A woman confessing to a priest, from a group of drawings depicting Peruvian dress
Providermetmuseum
Depiction IDmetmuseum:819276:primaryImage
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Providermetmuseum
Depiction IDmetmuseum:819276:primaryImage
Subject IDmetmuseum:819276
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Created2026-05-07
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Mary Martin, 1938
subject_titleA woman confessing to a priest, from a group of drawings depicting Peruvian dress
subject_urlhttps://www.metmuseum.org/art/collection/search/819276
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949
subject_titleDesign for a Man's Tomb
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineBequest of Mary Martin, 1938
subject_titleA priest from the order of Santo Domingo (Saint Dominic), from a group of drawings depicting Peruvian dress
subject_urlhttps://www.metmuseum.org/art/collection/search/819249
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Providermetmuseum
Depiction IDmetmuseum:853408:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1966
subject_titleIllustration design for "The Economy of Human Life"
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlinePurchase, Charles and Jessie Price Gift, 2010
subject_titleDesign for a sepulchral monument in the form of a pulpit (recto); Fragment of a text (verso)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarry G. Sperling Fund, 1992
subject_titleFeuillant monks carry the bier with the body of Jean de la Barrière
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953
subject_titleAltar Flanked by St. Louis and St. Theresa
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Providermetmuseum
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subject_creditlineHarry G. Sperling Fund, 1992
subject_titleScene 34: To satisfy the devotion of the people, they are forced to leave the Blessed Abbot's body on display for three days; many miracles are performed
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Providermetmuseum
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subject_creditlineGift of Allen Staley, 2017
subject_titleGretchen in prayer before the Mater Dolorosa (recto). Studies of a Gretchen, a bearded male head, and other figures (verso)
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Providermetmuseum
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subject_creditlineHarry G. Sperling Fund, 1992
subject_titleScene 32: Supporters of the league pursue the Blessed Abbot to Rome; despite their calumnies his innocence is recognized by the pope himself, who order Cardinal Bellarmine to restore all his posts and honors
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Providermetmuseum
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subject_titleDesign for a sepulchral monument (recto); Design for a sepulchral monument (verso)
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Providermetmuseum
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949
subject_titleDesign for a Double Tomb
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Providermetmuseum
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949
subject_titleDesign for a Triple Tomb
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Providermetmuseum
Depiction IDmetmuseum:387361:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarry G. Sperling Fund, 1992
subject_titleJean de La Barrière blessing a cardinal
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Providermetmuseum
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Providermetmuseum
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subject_creditlineGift of Henry Walters, 1917
subject_titleTomb Monument with Crucifix and Coat of Arms
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Providermetmuseum
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Providermetmuseum
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949
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Providermetmuseum
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Providermetmuseum
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subject_creditlineBequest of Mary Martin, 1938
subject_titleA priest from the Mercederian order (Order of Our Lady of Mercy), from a group of drawings depicting Peruvian dress
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Providermetmuseum
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typeimage