After, in came the body of guards armed with terrible stings, from "Scenes from the Private and Public Life of Animals"
Providermetmuseum
Depiction IDmetmuseum:812998:primaryImage
Subject IDmetmuseum:812998
Modelgoogle/siglip2-so400m-patch16-naflex
Providermetmuseum
Depiction IDmetmuseum:812998:primaryImage
Subject IDmetmuseum:812998
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-05-07
Embeddingslink
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleAfter, in came the body of guards armed with terrible stings, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812998
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.16866058
Providermetmuseum
Depiction IDmetmuseum:831173:primaryImage
Subject IDmetmuseum:831173
Attributes
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleWe drew and barricaded ourselves in my kitchen; it truly a state of seige, from "Little Miseries of Human Life"
subject_urlhttps://www.metmuseum.org/art/collection/search/831173
typeimage
Distance0.1702298
Providermetmuseum
Depiction IDmetmuseum:812837:primaryImage
Subject IDmetmuseum:812837
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887657.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleAfter accepting a glass of sweet water, the illustrious orator descends from the platform, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812837
typeimage
Distance0.17028755
Providermetmuseum
Depiction IDmetmuseum:831116:primaryImage
Subject IDmetmuseum:831116
Attributes
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previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887475.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleNot only can the Parisian engage in a strengthening exercise; but he acquires the safety of the foot, the glance and the intrepidity of the mountaineer, from "Little Miseries of Human Life"
subject_urlhttps://www.metmuseum.org/art/collection/search/831116
typeimage
Distance0.17050838
Providermetmuseum
Depiction IDmetmuseum:831172:primaryImage
Subject IDmetmuseum:831172
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887480.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887480.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleOne would be able to blame you for three years if you dropped their hat, from "Little Miseries of Human Life"
subject_urlhttps://www.metmuseum.org/art/collection/search/831172
typeimage
Distance0.18274617
Providermetmuseum
Depiction IDmetmuseum:812896:primaryImage
Subject IDmetmuseum:812896
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887675.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887675.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleMore than once, while leaving the masked ball Mr. de *** was arrested by the patrol officers, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812896
typeimage
Distance0.18293768
Providermetmuseum
Depiction IDmetmuseum:831213:primaryImage
Subject IDmetmuseum:831213
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887457.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887457.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleThey began at once their frightful charivari, from "Little Miseries of Human Life"
subject_urlhttps://www.metmuseum.org/art/collection/search/831213
typeimage
Distance0.18722713
Providermetmuseum
Depiction IDmetmuseum:831190:primaryImage
Subject IDmetmuseum:831190
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887450.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleThe head of the young fellow insolently mingled with the candlesticks of the chandelier, from "Little Miseries of Human Life"
subject_urlhttps://www.metmuseum.org/art/collection/search/831190
typeimage
Distance0.18769288
Providermetmuseum
Depiction IDmetmuseum:812844:primaryImage
Subject IDmetmuseum:812844
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887660.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThis protest was stifled by the noise of private conversations, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812844
typeimage
Distance0.19190794
Providermetmuseum
Depiction IDmetmuseum:813001:primaryImage
Subject IDmetmuseum:813001
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887700.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887700.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleAll of the wolves are brothers, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/813001
typeimage
Distance0.19241399
Providermetmuseum
Depiction IDmetmuseum:831015:primaryImage
Subject IDmetmuseum:831015
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887641.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887641.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection. The Elisha Whittelsey Fund, 1959
subject_titleGotton, from "The Complete Works of Béranger"
subject_urlhttps://www.metmuseum.org/art/collection/search/831015
typeimage
Distance0.19347656
Providermetmuseum
Depiction IDmetmuseum:831111:primaryImage
Subject IDmetmuseum:831111
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887473.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887473.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleOnly everywhere are water faucets, watering cans of any shape, shovels and pots of any size, from "Little Miseries of Human Life"
subject_urlhttps://www.metmuseum.org/art/collection/search/831111
typeimage
Distance0.19358355
Providermetmuseum
Depiction IDmetmuseum:831135:primaryImage
Subject IDmetmuseum:831135
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887479.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleAll voters, big and small, gather to humbly coax each other..., from "Little Miseries of Human Life"
subject_urlhttps://www.metmuseum.org/art/collection/search/831135
typeimage
Distance0.19361532
Providermetmuseum
Depiction IDmetmuseum:831191:primaryImage
Subject IDmetmuseum:831191
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887451.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleThe head of the young fellow insolently mingled with the candlesticks of the chandelier, from "Little Miseries of Human Life"
subject_urlhttps://www.metmuseum.org/art/collection/search/831191
typeimage
Distance0.19427419
Providermetmuseum
Depiction IDmetmuseum:813238:primaryImage
Subject IDmetmuseum:813238
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887576.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887576.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection. The Elisha Whittelsey Fund, 1959
subject_titleFortune, from "The Complete Works of Béranger"
subject_urlhttps://www.metmuseum.org/art/collection/search/813238
typeimage
Distance0.19563621
Providermetmuseum
Depiction IDmetmuseum:812897:primaryImage
Subject IDmetmuseum:812897
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887676.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887676.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleArticle 231. The husband needs to protect his wife, the wife needs to obey her husband, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812897
typeimage
Distance0.1965428
Providermetmuseum
Depiction IDmetmuseum:812919:primaryImage
Subject IDmetmuseum:812919
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887684.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887684.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThe further we go, the less we penetrate the horrible mystery of which the unfortunate toad was a victim, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812919
typeimage
Distance0.19658381
Providermetmuseum
Depiction IDmetmuseum:831100:primaryImage
Subject IDmetmuseum:831100
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887466.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887466.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleDid anyone ever forgive an awkward visit?, from "Little Miseries of Human Life"
subject_urlhttps://www.metmuseum.org/art/collection/search/831100
typeimage
Distance0.19754934
Providermetmuseum
Depiction IDmetmuseum:812861:primaryImage
Subject IDmetmuseum:812861
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887665.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP887665.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleMy captor was one of the king's lackeys, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812861
typeimage
Distance0.19781399
Providermetmuseum
Depiction IDmetmuseum:831132:primaryImage
Subject IDmetmuseum:831132
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887478.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleIt is good that he coaxes and flatters her in front of her husband, from "Little Miseries of Human Life"
subject_urlhttps://www.metmuseum.org/art/collection/search/831132
typeimage
Distance0.19897187
Providermetmuseum
Depiction IDmetmuseum:371331:primaryImage
Subject IDmetmuseum:371331
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP858699.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1932
subject_title"She lov'd me for the dangers I had pass'd": plate 3 from Othello (Act 1, Scene 3)
subject_urlhttps://www.metmuseum.org/art/collection/search/371331
typeimage