Private and Public Life of Animals; Scenes of Customs
Providermetmuseum
Depiction IDmetmuseum:812845:primaryImage
Subject IDmetmuseum:812845
Modelgoogle/siglip2-so400m-patch16-naflex
Providermetmuseum
Depiction IDmetmuseum:812845:primaryImage
Subject IDmetmuseum:812845
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-05-07
Embeddingslink
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titlePrivate and Public Life of Animals; Scenes of Customs
subject_urlhttps://www.metmuseum.org/art/collection/search/812845
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.17616832
Providermetmuseum
Depiction IDmetmuseum:812844:primaryImage
Subject IDmetmuseum:812844
Attributes
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThis protest was stifled by the noise of private conversations, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812844
typeimage
Distance0.19277042
Providermetmuseum
Depiction IDmetmuseum:831109:primaryImage
Subject IDmetmuseum:831109
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887472.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887472.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleHe was only waiting to make fun of the pursuer and the pursuit, from "Little Miseries of Human Life"
subject_urlhttps://www.metmuseum.org/art/collection/search/831109
typeimage
Distance0.19495368
Providermetmuseum
Depiction IDmetmuseum:812897:primaryImage
Subject IDmetmuseum:812897
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887676.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887676.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleArticle 231. The husband needs to protect his wife, the wife needs to obey her husband, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812897
typeimage
Distance0.19611126
Providermetmuseum
Depiction IDmetmuseum:812864:primaryImage
Subject IDmetmuseum:812864
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887666.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887666.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThe Beautiful World of the Tuileries, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812864
typeimage
Distance0.19678533
Providermetmuseum
Depiction IDmetmuseum:812905:primaryImage
Subject IDmetmuseum:812905
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887679.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887679.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThe Sloth yawned: 'I had...waited', from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812905
typeimage
Distance0.2032569
Providermetmuseum
Depiction IDmetmuseum:813023:primaryImage
Subject IDmetmuseum:813023
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887712.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887712.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection. The Elisha Whittelsey Fund, 1959
subject_titleAt this frightful story, Zemire throws himself at Azor's feet, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/813023
typeimage
Distance0.21139693
Providermetmuseum
Depiction IDmetmuseum:812946:primaryImage
Subject IDmetmuseum:812946
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887686.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887686.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThe author of this attack is a delicate little wolf, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812946
typeimage
Distance0.21408212
Providermetmuseum
Depiction IDmetmuseum:812839:primaryImage
Subject IDmetmuseum:812839
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887659.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887659.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleHere, the civet offers a hit of snuff to an old beaver, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812839
typeimage
Distance0.21584892
Providermetmuseum
Depiction IDmetmuseum:812837:primaryImage
Subject IDmetmuseum:812837
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887657.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887657.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleAfter accepting a glass of sweet water, the illustrious orator descends from the platform, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812837
typeimage
Distance0.21633607
Providermetmuseum
Depiction IDmetmuseum:812875:primaryImage
Subject IDmetmuseum:812875
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887670.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887670.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleHe was a regular on the front lines..., from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812875
typeimage
Distance0.22122467
Providermetmuseum
Depiction IDmetmuseum:812919:primaryImage
Subject IDmetmuseum:812919
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887684.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887684.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThe further we go, the less we penetrate the horrible mystery of which the unfortunate toad was a victim, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812919
typeimage
Distance0.2213884
Providermetmuseum
Depiction IDmetmuseum:812910:primaryImage
Subject IDmetmuseum:812910
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887681.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887681.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThe studies are painful, expensive; but the students are intrepid, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812910
typeimage
Distance0.22198266
Providermetmuseum
Depiction IDmetmuseum:812873:primaryImage
Subject IDmetmuseum:812873
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887669.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887669.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleTo pay the landlord, a very harsh man, whose name was M. Vautour, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812873
typeimage
Distance0.22227222
Providermetmuseum
Depiction IDmetmuseum:813018:primaryImage
Subject IDmetmuseum:813018
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887705.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887705.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection. The Elisha Whittelsey Fund, 1959
subject_titleI urged them to eat some boiled eggs, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/813018
typeimage
Distance0.22239065
Providermetmuseum
Depiction IDmetmuseum:812979:primaryImage
Subject IDmetmuseum:812979
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887694.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887694.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleI left as the Attorney-General of Moinraux in Paris, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812979
typeimage
Distance0.22479296
Providermetmuseum
Depiction IDmetmuseum:812865:primaryImage
Subject IDmetmuseum:812865
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887667.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887667.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleMy new master, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812865
typeimage
Distance0.22501141
Providermetmuseum
Depiction IDmetmuseum:813302:primaryImage
Subject IDmetmuseum:813302
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887585.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887585.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection. The Elisha Whittelsey Fund, 1959
subject_titleThe Censor, from "The Complete Works of Béranger"
subject_urlhttps://www.metmuseum.org/art/collection/search/813302
typeimage
Distance0.22522897
Providermetmuseum
Depiction IDmetmuseum:812743:primaryImage
Subject IDmetmuseum:812743
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP885148.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP885148.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleWhen we do not want to see the dawn rise, we do not care about a neighbor like that!, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812743
typeimage
Distance0.22773653
Providermetmuseum
Depiction IDmetmuseum:813038:primaryImage
Subject IDmetmuseum:813038
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887718.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887718.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection. The Elisha Whittelsey Fund, 1959
subject_titleThe Duchess is singing a nocturne with the Duke..., from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/813038
typeimage
Distance0.22911662
Providermetmuseum
Depiction IDmetmuseum:831173:primaryImage
Subject IDmetmuseum:831173
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887481.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887481.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleWe drew and barricaded ourselves in my kitchen; it truly a state of seige, from "Little Miseries of Human Life"
subject_urlhttps://www.metmuseum.org/art/collection/search/831173
typeimage