Man Proposing to a Woman whose Face is Hidden by Hair
Providermetmuseum
Depiction IDmetmuseum:812574:primaryImage
Subject IDmetmuseum:812574
Modelgoogle/siglip2-so400m-patch16-naflex
Providermetmuseum
Depiction IDmetmuseum:812574:primaryImage
Subject IDmetmuseum:812574
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-05-07
Embeddingslink
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP882983.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP882983.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection. The Elisha Whittelsey Fund, 1949
subject_titleMan Proposing to a Woman whose Face is Hidden by Hair
subject_urlhttps://www.metmuseum.org/art/collection/search/812574
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.16373557
Providercma
Depiction ID1925.1027_web
Subject ID1925.1027
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1925.1027/1925.1027_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBaliverneries Parisiennes, c. 1846–47. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1027
subject_titleBaliverneries Parisiennes
subject_urlhttps://clevelandart.org/art/1925.1027
typeimage
Distance0.16374654
Providermetmuseum
Depiction IDmetmuseum:395803:primaryImage
Subject IDmetmuseum:395803
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP814135.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP814135.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1922
subject_titleLa Broderie à l'aiguille
subject_urlhttps://www.metmuseum.org/art/collection/search/395803
typeimage
Distance0.16627538
Providercma
Depiction ID1943.521_web
Subject ID1943.521
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1943.521/1943.521_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePochades de carnaval: C'est singulier! elle me dit que je suis Philibert Désormeaux, et que je passe pour un imbecile!! ....où diable à-t-elle sù cela?, 1842. Clémente Pruche (French, 1831–1870). Lithograph. The Cleveland Museum of Art, Gift of Milton S. Fox, 1943.521
subject_titlePochades de carnaval: C'est singulier! elle me dit que je suis Philibert Désormeaux, et que je passe pour un imbecile!! ....où diable à-t-elle sù cela?
subject_urlhttps://clevelandart.org/art/1943.521
typeimage
Distance0.16972214
Providercma
Depiction ID1942.1033_web
Subject ID1942.1033
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.1033/1942.1033_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineMasques et visages: Par-ci, par-la: M'ame Beauminet, ta majeste..., 1857–58. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1942.1033
subject_titleMasques et visages: Par-ci, par-la: M'ame Beauminet, ta majeste...
subject_urlhttps://clevelandart.org/art/1942.1033
typeimage
Distance0.17192513
Providermetmuseum
Depiction IDmetmuseum:853399:primaryImage
Subject IDmetmuseum:853399
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP-21467-001.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP-21467-001.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1966
subject_titleIllustration design for "The Economy of Human Life"
subject_urlhttps://www.metmuseum.org/art/collection/search/853399
typeimage
Distance0.17219168
Providerflickr-commons-bpldigital
Depiction ID55561628100
Subject ID55561628100
Attributes
previewhttps://live.staticflickr.com/65535/55561628100_afa7aae336.jpg
provider_nameFlickr
provider_urlhttps://flickr.com
subject_creditlineFlickr member "Boston Public Library Digital"
subject_titleMon album de cette année...
subject_urlhttps://flickr.com/photos/201585368@N05/55561628100
typeimage
Distance0.17530596
Providermetmuseum
Depiction IDmetmuseum:720375:primaryImage
Subject IDmetmuseum:720375
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP874647.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP874647.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleA Woman Watching a Couple from Behind a Tree
subject_urlhttps://www.metmuseum.org/art/collection/search/720375
typeimage
Distance0.17980045
Providercma
Depiction ID1942.940_web
Subject ID1942.940
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.940/1942.940_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineFourberies de Femmes: En matière de sentiment, 1842. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Gift of George W. Bierce, 1942.940
subject_titleFourberies de Femmes: En matière de sentiment
subject_urlhttps://clevelandart.org/art/1942.940
typeimage
Distance0.18106753
Providercma
Depiction ID1942.986_web
Subject ID1942.986
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.986/1942.986_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLes Malades et les medicins: No. 4, Lew Homéopathes, 1800s. Cham (French, 1818–1879). Lithograph. The Cleveland Museum of Art, Gift of George W. Bierce, 1942.986
subject_titleLes Malades et les medicins: No. 4, Lew Homéopathes
subject_urlhttps://clevelandart.org/art/1942.986
typeimage
Distance0.18167293
Providermetmuseum
Depiction IDmetmuseum:759518:primaryImage
Subject IDmetmuseum:759518
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP878068.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP878068.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Edwin De T. Bechtel, 1953
subject_titlePlate 36: Well? Well? What about your dowry?, from 'Caricaturana,' published in Les Robert Macaires
subject_urlhttps://www.metmuseum.org/art/collection/search/759518
typeimage
Distance0.1826672
Providermetmuseum
Depiction IDmetmuseum:739701:primaryImage
Subject IDmetmuseum:739701
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP870202.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP870202.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Dr. Philip Stimson, 1949
subject_titleHamlet and Ophelia (Shakespeare, Hamlet, Act II, Scene I)
subject_urlhttps://www.metmuseum.org/art/collection/search/739701
typeimage
Distance0.18369013
Providercma
Depiction ID1942.936_web
Subject ID1942.936
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.936/1942.936_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLes Actrices: Nous ferez-vous l'hommeur de nous baiser le main?, 1843. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Gift of George W. Bierce, 1942.936
subject_titleLes Actrices: Nous ferez-vous l'hommeur de nous baiser le main?
subject_urlhttps://clevelandart.org/art/1942.936
typeimage
Distance0.1858213
Providercma
Depiction ID1925.1226_web
Subject ID1925.1226
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1925.1226/1925.1226_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineFourberies de Femmes, c. 1836–41. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1226
subject_titleFourberies de Femmes
subject_urlhttps://clevelandart.org/art/1925.1226
typeimage
Distance0.18628699
Providermoma
Depiction IDf9de90e1148906ff
Subject ID23579
Attributes
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provider_nameMuseum of Modern Art
provider_urlhttps://www.moma.org/
subject_creditlineThe Louis E. Stern Collection
subject_title
subject_urlhttps://www.moma.org/collection/works/23579
typeimage
Distance0.18704504
Providermetmuseum
Depiction IDmetmuseum:395803:primaryImage
Subject IDmetmuseum:395803
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP814135.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP814135.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1922
subject_titleLa Broderie à l'aiguille
subject_urlhttps://www.metmuseum.org/art/collection/search/395803
typeimage
Distance0.18772578
Providernga
Depiction IDfa365415-f610-49a9-9cc9-a502febb8985
Subject ID38957
Attributes
previewhttps://api.nga.gov/iiif/fa365415-f610-49a9-9cc9-a502febb8985/full/!200,200/0/default.jpg
provider_nameNational Gallery of Art
provider_urlhttps://www.nga.gov/
subject_creditlineRosenwald Collection
subject_titleCarotte de l'écrin
subject_urlhttps://purl.org/nga/collection/artobject/38957
typeimage
Distance0.18888551
Providercma
Depiction ID1942.1029_web
Subject ID1942.1029
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.1029/1942.1029_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineGentlemen of the Press: Théodore de Banville, 1853. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1942.1029
subject_titleGentlemen of the Press: Théodore de Banville
subject_urlhttps://clevelandart.org/art/1942.1029
typeimage
Distance0.18893903
Providercma
Depiction ID1924.406_web
Subject ID1924.406
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.406/1924.406_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHow I Lost My Whiskers, 1866. Horace Harral (British, 1817–1905), after Charles Samuel Keene (British, 1823–1891). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.406
subject_titleHow I Lost My Whiskers
subject_urlhttps://clevelandart.org/art/1924.406
typeimage
Distance0.19015074
Providercma
Depiction ID1925.1026_web
Subject ID1925.1026
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1925.1026/1925.1026_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLes Martyrs, c. 1840–41. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1026
subject_titleLes Martyrs
subject_urlhttps://clevelandart.org/art/1925.1026
typeimage
Distance0.19044715
Providermetmuseum
Depiction IDmetmuseum:365751:primaryImage
Subject IDmetmuseum:365751
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP800740.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP800740.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1966
subject_titleIllustration to Vanity Fair, Chapter 1: "Jos and Becky"
subject_urlhttps://www.metmuseum.org/art/collection/search/365751
typeimage