subject_titleLe Cocu battu et content, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795
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provider_nameCleveland Museum of Art
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subject_creditlineLes Actrices: Nous ferez-vous l'hommeur de nous baiser le main?, 1843. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Gift of George W. Bierce, 1942.936
subject_titleLes Actrices: Nous ferez-vous l'hommeur de nous baiser le main?
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Dr. Philip Stimson, 1949
subject_titleHamlet and Ophelia (Shakespeare, Hamlet, Act II, Scene I)
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Providermetmuseum
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962
subject_titleMadame Prudhomme, they are reorganizing the army. It is only right that I serve my duty as a Zouave, from 'News of the day,' published in Le Charivari, November 28, 1866
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subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleOne does not bother an honest man with trifles like this, from "Little Miseries of Human Life"
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Edwin De T. Bechtel, 1953
subject_titlePlate 31: Fortune makes one forget one's friends, from 'Caricaturana,' published in Les Robert Macaires
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Edwin De T. Bechtel, 1953
subject_titlePlate 15: Robert Macaire, travelling salesman, from 'Caricaturana,' published in Les Robert Macaires
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Providermetmuseum
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provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Dr. Philip Stimson, 1949
subject_titleDromio, Adriana and Luciana (Shakespeare, Comedy of Errors, Act 4, Scene 2)
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Providermetmuseum
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subject_creditlineBequest of Phyllis Massar, 2011
subject_titleMay I come in my dear, or are you still collaborating with Monsieur?, plate 29 from "The Bluestockings"
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subject_creditlinePochades de carnaval: C'est singulier! elle me dit que je suis Philibert Désormeaux, et que je passe pour un imbecile!! ....où diable à-t-elle sù cela?, 1842. Clémente Pruche (French, 1831–1870). Lithograph. The Cleveland Museum of Art, Gift of Milton S. Fox, 1943.521
subject_titlePochades de carnaval: C'est singulier! elle me dit que je suis Philibert Désormeaux, et que je passe pour un imbecile!! ....où diable à-t-elle sù cela?
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