Friends, the wise one places his glory in eating well, from "Scenes from the Private and Public Life of Animals"
Providermetmuseum
Depiction IDmetmuseum:812879:primaryImage
Subject IDmetmuseum:812879
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Providermetmuseum
Depiction IDmetmuseum:812879:primaryImage
Subject IDmetmuseum:812879
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-05-07
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleFriends, the wise one places his glory in eating well, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812879
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Providermetmuseum
Depiction IDmetmuseum:812907:primaryImage
Subject IDmetmuseum:812907
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleWe are going to incise the muscles, saw the bones, in a word, heal the sick, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812907
typeimage
Distance0.16720498
Providermetmuseum
Depiction IDmetmuseum:812837:primaryImage
Subject IDmetmuseum:812837
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleAfter accepting a glass of sweet water, the illustrious orator descends from the platform, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812837
typeimage
Distance0.16859794
Providermetmuseum
Depiction IDmetmuseum:812919:primaryImage
Subject IDmetmuseum:812919
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThe further we go, the less we penetrate the horrible mystery of which the unfortunate toad was a victim, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812919
typeimage
Distance0.18099976
Providermetmuseum
Depiction IDmetmuseum:813001:primaryImage
Subject IDmetmuseum:813001
Attributes
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleAll of the wolves are brothers, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/813001
typeimage
Distance0.1854034
Providermetmuseum
Depiction IDmetmuseum:812896:primaryImage
Subject IDmetmuseum:812896
Attributes
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleMore than once, while leaving the masked ball Mr. de *** was arrested by the patrol officers, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812896
typeimage
Distance0.1865524
Providermetmuseum
Depiction IDmetmuseum:812844:primaryImage
Subject IDmetmuseum:812844
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThis protest was stifled by the noise of private conversations, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812844
typeimage
Distance0.19268638
Providermetmuseum
Depiction IDmetmuseum:813021:primaryImage
Subject IDmetmuseum:813021
Attributes
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection. The Elisha Whittelsey Fund, 1959
subject_titleThe more beautiful the drama, the more sad the orchestra is to hear, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/813021
typeimage
Distance0.19349706
Providermetmuseum
Depiction IDmetmuseum:813018:primaryImage
Subject IDmetmuseum:813018
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887705.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection. The Elisha Whittelsey Fund, 1959
subject_titleI urged them to eat some boiled eggs, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/813018
typeimage
Distance0.19372177
Providermetmuseum
Depiction IDmetmuseum:832281:primaryImage
Subject IDmetmuseum:832281
Attributes
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleWait your turn, Monsieur... I had that first, from "Little Miseries of Human Life"
subject_urlhttps://www.metmuseum.org/art/collection/search/832281
typeimage
Distance0.19504648
Providermetmuseum
Depiction IDmetmuseum:812876:primaryImage
Subject IDmetmuseum:812876
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleHold on to me, I am telling my witness..., from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812876
typeimage
Distance0.1974923
Providermetmuseum
Depiction IDmetmuseum:812897:primaryImage
Subject IDmetmuseum:812897
Attributes
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleArticle 231. The husband needs to protect his wife, the wife needs to obey her husband, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812897
typeimage
Distance0.19770336
Providermetmuseum
Depiction IDmetmuseum:812864:primaryImage
Subject IDmetmuseum:812864
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThe Beautiful World of the Tuileries, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812864
typeimage
Distance0.19959694
Providermetmuseum
Depiction IDmetmuseum:812950:primaryImage
Subject IDmetmuseum:812950
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleWe live between ourselves, we hate the nuisances and the visits, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812950
typeimage
Distance0.20027691
Providermetmuseum
Depiction IDmetmuseum:812953:primaryImage
Subject IDmetmuseum:812953
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleWhat's that noise? and what does this scoundrel want?, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812953
typeimage
Distance0.20259738
Providermetmuseum
Depiction IDmetmuseum:831116:primaryImage
Subject IDmetmuseum:831116
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depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887475.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleNot only can the Parisian engage in a strengthening exercise; but he acquires the safety of the foot, the glance and the intrepidity of the mountaineer, from "Little Miseries of Human Life"
subject_urlhttps://www.metmuseum.org/art/collection/search/831116
typeimage
Distance0.20260018
Providermetmuseum
Depiction IDmetmuseum:739707:primaryImage
Subject IDmetmuseum:739707
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Dr. Philip Stimson, 1949
subject_titleSir Toby Belch and Sir Andrew Aguecheek (Shakespeare, Twelfth Night, Act 2, Scene 3)
subject_urlhttps://www.metmuseum.org/art/collection/search/739707
typeimage
Distance0.20359993
Providermetmuseum
Depiction IDmetmuseum:831173:primaryImage
Subject IDmetmuseum:831173
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleWe drew and barricaded ourselves in my kitchen; it truly a state of seige, from "Little Miseries of Human Life"
subject_urlhttps://www.metmuseum.org/art/collection/search/831173
typeimage
Distance0.20362562
Providermetmuseum
Depiction IDmetmuseum:831135:primaryImage
Subject IDmetmuseum:831135
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleAll voters, big and small, gather to humbly coax each other..., from "Little Miseries of Human Life"
subject_urlhttps://www.metmuseum.org/art/collection/search/831135
typeimage
Distance0.20433033
Providermetmuseum
Depiction IDmetmuseum:831101:primaryImage
Subject IDmetmuseum:831101
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleWe will be at your door at noon without fail, from "Little Miseries of Human Life"
subject_urlhttps://www.metmuseum.org/art/collection/search/831101
typeimage
Distance0.20474684
Providermetmuseum
Depiction IDmetmuseum:812880:primaryImage
Subject IDmetmuseum:812880
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depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887674.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleOnly his belly was remarkable, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812880
typeimage