Hold on to me, I am telling my witness..., from "Scenes from the Private and Public Life of Animals"
Providermetmuseum
Depiction IDmetmuseum:812876:primaryImage
Subject IDmetmuseum:812876
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Providermetmuseum
Depiction IDmetmuseum:812876:primaryImage
Subject IDmetmuseum:812876
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-05-07
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleHold on to me, I am telling my witness..., from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812876
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Providermetmuseum
Depiction IDmetmuseum:812864:primaryImage
Subject IDmetmuseum:812864
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThe Beautiful World of the Tuileries, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812864
typeimage
Distance0.14203364
Providermetmuseum
Depiction IDmetmuseum:812946:primaryImage
Subject IDmetmuseum:812946
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThe author of this attack is a delicate little wolf, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812946
typeimage
Distance0.14206797
Providermetmuseum
Depiction IDmetmuseum:812919:primaryImage
Subject IDmetmuseum:812919
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThe further we go, the less we penetrate the horrible mystery of which the unfortunate toad was a victim, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812919
typeimage
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Providermetmuseum
Depiction IDmetmuseum:813001:primaryImage
Subject IDmetmuseum:813001
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleAll of the wolves are brothers, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/813001
typeimage
Distance0.15998375
Providermetmuseum
Depiction IDmetmuseum:812873:primaryImage
Subject IDmetmuseum:812873
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleTo pay the landlord, a very harsh man, whose name was M. Vautour, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812873
typeimage
Distance0.16588187
Providermetmuseum
Depiction IDmetmuseum:812860:primaryImage
Subject IDmetmuseum:812860
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThere was once, in the camp there, two little hares with their sister, and then there was also a big bad bird who wanted to stop them from passing, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812860
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Providermetmuseum
Depiction IDmetmuseum:812907:primaryImage
Subject IDmetmuseum:812907
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleWe are going to incise the muscles, saw the bones, in a word, heal the sick, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812907
typeimage
Distance0.16713035
Providermetmuseum
Depiction IDmetmuseum:812983:primaryImage
Subject IDmetmuseum:812983
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThe first show that struck me was the wonderful activity of these people, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812983
typeimage
Distance0.16883856
Providermetmuseum
Depiction IDmetmuseum:812844:primaryImage
Subject IDmetmuseum:812844
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThis protest was stifled by the noise of private conversations, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812844
typeimage
Distance0.17280936
Providermetmuseum
Depiction IDmetmuseum:813014:primaryImage
Subject IDmetmuseum:813014
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleI was ignominiously arrested, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/813014
typeimage
Distance0.17361277
Providermetmuseum
Depiction IDmetmuseum:812953:primaryImage
Subject IDmetmuseum:812953
Attributes
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleWhat's that noise? and what does this scoundrel want?, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812953
typeimage
Distance0.17746866
Providermetmuseum
Depiction IDmetmuseum:831101:primaryImage
Subject IDmetmuseum:831101
Attributes
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleWe will be at your door at noon without fail, from "Little Miseries of Human Life"
subject_urlhttps://www.metmuseum.org/art/collection/search/831101
typeimage
Distance0.17828214
Providermetmuseum
Depiction IDmetmuseum:813072:primaryImage
Subject IDmetmuseum:813072
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection. The Elisha Whittelsey Fund, 1959
subject_titleInstead of all this..., from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/813072
typeimage
Distance0.17933267
Providermetmuseum
Depiction IDmetmuseum:812980:primaryImage
Subject IDmetmuseum:812980
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleAs soon as I set foot on the island..., from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812980
typeimage
Distance0.17986524
Providermetmuseum
Depiction IDmetmuseum:812896:primaryImage
Subject IDmetmuseum:812896
Attributes
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleMore than once, while leaving the masked ball Mr. de *** was arrested by the patrol officers, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812896
typeimage
Distance0.18038791
Providermetmuseum
Depiction IDmetmuseum:831109:primaryImage
Subject IDmetmuseum:831109
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleHe was only waiting to make fun of the pursuer and the pursuit, from "Little Miseries of Human Life"
subject_urlhttps://www.metmuseum.org/art/collection/search/831109
typeimage
Distance0.18665999
Providermetmuseum
Depiction IDmetmuseum:813130:primaryImage
Subject IDmetmuseum:813130
Attributes
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection. The Elisha Whittelsey Fund, 1959
subject_titleThe Double Hunt, from "The Complete Works of Béranger"
subject_urlhttps://www.metmuseum.org/art/collection/search/813130
typeimage
Distance0.18772179
Providermetmuseum
Depiction IDmetmuseum:812905:primaryImage
Subject IDmetmuseum:812905
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThe Sloth yawned: 'I had...waited', from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812905
typeimage
Distance0.18804592
Providermetmuseum
Depiction IDmetmuseum:736742:primaryImage
Subject IDmetmuseum:736742
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2014
subject_titleThe Thimble Rig!
subject_urlhttps://www.metmuseum.org/art/collection/search/736742
typeimage
Distance0.18805963
Providermetmuseum
Depiction IDmetmuseum:813018:primaryImage
Subject IDmetmuseum:813018
Attributes
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection. The Elisha Whittelsey Fund, 1959
subject_titleI urged them to eat some boiled eggs, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/813018
typeimage