I saw a wolf standing guard, from "Scenes from the Private and Public Life of Animals"
Providermetmuseum
Depiction IDmetmuseum:812999:primaryImage
Subject IDmetmuseum:812999
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Providermetmuseum
Depiction IDmetmuseum:812999:primaryImage
Subject IDmetmuseum:812999
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-05-07
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleI saw a wolf standing guard, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812999
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Providermetmuseum
Depiction IDmetmuseum:812877:primaryImage
Subject IDmetmuseum:812877
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThere are men who walk around begging on fertile ground, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812877
typeimage
Distance0.13385963
Providermetmuseum
Depiction IDmetmuseum:812997:primaryImage
Subject IDmetmuseum:812997
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleHe had only his beautiful colors..., from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812997
typeimage
Distance0.13867617
Providermetmuseum
Depiction IDmetmuseum:812948:primaryImage
Subject IDmetmuseum:812948
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThe occupations of my contemplative life were very simple, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812948
typeimage
Distance0.14627182
Providermetmuseum
Depiction IDmetmuseum:812979:primaryImage
Subject IDmetmuseum:812979
Attributes
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleI left as the Attorney-General of Moinraux in Paris, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812979
typeimage
Distance0.14846385
Providermetmuseum
Depiction IDmetmuseum:830949:primaryImage
Subject IDmetmuseum:830949
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection. The Elisha Whittelsey Fund, 1959
subject_titleThe Smugglers, from "The Complete Works of Béranger"
subject_urlhttps://www.metmuseum.org/art/collection/search/830949
typeimage
Distance0.15236878
Providermetmuseum
Depiction IDmetmuseum:813021:primaryImage
Subject IDmetmuseum:813021
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection. The Elisha Whittelsey Fund, 1959
subject_titleThe more beautiful the drama, the more sad the orchestra is to hear, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/813021
typeimage
Distance0.15499556
Providermetmuseum
Depiction IDmetmuseum:813024:primaryImage
Subject IDmetmuseum:813024
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection. The Elisha Whittelsey Fund, 1959
subject_titleHe has each of them, as they say in the journals devoted to the fine arts, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/813024
typeimage
Distance0.15879512
Providermetmuseum
Depiction IDmetmuseum:812966:primaryImage
Subject IDmetmuseum:812966
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887693.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThis is what the men call a church rat, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812966
typeimage
Distance0.16120392
Providermetmuseum
Depiction IDmetmuseum:812861:primaryImage
Subject IDmetmuseum:812861
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleMy captor was one of the king's lackeys, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812861
typeimage
Distance0.16140407
Providermetmuseum
Depiction IDmetmuseum:813001:primaryImage
Subject IDmetmuseum:813001
Attributes
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleAll of the wolves are brothers, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/813001
typeimage
Distance0.16263211
Providermetmuseum
Depiction IDmetmuseum:831173:primaryImage
Subject IDmetmuseum:831173
Attributes
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleWe drew and barricaded ourselves in my kitchen; it truly a state of seige, from "Little Miseries of Human Life"
subject_urlhttps://www.metmuseum.org/art/collection/search/831173
typeimage
Distance0.16333914
Providermetmuseum
Depiction IDmetmuseum:812912:primaryImage
Subject IDmetmuseum:812912
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleHaving said that, this poor invalid gives us a curtsy, and goes hobbling off, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812912
typeimage
Distance0.16583312
Providermetmuseum
Depiction IDmetmuseum:812896:primaryImage
Subject IDmetmuseum:812896
Attributes
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleMore than once, while leaving the masked ball Mr. de *** was arrested by the patrol officers, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812896
typeimage
Distance0.17073607
Providermetmuseum
Depiction IDmetmuseum:831214:primaryImage
Subject IDmetmuseum:831214
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleA whirlwind of smoke and ashes seizes the air you breathe, from "Little Miseries of Human Life"
subject_urlhttps://www.metmuseum.org/art/collection/search/831214
typeimage
Distance0.17118633
Providermetmuseum
Depiction IDmetmuseum:812946:primaryImage
Subject IDmetmuseum:812946
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThe author of this attack is a delicate little wolf, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812946
typeimage
Distance0.17296082
Providermetmuseum
Depiction IDmetmuseum:813183:primaryImage
Subject IDmetmuseum:813183
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection. The Elisha Whittelsey Fund, 1959
subject_titleThe Vivandière, from "The Complete Works of Béranger"
subject_urlhttps://www.metmuseum.org/art/collection/search/813183
typeimage
Distance0.17463964
Providermetmuseum
Depiction IDmetmuseum:813041:primaryImage
Subject IDmetmuseum:813041
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection. The Elisha Whittelsey Fund, 1959
subject_titleOne of those novice hunters for whom nothing is sacred, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/813041
typeimage
Distance0.17550611
Providermetmuseum
Depiction IDmetmuseum:831172:primaryImage
Subject IDmetmuseum:831172
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleOne would be able to blame you for three years if you dropped their hat, from "Little Miseries of Human Life"
subject_urlhttps://www.metmuseum.org/art/collection/search/831172
typeimage
Distance0.1764574
Providermetmuseum
Depiction IDmetmuseum:813152:primaryImage
Subject IDmetmuseum:813152
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depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP887539.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection. The Elisha Whittelsey Fund, 1959
subject_titleThe Old Minstrel, from "The Complete Works of Béranger"
subject_urlhttps://www.metmuseum.org/art/collection/search/813152
typeimage
Distance0.17682183
Providermetmuseum
Depiction IDmetmuseum:831212:primaryImage
Subject IDmetmuseum:831212
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleAs the last grains of powder fall into the palm of his blackened hand, a superb hare..., from "Little Miseries of Human Life"
subject_urlhttps://www.metmuseum.org/art/collection/search/831212
typeimage