His son, who looked like him in every way ..., from "Scenes from the Private and Public Life of Animals"
Providermetmuseum
Depiction IDmetmuseum:812869:primaryImage
Subject IDmetmuseum:812869
Modelgoogle/siglip2-so400m-patch16-naflex
Providermetmuseum
Depiction IDmetmuseum:812869:primaryImage
Subject IDmetmuseum:812869
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-05-07
Embeddingslink
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleHis son, who looked like him in every way ..., from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812869
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
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Providermetmuseum
Depiction IDmetmuseum:812865:primaryImage
Subject IDmetmuseum:812865
Attributes
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleMy new master, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812865
typeimage
Distance0.15420872
Providermetmuseum
Depiction IDmetmuseum:812873:primaryImage
Subject IDmetmuseum:812873
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887669.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleTo pay the landlord, a very harsh man, whose name was M. Vautour, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812873
typeimage
Distance0.16959888
Providermetmuseum
Depiction IDmetmuseum:812875:primaryImage
Subject IDmetmuseum:812875
Attributes
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleHe was a regular on the front lines..., from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812875
typeimage
Distance0.17106104
Providermetmuseum
Depiction IDmetmuseum:812912:primaryImage
Subject IDmetmuseum:812912
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887682.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887682.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleHaving said that, this poor invalid gives us a curtsy, and goes hobbling off, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812912
typeimage
Distance0.17200685
Providermetmuseum
Depiction IDmetmuseum:813037:primaryImage
Subject IDmetmuseum:813037
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887719.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887719.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection. The Elisha Whittelsey Fund, 1959
subject_titleThis old court apparently has an old falcon..., from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/813037
typeimage
Distance0.17362964
Providermetmuseum
Depiction IDmetmuseum:812860:primaryImage
Subject IDmetmuseum:812860
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887664.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887664.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThere was once, in the camp there, two little hares with their sister, and then there was also a big bad bird who wanted to stop them from passing, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812860
typeimage
Distance0.17403907
Providermetmuseum
Depiction IDmetmuseum:812910:primaryImage
Subject IDmetmuseum:812910
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887681.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887681.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThe studies are painful, expensive; but the students are intrepid, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812910
typeimage
Distance0.17640126
Providermetmuseum
Depiction IDmetmuseum:832282:primaryImage
Subject IDmetmuseum:832282
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887462.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887462.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titlePointing me to the evidence of my crime with his cane, from "Little Miseries of Human Life"
subject_urlhttps://www.metmuseum.org/art/collection/search/832282
typeimage
Distance0.17985213
Providermetmuseum
Depiction IDmetmuseum:812979:primaryImage
Subject IDmetmuseum:812979
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887694.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887694.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleI left as the Attorney-General of Moinraux in Paris, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812979
typeimage
Distance0.18127388
Providermetmuseum
Depiction IDmetmuseum:813012:primaryImage
Subject IDmetmuseum:813012
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887704.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThe Proprietor, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/813012
typeimage
Distance0.18171567
Providermetmuseum
Depiction IDmetmuseum:812855:primaryImage
Subject IDmetmuseum:812855
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887663.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887663.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThe oldest rabbit jumped respectfully on his grandfather's lap..., from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812855
typeimage
Distance0.18247229
Providermetmuseum
Depiction IDmetmuseum:813066:primaryImage
Subject IDmetmuseum:813066
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887725.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection. The Elisha Whittelsey Fund, 1959
subject_titleShe posed herself as a superior owl, and was just a ridiculous owl, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/813066
typeimage
Distance0.18470001
Providermetmuseum
Depiction IDmetmuseum:812861:primaryImage
Subject IDmetmuseum:812861
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887665.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleMy captor was one of the king's lackeys, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812861
typeimage
Distance0.18563354
Providermetmuseum
Depiction IDmetmuseum:813033:primaryImage
Subject IDmetmuseum:813033
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887720.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection. The Elisha Whittelsey Fund, 1959
subject_titleAnd a very obstinate vole..., from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/813033
typeimage
Distance0.18609256
Providermetmuseum
Depiction IDmetmuseum:812966:primaryImage
Subject IDmetmuseum:812966
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887693.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887693.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThis is what the men call a church rat, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812966
typeimage
Distance0.18752706
Providermetmuseum
Depiction IDmetmuseum:812997:primaryImage
Subject IDmetmuseum:812997
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887697.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887697.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleHe had only his beautiful colors..., from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812997
typeimage
Distance0.18761718
Providermetmuseum
Depiction IDmetmuseum:813026:primaryImage
Subject IDmetmuseum:813026
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887710.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887710.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection. The Elisha Whittelsey Fund, 1959
subject_titleAnd yet we add that, outside the theater, these animals are even more ugly, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/813026
typeimage
Distance0.18833107
Providermetmuseum
Depiction IDmetmuseum:812864:primaryImage
Subject IDmetmuseum:812864
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887666.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThe Beautiful World of the Tuileries, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812864
typeimage
Distance0.18964833
Providermetmuseum
Depiction IDmetmuseum:812877:primaryImage
Subject IDmetmuseum:812877
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887672.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThere are men who walk around begging on fertile ground, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812877
typeimage
Distance0.19155622
Providermetmuseum
Depiction IDmetmuseum:812844:primaryImage
Subject IDmetmuseum:812844
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887660.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThis protest was stifled by the noise of private conversations, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812844
typeimage