Suerte VI: The torero's assistant sets dogs on the bull
Providermetmuseum
Depiction IDmetmuseum:761128:primaryImage
Subject IDmetmuseum:761128
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Providermetmuseum
Depiction IDmetmuseum:761128:primaryImage
Subject IDmetmuseum:761128
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineMax G. Wildnauer Fund, 1978
subject_titleSuerte VI: The torero's assistant sets dogs on the bull
subject_urlhttps://www.metmuseum.org/art/collection/search/761128
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineMax G. Wildnauer Fund, 1978
subject_titleSuerte XI: The death of the bull
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineMax G. Wildnauer Fund, 1978
subject_titleSuerte X: A torero prepares to stab the bull
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineMax G. Wildnauer Fund, 1978
subject_titleSuerte III: Picador stabbing a bull; two toreros running to right
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineMax G. Wildnauer Fund, 1978
subject_titleSuerte I: Bull entering the bullring after a law officer on horseback; two toreros standing to right
subject_urlhttps://www.metmuseum.org/art/collection/search/761111
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Providermetmuseum
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subject_creditlineMax G. Wildnauer Fund, 1978
subject_titleSuerte II: Picador on horseback about to stab a bull with a pique; two toreros behind him to left (two impressions on the same sheet)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1946
subject_titleA torero placing banderillas into the bull's shoulders while two men stand behind the bull
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1946
subject_titleBullfight (Bull on left; 1 man on right)
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Providermetmuseum
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subject_creditlineGift of Jean Charlot, 1930
subject_titlePlate 8: a man murdering another with a rock
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 31 of "La Tauromaquia": Banderillas with firecrackers
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subject_titleEl famoso Moro Gazul
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provider_nameThe Metropolitan Museum of Art
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subject_titleThe woman bull fighter
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1946
subject_titleA picador on horseback stabbing a bull
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Providermetmuseum
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subject_creditlineRogers Fund, 1921
subject_titlePlate 19 of "La Tauromaquia": Another madness of his in the same ring
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subject_creditlineBequest of Grace M. Pugh, 1985
subject_titlePlate C: The dogs let loose on the bull, from "Tauromaquia"
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Providermetmuseum
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subject_titlePlate 18 of "La 'Tauromaquia": The daring of Martincho in the ring at Zaragoza
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subject_creditlineBullfights: The Moors Use Donkeys as a Barrier to Defend Themselves Against the Bull Whose Horns Have Been Tipped with Balls, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.556
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subject_creditlineBullfights: Origin of the Harpoons or Banderillas, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.546
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Providermetmuseum
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subject_titlePlate 29 of "La Tauromaquia": Pepe Illo making the pass of the 'recorte'
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