What do you say about the butterfly hunt?, from "Scenes from the Private and Public Life of Animals"
Providermetmuseum
Depiction IDmetmuseum:813005:primaryImage
Subject IDmetmuseum:813005
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Providermetmuseum
Depiction IDmetmuseum:813005:primaryImage
Subject IDmetmuseum:813005
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Created2026-05-07
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleWhat do you say about the butterfly hunt?, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/813005
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Providermetmuseum
Depiction IDmetmuseum:831212:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleAs the last grains of powder fall into the palm of his blackened hand, a superb hare..., from "Little Miseries of Human Life"
subject_urlhttps://www.metmuseum.org/art/collection/search/831212
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Providermetmuseum
Depiction IDmetmuseum:812869:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleHis son, who looked like him in every way ..., from "Scenes from the Private and Public Life of Animals"
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Providermetmuseum
Depiction IDmetmuseum:812877:primaryImage
Subject IDmetmuseum:812877
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThere are men who walk around begging on fertile ground, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/812877
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Providermetmuseum
Depiction IDmetmuseum:832282:primaryImage
Subject IDmetmuseum:832282
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titlePointing me to the evidence of my crime with his cane, from "Little Miseries of Human Life"
subject_urlhttps://www.metmuseum.org/art/collection/search/832282
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Providermetmuseum
Depiction IDmetmuseum:813012:primaryImage
Subject IDmetmuseum:813012
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThe Proprietor, from "Scenes from the Private and Public Life of Animals"
subject_urlhttps://www.metmuseum.org/art/collection/search/813012
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Providermetmuseum
Depiction IDmetmuseum:813072:primaryImage
Subject IDmetmuseum:813072
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection. The Elisha Whittelsey Fund, 1959
subject_titleInstead of all this..., from "Scenes from the Private and Public Life of Animals"
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Providermetmuseum
Depiction IDmetmuseum:813037:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection. The Elisha Whittelsey Fund, 1959
subject_titleThis old court apparently has an old falcon..., from "Scenes from the Private and Public Life of Animals"
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Providermetmuseum
Depiction IDmetmuseum:812979:primaryImage
Subject IDmetmuseum:812979
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleI left as the Attorney-General of Moinraux in Paris, from "Scenes from the Private and Public Life of Animals"
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Providermetmuseum
Depiction IDmetmuseum:812948:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThe occupations of my contemplative life were very simple, from "Scenes from the Private and Public Life of Animals"
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Providermetmuseum
Depiction IDmetmuseum:812999:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleI saw a wolf standing guard, from "Scenes from the Private and Public Life of Animals"
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Providermetmuseum
Depiction IDmetmuseum:812875:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleHe was a regular on the front lines..., from "Scenes from the Private and Public Life of Animals"
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Providermetmuseum
Depiction IDmetmuseum:812873:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleTo pay the landlord, a very harsh man, whose name was M. Vautour, from "Scenes from the Private and Public Life of Animals"
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Providermetmuseum
Depiction IDmetmuseum:812860:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThere was once, in the camp there, two little hares with their sister, and then there was also a big bad bird who wanted to stop them from passing, from "Scenes from the Private and Public Life of Animals"
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Providermetmuseum
Depiction IDmetmuseum:831191:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleThe head of the young fellow insolently mingled with the candlesticks of the chandelier, from "Little Miseries of Human Life"
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Providermetmuseum
Depiction IDmetmuseum:831104:primaryImage
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subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleHe gets up, covered from head to toe in snow, from "Little Miseries of Human Life"
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleLeftovers, from "Little Miseries of Human Life"
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleHe was only waiting to make fun of the pursuer and the pursuit, from "Little Miseries of Human Life"
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Providermetmuseum
Depiction IDmetmuseum:812910:primaryImage
Subject IDmetmuseum:812910
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThe studies are painful, expensive; but the students are intrepid, from "Scenes from the Private and Public Life of Animals"
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Providermetmuseum
Depiction IDmetmuseum:831111:primaryImage
Subject IDmetmuseum:831111
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleOnly everywhere are water faucets, watering cans of any shape, shovels and pots of any size, from "Little Miseries of Human Life"
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Providermetmuseum
Depiction IDmetmuseum:812864:primaryImage
Subject IDmetmuseum:812864
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThe Beautiful World of the Tuileries, from "Scenes from the Private and Public Life of Animals"
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