Suerte XI: The death of the bull
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineMax G. Wildnauer Fund, 1978
subject_titleSuerte XI: The death of the bull
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Providermetmuseum
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subject_creditlineMax G. Wildnauer Fund, 1978
subject_titleSuerte X: A torero prepares to stab the bull
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineMax G. Wildnauer Fund, 1978
subject_titleSuerte VI: The torero's assistant sets dogs on the bull
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineMax G. Wildnauer Fund, 1978
subject_titleSuerte III: Picador stabbing a bull; two toreros running to right
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineMax G. Wildnauer Fund, 1978
subject_titleSuerte I: Bull entering the bullring after a law officer on horseback; two toreros standing to right
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineMax G. Wildnauer Fund, 1978
subject_titleSuerte II: Picador on horseback about to stab a bull with a pique; two toreros behind him to left (two impressions on the same sheet)
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1946
subject_titleA torero placing banderillas into the bull's shoulders while two men stand behind the bull
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1946
subject_titleBullfight (Bull on left; 1 man on right)
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subject_titlePlate 8: a man murdering another with a rock
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subject_creditlineBullfights: Origin of the Harpoons or Banderillas, 1816, printed 1876. Francisco de Goya (Spanish, 1746โ€“1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.546
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subject_titlePlate 8 from "La Tauromaquia": A Moor caught by the bull in the ring
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subject_creditlineBullfights: The Moors Use Donkeys as a Barrier to Defend Themselves Against the Bull Whose Horns Have Been Tipped with Balls, 1816, printed 1876. Francisco de Goya (Spanish, 1746โ€“1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.556
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