Philip Whalen visiting Lloyd Reynolds, his house Reed College- Lloyd had taught Snyder Welch & Whalen their Italic Calligraphy & Challenged McCarthyism & brought W.C. Williams to read, early 1950's. Here late July 1963, Portland Oregon.
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Subject ID208441
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Depiction ID4e44dfd6-413f-4841-82c2-d97fee2e23bc
Subject ID208441
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provider_nameNational Gallery of Art
provider_urlhttps://www.nga.gov/
subject_creditlineGift of Gary Davis
subject_titlePhilip Whalen visiting Lloyd Reynolds, his house Reed College- Lloyd had taught Snyder Welch & Whalen their Italic Calligraphy & Challenged McCarthyism & brought W.C. Williams to read, early 1950's. Here late July 1963, Portland Oregon.
subject_urlhttps://purl.org/nga/collection/artobject/208441
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provider_nameNational Gallery of Art
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subject_creditlineGift of Eileen and Michael Cohen
subject_titleUntitled
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provider_nameNational Gallery of Art
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subject_creditlineGift of Mary and Dan Solomon
subject_titleAdlai Stevenson's Shoe
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provider_nameNational Gallery of Art
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subject_creditlineGift of Gary Davis
subject_titleAlan Ansen visiting from Greece, William Burroughs leaned forward menacing-visaged, Henry Geldzahler's apt. 9th Street N.Y.C. March 30, 1985. Gathering before Francesco Clemente's vernissage.
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subject_creditlineRobert Frank Collection, Gift of Robert Frank
subject_titleGambling--Reno or Elko, Nevada
subject_urlhttps://purl.org/nga/collection/artobject/84820
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subject_creditlineRobert Frank Collection, Gift of Robert Frank
subject_titleUniversal Studios--Universal City, California
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provider_nameNational Gallery of Art
provider_urlhttps://www.nga.gov/
subject_creditlineRobert Frank Collection, Gift of Robert Frank
subject_titleRobert Frank with Australian pilot
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provider_nameNational Gallery of Art
provider_urlhttps://www.nga.gov/
subject_creditlineGift of Gary Davis
subject_titleGathering at Henry Geldzahler's West 9th street backyard patio the afternoon of Francesco Clemente's double vernissage Mary Boone/Leo Castelli Galleries,-- John Giorno Poet, Geldzahler art critic curator self Clemente Naples born painter William Burroughs novelist-painter arm round shoulder of old friend poet secretary Alan Ansen (who'd typed mss. of _Naked Lunch_ in Tangier a quarter Century earlier); behind them James Grauerholz, Burroughs' secretary & his boyfriend at the time Ira Silverberg peeking over Burroughs' left shoulder, March 30, 1985 Manhattan-- my Rolleiflex in Raymond Foye's hands.
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provider_nameNational Gallery of Art
provider_urlhttps://www.nga.gov/
subject_creditlineAnonymous Gift
subject_titleMax Weber and Clarence H. White
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subject_creditlinePatrons' Permanent Fund
subject_titleJosé Clemente Orosco
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subject_creditlineRobert Frank Collection, Gift of Robert Frank
subject_titleDelegates, convention hall--Chicago
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subject_creditlineRobert Frank Collection, Gift of Robert Frank
subject_titlePledge drive, convention hall--Chicago
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provider_nameNational Gallery of Art
provider_urlhttps://www.nga.gov/
subject_creditlineGift of Gary Davis
subject_titleLucien Carr, New York City, March 3, 1985
subject_urlhttps://purl.org/nga/collection/artobject/163955
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provider_nameNational Gallery of Art
provider_urlhttps://www.nga.gov/
subject_creditlineGift of Mary and Dan Solomon
subject_titleTitle from caption on object: “Disarmament Conference, After Herriot Banquet at Hotel des Bergues”
subject_urlhttps://purl.org/nga/collection/artobject/218203
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provider_nameNational Gallery of Art
provider_urlhttps://www.nga.gov/
subject_creditlineGift of Gary Davis
subject_titleDmitri Prigoff and Bella Akhmadulina in her husband Boris Mesuref's studio, Vorovsky Street Moscow -- I found their apartment, she introduced me to Prigoff as outstanding avant-guard experimental Poet- late November 1985. Two years later I read Prigoff's English Translations for him at an art gallery in Manhattan.
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provider_nameNational Gallery of Art
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subject_creditlineRobert Frank Collection, Gift of Robert Frank
subject_titleMen at counter--San Francisco
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provider_nameNational Gallery of Art
provider_urlhttps://www.nga.gov/
subject_creditlineGift of The André and Elizabeth Kertész Foundation
subject_titleJeno Kertész
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provider_nameNational Gallery of Art
provider_urlhttps://www.nga.gov/
subject_creditlinePatrons' Permanent Fund
subject_titleSelf-Portrait with Jim Dine
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provider_nameNational Gallery of Art
provider_urlhttps://www.nga.gov/
subject_creditlineGift of Gary Davis
subject_titleBill Burroughs, more friendly + open than I realized at the time - 1953 - really pleased!
subject_urlhttps://purl.org/nga/collection/artobject/163963
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Depiction IDdf8c6a90-598d-4080-9208-77fe4dbb9e94
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provider_nameNational Gallery of Art
provider_urlhttps://www.nga.gov/
subject_creditlineGift of Gary S. Davis
subject_titlePeter Orlovsky legs crossed mysterious-haired, W.S. Burroughs with camera & hat shading Mediterranean sun, Myself white pants earnest, Alan Ansen...visiting from Venezia to help type new apocalyptic cut-up overflow material from Naked Lunch, Gregory Corso sunglasses & Minox’d, a gambler at casino, Ian Sommerville assisting sound-collage electronics & stroboscope alpha-rhythm. Dream Machine experiments with Bill B. & Brian Gysen then in town, Paul Bowles squinting in bright / mid-day light seated on ground, all assembled outside Bill’s single room, Villa Muniria Garden, / my camera in Michael Portman’s hands, Tangier March-July 1961.
subject_urlhttps://purl.org/nga/collection/artobject/157053
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